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SCHWARZE OLIVEN: EIN ROMAN von Martha Tod Dudman - Hardcover **neuwertig**

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Artikelzustand
Neuwertig: Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine ...
Type
Hardcover
Publication Name
Simon & Schuster
ISBN-10
1416549609
ISBN
9781416549604
Book Title
Black Olives
Item Length
7in
Publisher
Simon & Schuster
Publication Year
2008
Format
Hardcover
Language
English
Item Height
0.8in
Author
Martha Tod Dudman
Genre
Fiction
Topic
Psychological, Contemporary Women, General
Item Width
5.1in
Item Weight
8 Oz
Number of Pages
192 Pages

Über dieses Produkt

Product Information

With all the page-turning energy of her bestselling memoir--and award-winning television movie--"Augusta, Gone, Black Olives" chronicles with wit and candor the utterly painful emotions of a breakup.

Product Identifiers

Publisher
Simon & Schuster
ISBN-10
1416549609
ISBN-13
9781416549604
eBay Product ID (ePID)
59616931

Product Key Features

Book Title
Black Olives
Author
Martha Tod Dudman
Format
Hardcover
Language
English
Topic
Psychological, Contemporary Women, General
Publication Year
2008
Genre
Fiction
Number of Pages
192 Pages

Dimensions

Item Length
7in
Item Height
0.8in
Item Width
5.1in
Item Weight
8 Oz

Additional Product Features

Lc Classification Number
Ps3604.U37b57 2008
Reviews
"What is obsession? What is desire? What is pure lust? And what, what does love have to do with it? In prose as succulent as olives, Martha Tod Dudman attacks this eternal snarl, and the result is a hilarious, charming novel especially for women past forty who still insist on outrageous underwear, great sex, and new territory when it comes to living days of power and nights with men." - Honor Moore, author of Red Shoes, "What is obsession? What is desire? What is pure lust? And what, what! does love have to do with it? In prose as succulent as olives, Martha Dudman attacks this eternal snarl, and the result is a hilarious, charming novel especially for women past forty who still insist on outrageous underwear, great sex, and new territory when it comes to living days of power and nights with men." --Honor Moore, author ofRed Shoes, "Black Oliveswill turn your heart inside out with its story of lost love, aging romance, and sweet and sour sex. You'll gobble it in one great big gulp and then be furious at Martha Tod Dudman until she writes another book." -- Kitty Kelley, author ofThe Family: The Real Story of the Bush Dynasty, "Smart, sad, and funny, this compulsively readable novel examines later loves and its discontents, demonstrating with wit and rue that breaking up is hard to do at any age." -- Judith Viorst, author ofI'm Too Young to Be Seventy: And Other Delusionsand co-author ofAlexander and the Terrible, Horrible, No Good, Very Bad Day, "The treachery of a trusted partner brings about the sudden disintegration of the victim's inner world, shattering those basic assumptions that have served to make life feel livable and safe. InBlack Olives,Martha Tod Dudman tells the story of a woman who has come face-to-face with a highly dangerous, unstable universe -- and she tells it in breathtaking prose. I recommend this smart, suspenseful novel; it is a real page-turner!" -- Maggie Scarf, author ofSecrets, Lies, Betrayalsand the bestsellingIntimate Partners: Patterns in Love and Marriage, "The physical landscape ofBlack Olivesis a small town in Downeast Maine, but the emotional landscape is that of the human heart. In particular, it is the female heart that Martha Tod Dudman so skillfully mines. If an author requires a literary vehicle to convey his or her story, then Dudman's literary vehicle is actually a Jeep Cherokee. I have always resisted the term 'page-turner' because of the hype that seems to lie behind the phrase. But this book, Dear Reader, is a page-turner, right up to its lyrical and surprising end." - Cathie Pelletier, author ofThe Funeral MakersandRunning the Bulls, "The treachery of a trusted partner brings about the sudden disintegration of the victim's inner world, shattering those basic assumptions that have served to make life feel livable and safe. In Black Olives, Martha Tod Dudman tells the story of a woman who has come face-to-face with a highly dangerous, unstable universe-and she tells it in breathtaking prose." - Maggie Scarf, author of Secrets, Lies, Betrayals and Intimate Partners: Patterns in Love and Marriage, "What is obsession? What is desire? What is pure lust? And what, what does love have to do with it? In prose as succulent as olives, Martha Tod Dudman attacks this eternal snarl, and the result is a hilarious, charming novel especially for women past forty who still insist on outrageous underwear, great sex, and new territory when it comes to living days of power and nights with men."- Honor Moore, author ofRed Shoes, "The treachery of a trusted partner brings about the sudden disintegration of the victim's inner world, shattering those basic assumptions that have served to make life feel livable and safe. In Black Olives, Martha Tod Dudman tells the story of a woman who has come face-to-face with a highly dangerous, unstable universe-and she tells it in breathtaking prose." - Maggie Scarf, author of "Secrets, Lies, Betrayals and Intimate Partners: Patterns in Love and Marriage", "Smart, sad, and funny, this compulsively readable novel examines later love and its discontents, demonstrating with wit and rue that breaking up is hard to do at any age." - Judith Viorst, author of I'm Too Young to Be Seventy: And Other Delusions and coauthor of Alexander and the Terrible, Horrible, No Good, Very Bad Day, "Smart, sad, and funny, this compulsively readable novel examines later lovesand its discontents, demonstrating with wit and rue that breaking up is hard todo at any age." -Judith Viorst, "The physical landscape of "Black Olives" is a small town in Downeast Maine, but the emotional landscape is that of the human heart. In particular, it is the female heart that Martha Tod Dudman so skillfully mines. If an author requires a literary vehicle to convey his or her story, then Dudman's literary vehicle is actually a Jeep Cherokee. I have always resisted the term "page-turner" because of the hype that seems to lie behind the phrase. But this book, Dear Reader, is a page-turner, right up to its lyrical and surprising end."-- Cathie Pelletier, Author of "The Funeral Makers" and "Running the Bulls", "The treachery of a trusted partner brings about the sudden disintegration of the victim's inner world, shattering those basic assumptions that have served to make life feel livable and safe. In Black Olives, Martha Tod Dudman tells the story of a woman who has come face-to-face with a highly dangerous, unstable universe-and she tells it in breathtaking prose." - Maggie Scarf, author ofSecrets, Lies, Betrayals and Intimate Partners: Patterns in Love and Marriage, "Smart, sad, and funny, this compulsively readable novel examines later love and its discontents, demonstrating with wit and rue that breaking up is hard to do at any age." - Judith Viorst, author ofI'm Too Young to Be Seventy: And Other Delusionsand coauthor ofAlexander and the Terrible, Horrible, No Good, Very Bad Day, "What is obsession? What is desire? What is pure lust? And what, what does love have to do with it? In prose as succulent as olives, Martha Tod Dudman attacks this eternal snarl, and the result is a hilarious, charming novel especially for women past forty who still insist on outrageous underwear, great sex, and new territory when it comes to living days of power and nights with men."- Honor Moore, author of "Red Shoes", "Smart, sad, and funny, this compulsively readable novel examines later love and its discontents, demonstrating with wit and rue that breaking up is hard to do at any age."- Judith Viorst, author ofI'm Too Young to Be Seventy: And Other Delusionsand coauthor ofAlexander and the Terrible, Horrible, No Good, Very Bad Day, "The physical landscape of Black Olives is a small town in Downeast Maine, but the emotional landscape is that of the human heart. In particular, it is the female heart that Martha Tod Dudman so skillfully mines. If an author requires a literary vehicle to convey his or her story, then Dudman's literary vehicle is actually a Jeep Cherokee. I have always resisted the term 'page-turner' because of the hype that seems to lie behind the phrase. But this book, Dear Reader, is a page-turner, right up to its lyrical and surprising end." - Cathie Pelletier, author of The Funeral Makers and Running the Bulls, "Smart, sad, and funny, this compulsively readable novel examines later love and its discontents, demonstrating with wit and rue that breaking up is hard to do at any age." - Judith Viorst, author of "I'm Too Young to Be Seventy: And Other Delusions" and coauthor of "Alexander and the Terrible, Horrible, No Good, Very Bad Day"
Copyright Date
2008
Lccn
2007-012949
Dewey Decimal
813/.6
Intended Audience
Trade
Dewey Edition
22

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