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Odd Man Out: Memoir of Hollywood Ten, Edward Dmytryk (1996, PB) Filmbiografie

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eBay-Artikelnr.:116724339680

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
ISBN
9780809319992

Über dieses Produkt

Product Identifiers

Publisher
Southern Illinois University Press
ISBN-10
0809319993
ISBN-13
9780809319992
eBay Product ID (ePID)
1027952

Product Key Features

Book Title
Odd Man Out : a Memoir of the Holllywood Ten
Number of Pages
224 Pages
Language
English
Publication Year
1996
Topic
Entertainment & Performing Arts, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Illustrator
Yes
Genre
Performing Arts, Biography & Autobiography
Author
Edward Dmytryk
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
11.6 Oz
Item Length
9 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
LCCN
94-039958
Dewey Edition
20
Reviews
"Despite the usual tendency to lump the Hollywood Ten into one amorphous bluster, film director Dmytryk's compelling memoir vividly particularizes his experi­ence as a member of that group... Some will insist he cynically exploited others to get off the blacklist, but Dmytryk's forceful explanation of his controversial de­cision to name names is convincing."-- Choice, This is a book written from the inside of a political hurricane made up of compromises and deceit in which the author, despite his idealistic impulses, managed to find himself. Dmytryk's effort to fight his way out of blacklisting and back to active participation in the world of film-making is dramatically but appropriately presented."— Michael Bliss , author of What Goes Around Comes Around: The Films of Jonathan Demme and Justified Lives: Morality and Narrative in the Films of Sam Peckinpah, "This is a book written from the inside of a political hurricane made up of compromises and deceit in which the author, despite his idealistic impulses, managed to find himself. Dmytryk's effort to fight his way out of blacklisting and back to active participation in the world of film-making is dramatically but appropriately presented."-Michael Bliss, author ofWhat Goes Around Comes Around: The Films of Jonathan DemmeandJustified Lives: Morality and Narrative in the Films of Sam Peckinpah, Despite the usual tendency to lump the Hollywood Ten into one amorphous bluster, film director Dmytryk's compelling memoir vividly particularizes his experi ence as a member of that group… Some will insist he cynically exploited others to get off the blacklist, but Dmytryk's forceful explanation of his controversial de cision to name names is convincing."— Choice, Despite the usual tendency to lump the Hollywood Ten into one amorphous bluster, film director Dmytryk's compelling memoir vividly particularizes his experi­ence as a member of that group… Some will insist he cynically exploited others to get off the blacklist, but Dmytryk's forceful explanation of his controversial de­cision to name names is convincing."— Choice, "Despite the usual tendency to lump the Hollywood Ten into one amorphous bluster, film director Dmytryk's compelling memoir vividly particularizes his experi­ence as a member of that group… Some will insist he cynically exploited others to get off the blacklist, but Dmytryk's forceful explanation of his controversial de­cision to name names is convincing."-Choice
Dewey Decimal
791.43/0233/092 B
Synopsis
In this personal and perceptive book, Edward Dmytryk sharply chronicles the history of a particularly turbulent era in American political life while examining his own life before and after the events universally called the witch hunts., In 1947, the House Un-American Activities Committee rudely interrupted the successful career and life of Edward Dmytryk, citing him with contempt of Congress. As a result, Dmytryk was fired by RKO and spent three years in England before returning to the United States to serve a six-month jail sentence and undergo a second round of hearings, during which he recanted and provided evidence against several of his former colleagues. In this personal and perceptive book, Dmytryk sharply chronicles the history of a particularly turbulent era in American political life while examining his own life before and after the events universally called the witch hunts. He details his brief membership in the Communist Party of America, explaining his initial commitment to what he perceived as communist ideals of civil liberties, economic justice, and antifacism, followed by his eventual disillusionment with the party as it betrayed those ideals. He goes on to provide a fair assessment of what then happened to him and the effect it had on the rest of his life. Dmytryk describes the activities, prejudices, and personal behaviors of all the parties enmeshed in the congressional hearings on communism in Hollywood. His reactions to other members of the Hollywood Ten and his recollection of conversations with them lend his book an immediacy that is not only informative but also absorbing. Most importantly, he does not uphold an ideology but rather presents the events as he perceived them, understood them, and responded to them. Dmytryk's account is characterized by an openness born of a mature awareness of personal trial as history., In 1947, the House Un-American Activities Committee rudely interrupted the successful career and life of Edward Dmytryk, citing him with contempt of Congress. As a result, Dmytryk was fired by RKO and spent three years in England before returning to the United States to serve a six-month jail sentence and undergo a second round of hearings, during which he recanted and provided evidence against several of his former colleagues. In this personal and perceptive book, Dmytryk sharply chronicles the history of a particularly turbulent era in American political life while examining his own life before and after the events universally called the witch hunts. He details his brief membership in the Communist Party of America, explaining his initial commitment to what he perceived as communist ideals of civil liberties, economic justice, and antifacism, followed by his eventual disillusionment with the party as itbetrayed those ideals. He goes on to provide a fair assessment of what then happened to him and the effect it had on the rest of his life. Dmytryk describes the activities, prejudices, and personal behaviors of all the parties enmeshed in the congressional hearings on communism in Hollywood. His reactions to other members of the Hollywood Ten and his recollection of conversations with them lend his book an immediacy that is not only informative but also absorbing. Most importantly, he does not uphold an ideology but rather presents the events as he perceived them, understood them, and responded to them. Dmytryk's account is characterized by an openness born of a mature awareness of personal trial as history.
LC Classification Number
PN1998.3.D6A3 1996

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