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Disavowals: Or Cancelled Confessions - Paperback, by Cahun Claude; Orlan - Good
US $97,23
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eBay-Artikelnr.:126927017524
Artikelmerkmale
- Artikelzustand
- Type
- Textbook
- ISBN
- 9780262533034
Über dieses Produkt
Product Identifiers
Publisher
MIT Press
ISBN-10
0262533030
ISBN-13
9780262533034
eBay Product ID (ePID)
63849491
Product Key Features
Original Language
French
Book Title
Disavowals
Number of Pages
256 Pages
Language
English
Topic
Women Authors, Individual Artists / General, Individual Photographers / General, General, History / General
Publication Year
2008
Illustrator
Yes
Genre
Literary Criticism, Art, Photography
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
19.2 Oz
Item Length
8.5 in
Item Width
7 in
Additional Product Features
Intended Audience
Trade
LCCN
2007-031407
Preface by
Orlan, Pierre Mac
Dewey Edition
22
Grade From
College Graduate Student
Afterword by
Lhermitte, Agnès
Dewey Decimal
779.092
Synopsis
Warning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals. Memories? Choice morsels. My soul is fragmentary.--from DisavowalsClaude Cahun (1894-1954), born Lucy Schwob, was a poet, performer, resistance fighter, prisoner, Surrealist, "constructor and explorer of objects," photographer, and "queer freak" who invented her life by flaunting the interchangability of roles and playing with the ambivalence of identity. Whether feigning vulnerability on the arm of her lover and stepsister Suzanne Malherbe aka Marcel Moore ("the other me"), making theatrical public appearances in disguise (sailor, gymnast, gypsy), or making herself up (vampire, Buddha, mannequin, angel) for self-portraits and installations, she rendered opposites inoperative and exposed the thinness of gender and power constructs by reducing them to mere surface costumes. In May 1930 Éditions Carrefour of Paris published 500 copies of a book called Aveux non avenues, in which Cahun explored these same dialectics in book form. It is the nearest thing to a memoir Cahun wrote, but in fact the book is an anti-memoir, a critique of autobiography, where she uses subversive photomontages and statements to present herself as a force of genius possessed of the need to resist identification and to maintain within herself "the mania of the exception." Disavowals is the first appearance of that work, widely considered to be her most important text, in English. Reproductions of the original photomontages introduce the various sections, which in turn explore Cahun's distinctive ideas and obsessions--self-interrogation, narcissism, metamorphosis, love, gender-switching, humor, fear. An extensive introduction by Tate curator Jennifer Mundy sets the text in the context of Cahun's life and art. Also included is a translation of the original preface by Cahun's friend Pierre Mac Orlan, a comment by her biographer, François Leperlier, a note on the translation by Susan de Muth, and a postscript by Agnès Lhermitte., Warning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals. Memories? Choice morsels. My soul is fragmentary.--from DisavowalsClaude Cahun (1894-1954), born Lucy Schwob, was a poet, performer, resistance fighter, prisoner, Surrealist, "constructor and explorer of objects," photographer, and "queer freak" who invented her life by flaunting the interchangability of roles and playing with the ambivalence of identity. Whether feigning vulnerability on the arm of her lover and stepsister Suzanne Malherbe aka Marcel Moore ("the other me"), making theatrical public appearances in disguise (sailor, gymnast, gypsy), or making herself up (vampire, Buddha, mannequin, angel) for self-portraits and installations, she rendered opposites inoperative and exposed the thinness of gender and power constructs by reducing them to mere surface costumes. In May 1930 ditions Carrefour of Paris published 500 copies of a book called Aveux non avenues, in which Cahun explored these same dialectics in book form. It is the nearest thing to a memoir Cahun wrote, but in fact the book is an anti-memoir, a critique of autobiography, where she uses subversive photomontages and statements to present herself as a force of genius possessed of the need to resist identification and to maintain within herself "the mania of the exception." Disavowals is the first appearance of that work, widely considered to be her most important text, in English. Reproductions of the original photomontages introduce the various sections, which in turn explore Cahun's distinctive ideas and obsessions--self-interrogation, narcissism, metamorphosis, love, gender-switching, humor, fear. An extensive introduction by Tate curator Jennifer Mundy sets the text in the context of Cahun's life and art. Also included is a translation of the original preface by Cahun's friend Pierre Mac Orlan, a comment by her biographer, Fran ois Leperlier, a note on the translation by Susan de Muth, and a postscript by Agn s Lhermitte., Warning: this memoir makes the enigma of Claude Cahun even more enigmatic; anyone who comes to it looking for confessions will first have to deal with her disavowals.
LC Classification Number
TR653.C3185 2007
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