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Catch a Wave: Der Aufstieg und die Erlösung der Strandjungen Brian Wilson
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Standort: Telford, Pennsylvania, USA
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Artikelmerkmale
- Artikelzustand
- Type
- Book
- Publication Name
- See Title
- Publish Year
- 2006
- ISBN
- 9781594863202
- Book Title
- Catch a Wave : the Rise, Fall and Redemption of the Beach Boys' Brian Wilson
- Item Length
- 9.3in
- Publisher
- Potter/Ten SPEED/Harmony/Rodale
- Publication Year
- 2006
- Format
- Hardcover
- Language
- English
- Item Height
- 1.3in
- Genre
- Biography & Autobiography, Music
- Topic
- Composers & Musicians, Genres & Styles / Pop Vocal
- Item Width
- 6.2in
- Item Weight
- 20 oz
- Number of Pages
- 352 Pages
Über dieses Produkt
Product Information
Carlin, who conducted in-depth, exclusive interviews with dozens of sources and listened to hundreds of hours of unreleased studio recordings and live music, tells a uniquely American story of Brian Wilson and the Beach Boys.
Product Identifiers
Publisher
Potter/Ten SPEED/Harmony/Rodale
ISBN-10
1594863202
ISBN-13
9781594863202
eBay Product ID (ePID)
50804133
Product Key Features
Book Title
Catch a Wave : the Rise, Fall and Redemption of the Beach Boys' Brian Wilson
Format
Hardcover
Language
English
Topic
Composers & Musicians, Genres & Styles / Pop Vocal
Publication Year
2006
Genre
Biography & Autobiography, Music
Number of Pages
352 Pages
Dimensions
Item Length
9.3in
Item Height
1.3in
Item Width
6.2in
Item Weight
20 oz
Additional Product Features
Lc Classification Number
Ml420.W5525c37 2006
Reviews
Fans will be picking up excitations aplenty from Catch a Wave , this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumed SMiLE was a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys. Grade: A, The Beach Boys in Peter Arnes Carlin'Â'‚¬Â'„¢sCatch a Wave: The Rise, Fall and Redemption of Brian Wilson(Rodale Press): Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promiseÂ" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke EllingtonÂ" had as much to do with social opportunity as sex.'' -Entertainment Weekly Fans will be picking up excitations aplenty fromCatch a Wave, this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'emÂ" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumedSMiLEwas a hitÂ" almost 40 years laterÂ" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys.Grade: A -Entertainment Weekly, The Beach Boys in Peter Arnes Carlin &sb" &b" s Catch a Wave: The Rise, Fall and Redemption of Brian Wilson (Rodale Press) : Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington" had as much to do with social opportunity as sex.'' - Entertainment Weekly Fans will be picking up excitations aplenty from Catch a Wave , this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumed SMiLE was a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys. Grade: A - Entertainment Weekly, The Beach Boys in Peter Arnes Carlin'e(tm)s Catch a Wave: The Rise, Fall and Redemption of Brian Wilson (Rodale Press) : Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington" had as much to do with social opportunity as sex.'' - Entertainment Weekly Fans will be picking up excitations aplenty from Catch a Wave , this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumed SMiLE was a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys. Grade: A - Entertainment Weekly , The Beach Boys in Peter Arnes Carlin'€™sCatch a Wave: The Rise, Fall and Redemption of Brian Wilson(Rodale Press): Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington" had as much to do with social opportunity as sex.'' -Entertainment Weekly Fans will be picking up excitations aplenty fromCatch a Wave, this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumedSMiLEwas a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys.Grade: A -Entertainment Weekly, The Beach Boys in Peter Arnes Carlina (TM) s "Catch a Wave: The Rise, Fall and Redemption of Brian Wilson" (Rodale Press): Great evocations of a great musician and the pop group he built, via great prose: 'As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA, ' and it's just as vivid in 'The Girls on the Beach, ' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington" had as much to do with social opportunity as sex.' - "Entertainment Weekly""" Fans will be picking up excitations aplenty from Catch a Wave, this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. 'If he'd used his music to escape his father, ' Peter Ames Carlin writes, success 'transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!' Ultimately, the exhumed "SMiLE" was a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys. Grade: A - "Entertainment Weekly", "The Beach Boys in Peter Arnes Carlin's Catch a Wave: The Rise, Fall and Redemption of Brian Wilson (Rodale Press): Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington had as much to do with social opportunity as sex." -- Entertainment Weekly "Fans will be picking up excitations aplenty from Catch a Wave , this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumed SMiLE was a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys. Grade: A" -- Entertainment Weekly, The Beach Boys in Peter Arnes Carlin's Catch a Wave: The Rise, Fall and Redemption of Brian Wilson (Rodale Press): Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington had as much to do with social opportunity as sex., The Beach Boys in Peter Arnes Carline(tm)s Catch a Wave: The Rise, Fall and Redemption of Brian Wilson (Rodale Press) : Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington" had as much to do with social opportunity as sex.'' - Entertainment Weekly Fans will be picking up excitations aplenty from Catch a Wave , this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumed SMiLE was a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys. Grade: A - Entertainment Weekly, The Beach Boys in Peter Arnes Carlin'â„¢s Catch a Wave: The Rise, Fall and Redemption of Brian Wilson (Rodale Press) : Great evocations of a great musician and the pop group he built, via great prose: ''As in our fantasies of America, what matters about a person in a Beach Boys song has nothing to do with who he or she is, and everything to do with the strength of their ambition and the things he or she chooses to do with it. This same message plays out across all cultural and racial lines in 'Surfin USA,' and it's just as vivid in 'The Girls on the Beach,' where, as they repeat in the chorus, the young lovelies are 'all within reach.' That promise" extended in the warm, jazzy harmonies Brian cribbed from the Four Freshmen, who found them in the big band arrangements of Stan Kenton and Duke Ellington" had as much to do with social opportunity as sex.'' - Entertainment Weekly Fans will be picking up excitations aplenty from Catch a Wave , this absorbing treatment of Brian Wilson. The Beach Boys' auteur couldn't live with authority figures or without 'em" his abusive dad/manager, his hit-crazed brothers and cousins, or his controlling therapist. ''If he'd used his music to escape his father,'' Peter Ames Carlin writes, success ''transformed everyone around him into a legion of Murrys... [all reiterating] his father's insults. Nobody wants to hear this crap! Dust yourself off and write another hit!'' Ultimately, the exhumed SMiLE was a hit" almost 40 years later" though bandmate Mike Love would still rather get litigious than lavish praise on pop's patron saint of lost boys. Grade: A - Entertainment Weekly
Copyright Date
2006
Target Audience
Trade
Lccn
2006-004928
Dewey Decimal
782.42166092 B
Dewey Edition
22
Illustrated
Yes
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eBay-Artikelnr.:115637499327
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