LISTENING TO SALSA: GENDER, LATIN POPULAR MUSIC, AND By Frances R. Aparicio NEW

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Country of Origin
France
Book Title
Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican
ISBN-10
0819563080
Genre
Music
ISBN
9780819563088
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819563080
ISBN-13
9780819563088
eBay Product ID (ePID)
986129

Product Key Features

Number of Pages
302 Pages
Language
English
Publication Name
Listening to Salsa : Gender, Latin Popular Music, and Puerto Rican Cultures
Subject
General, Anthropology / Cultural & Social, Genres & Styles / Latin, Latin America / General
Publication Year
1998
Type
Textbook
Subject Area
Music, Social Science, History
Author
Frances R. Aparicio
Series
Music / Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
17.6 Oz
Item Length
9 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
9791-000021
Reviews
"Deftly explores the cultural politics of Puerto Rican music, revealing how salsa illuminates the complexities of class, race, and gender identity among Puerto Ricans at home and in the continental United States."-- ISAM Newsletter, Deftly explores the cultural politics of Puerto Rican music, revealing how salsa illuminates the complexities of class, race, and gender identity among Puerto Ricans at home and in the continental United States., "Destined to be a landmark in the study of Latin music, gender studies, and of modern popular culture in general."--Peter Manuel, City University of New York ""Destined to be a landmark in the study of Latin music, gender studies, and of modern popular culture in general.""--Peter Manuel, City University of New York, "Deftly explores the cultural politics of Puerto Rican music, revealing how salsa illuminates the complexities of class, race, and gender identity among Puerto Ricans at home and in the continental United States."ÑISAM Newsletter, "Deftly explores the cultural politics of Puerto Rican music, revealing how salsa illuminates the complexities of class, race, and gender identity among Puerto Ricans at home and in the continental United States."-ISAM Newsletter, "Deftly explores the cultural politics of Puerto Rican music, revealing how salsa illuminates the complexities of class, race, and gender identity among Puerto Ricans at home and in the continental United States."--ISAM Newsletter, "Deftly explores the cultural politics of Puerto Rican music, revealing how salsa illuminates the complexities of class, race, and gender identity among Puerto Ricans at home and in the continental United States."-- ISAM Newsletter "Destined to be a landmark in the study of Latin music, gender studies, and of modern popular culture in general."--Peter Manuel, City University of New York, "Deftly explores the cultural politics of Puerto Rican music, revealing how salsa illuminates the complexities of class, race, and gender identity among Puerto Ricans at home and in the continental United States."- ISAM Newsletter
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
781.64
Table Of Content
List of Illustrations Preface PART I THE DANZA AND THE PLENA: RACIALIZING WOMEN, FEMINIZING MUSIC A Literary Prelude A White Lady Called the Danza A Sensual Mulatta Called the Plena Desiring the Racial Other: Rosario Ferré's Feminist Reconstructions of Danza and Plena PART II THE PLURAL SITES OF SALSA A Postmodern Preface Situating Salsa Ideological Negotiations: Between Hegemony and Resistance Cultural (Mis)Translations and Crossover Nightmares PART III DISSONANT MELODIES: SINGING GENDER, DESIRE, AND CONFLICT Theoretical Pretexts: Listening (as) Woman Woman as Absence: Hetero(homo)sexual Desire in the Bolero Patriarchal Synecdoches: Of Women's Butts and Feminist Rebuttals Singing the Gender Wars Singing Female Subjectivities PART IV ASÍ SOMOS, ASÍ SON: REWRITING SALSA Listening to the Listeners: An Introduction Así Son: Construction Woman Así Somos: Rewriting Patriarchy Afterword Notes Index of Songs and Recordings General Index
Synopsis
Winner of the MLA's Katherine Singer Kovacs Prize for an outstanding book published in English in the field of Latin American and Spanish literatures and culture (1999) For Anglos, the pulsing beats of salsa, merengue, and bolero are a compelling expression of Latino/a culture, but few outsiders comprehend the music's implications in larger social terms. Frances R. Aparicio places this music in context by combining the approaches of musicology and sociology with literary, cultural, Latino, and women's studies. She offers a detailed genealogy of Afro-Caribbean music in Puerto Rico, comparing it to selected Puerto Rican literary texts, then looks both at how Latinos/as in the US have used salsa to reaffirm their cultural identities and how Anglos have eroticized and depoliticized it in their adaptations. Aparicio's detailed examination of lyrics shows how these songs articulate issues of gender, desire, and conflict, and her interviews with Latinas/os reveal how they listen to salsa and the meanings they find in it. What results is a comprehensive view "that deploys both musical and literary texts as equally significant cultural voices in exploring larger questions about the power of discourse, gender relations, intercultural desire, race, ethnicity, and class.", Portrays the complex politics of gender, sex, class, and race in Puerto Rican salsa music. Winner of the MLA's Katherine Singer Kovacs Prize for an outstanding book published in English in the field of Latin American and Spanish literatures and culture (1999) Winner of IASPM's 1999 Woody Guthrie Award For Anglos, the pulsing beats of salsa, merengue, and bolero are a compelling expression of Latino/a culture, but few outsiders comprehend the music's implications in larger social terms. Frances R. Aparicio places this music in context by combining the approaches of musicology and sociology with literary, cultural, Latino, and women's studies. She offers a detailed genealogy of Afro-Caribbean music in Puerto Rico, comparing it to selected Puerto Rican literary texts, then looks both at how Latinos/as in the US have used salsa to reaffirm their cultural identities and how Anglos have eroticized and depoliticized it in their adaptations. Aparicio's detailed examination of lyrics shows how these songs articulate issues of gender, desire, and conflict, and her interviews with Latinas/os reveal how they listen to salsa and the meanings they find in it. What results is a comprehensive view "that deploys both musical and literary texts as equally significant cultural voices in exploring larger questions about the power of discourse, gender relations, intercultural desire, race, ethnicity, and class."
LC Classification Number
ML3535.5.A63 1998

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