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Der Mann mit dem Gesicht der Flucht: Ein Parker-Roman (Parker-Romane) von Stark, Richard
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Der Mann mit dem Gesicht der Flucht: Ein Parker-Roman (Parker-Romane) von Stark, Richard
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Der Mann mit dem Gesicht der Flucht: Ein Parker-Roman (Parker-Romane) von Stark, Richard

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    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Narrative Type
    Nonfiction
    Intended Audience
    Adult
    Inscribed
    NO
    ISBN
    9780226771007

    Über dieses Produkt

    Product Identifiers

    Publisher
    University of Chicago Press
    ISBN-10
    0226771008
    ISBN-13
    9780226771007
    eBay Product ID (ePID)
    65936997

    Product Key Features

    Book Title
    Man with the Getaway Face : a Parker Novel
    Number of Pages
    224 Pages
    Language
    English
    Publication Year
    2008
    Topic
    Mystery & Detective / Hard-Boiled, Thrillers / Suspense, Crime, Action & Adventure
    Genre
    Fiction
    Author
    Richard Stark
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.6 in
    Item Weight
    6.1 Oz
    Item Length
    8 in
    Item Width
    5.2 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2008-012333
    TitleLeading
    The
    Dewey Edition
    22
    Reviews
    Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity--a remarkable addition to the list of the shockers that the French call romans noirs., "Richard Stark's Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time."-John Banville, Bookforum, "Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible."- Washington Post Book World, Parker is a brilliant invention. . . . What chiefly distinguishes Westlake, under whatever name, is his passion for process and mechanics. . . . Parker appears to have eliminated everything from his program but machine logic, but this is merely protective coloration. He is a romantic vestige, a free-market anarchist whose independent status is becoming a thing of the past., Donald Westlake's Parker novels are among the small number of books I read over and over. Forget all that crap you've been telling yourself about War and Peace and Proust-these are the books you'll want on that desert island., Elmore Leonard wouldn't write what he does if Stark hadn't been there before. And Quentin Tarantino wouldn't write what he does without Leonard. . . . Old master that he is, Stark does all of them one better., Richard Stark's Parker novels . . . are among the most poised and polished fictions of their time and, in fact, of any time., "Parker is a true treasure. . . . The master thief is back, along with Richard Stark."-Marilyn Stasio, New York Times Book Review, If you're looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter , The Outfit , The Mourner , and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s., Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible., The UC Press mission, to reprint the 1960s Parker novels of Richard Stark (the late Donald Westlake), is wholly admirable. The books have been out of print for decades, and the fast-paced, hard-boiled thrillers featuring the thief Parker are brilliant., "Elmore Leonard wouldn't write what he does if Stark hadn't been there before. And Quentin Tarantino wouldn't write what he does without Leonard. . . . Old master that he is, Stark does all of them one better."-Los Angeles Times, "Elmore Leonard wouldn't write what he does if Stark hadn't been there before. And Quentin Tarantino wouldn't write what he does without Leonard. . . . Old master that he is, Stark does all of them one better."- Los Angeles Times, "Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity-a remarkable addition to the list of the shockers that the French call romans noirs."-Anthony Boucher, New York Times Book Review, Richard Stark writes a harsh and frightening story of criminal warfare and vengeance with economy, understatement and a deadly amoral objectivity-a remarkable addition to the list of the shockers that the French call romans noirs., "Whatever Stark writes, I read. He's a stylist, a pro, and I thoroughly enjoy his attitude."-Elmore Leonard, The University of Chicago Press has recently undertaken a campaign to get Parker back in print in affordable and handsome editions, and I dove in. And now I get it., Fiercely distracting . . . . Westlake is an expert plotter; and while Parker is a blunt instrument of a human being depicted in rudimentary short grunts of sentences, his take on other characters reveals a writer of great humor and human understanding., I wouldn't care to speculate about what it is in Westlake's psyche that makes him so good at writing about Parker, much less what it is that makes me like the Parker novels so much. Suffice it to say that Stark/Westlake is the cleanest of all noir novelists, a styleless stylist who gets to the point with stupendous economy, hustling you down the path of plot so briskly that you have to read his books a second time to appreciate the elegance and sober wit with which they are written., Parker . . . lumbers through the pages of Richard Stark's noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple., "If you're looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter , The Outfit , The Mourner , and The Man with the Getaway Face are all beautifully paced,tautly composed, and originally published in the early 1960s."- Christian Science Monitor, Donald Westlake's Parker novels are among the small number of books I read over and over. Forget all that crap you've been telling yourself about War and Peace and Proust--these are the books you'll want on that desert island., If you're a fan of noir novels and haven't yet read Richard Stark, you may want to give these books a try. Who knows? Parker may just be the son of a bitch you've been searching for., "If you're looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter, The Outfit, The Mourner, and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s."-Christian Science Monitor, "Donald Westlake's Parker novels are among the small number of books I read over and over. Forget all that crap you've been telling yourself about War and Peace and Proust-these are the books you'll want on that desert island."-Lawrence Block, "Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible."-Washington Post Book World
    Dewey Decimal
    813/.54
    Table Of Content
    The Minding Organization.Transforming the Organization into an Organism.Adapting and Planning.Structure, Creativity, and Error: The Foundations of the Minding Organization.Chaos to Order to Chaos: Embracing Uncertainty.Expanding the Imagination: Frames as Filters.Kniht Backwards: Visit the Future in the Present.The New Leadership: Operating on the Edge of Chaos.The Minding Organization in Action.Epilogue.Appendix.Sources.Index.About the Authors.
    Synopsis
    In New York there was a contract on his life. In Nebraska there was an unscrupulous plastic surgeon guarded by a punch-drunk fighter. And somewhere in New Jersey there was an armored car stuffed with money. In the middle of it all was Parker. Parker goes under the knife in The Man with the Getaway Face , changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet, but there's a catch--a beautiful, dangerous catch who goes by the name Alma., In New York there was a contract on his life. In Nebraska there was an unscrupulous plastic surgeon guarded by a punch-drunk fighter. And somewhere in New Jersey there was an armored car stuffed with money. In the middle of it all was Parker. Parker goes under the knife in The Man with the Getaway Face , changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet, but there's a catch-a beautiful, dangerous catch who goes by the name Alma., You probably haven't ever noticed them. But they've noticed you. They notice everything . That's their job. Sitting quietly in a nondescript car outside a bank making note of the tellers' work habits, the positions of the security guards. Lagging a few car lengths behind the Brinks truck on its daily rounds. Surreptitiously jiggling the handle of an unmarked service door at the racetrack. They're thieves. Heisters, to be precise. They're pros, and Parker is far and away the best of them. If you're planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister's heister, the robber's robber, the heavy's heavy. You don't want to cross him, and you don't want to get in his way, because he'll stop at nothing to get what he's after. Parker, the ruthless antihero of Richard Stark's eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style-and adored by fans who turn each intoxicating page with increasing urgency-Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover-and become addicted to. Parker goes under the knife in The Man with the Getaway Face , changing his face to escape the mob and a contract on his life. Along the way he scores his biggest heist yet: an armored car in New Jersey, stuffed with cash. "Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible."- Washington Post Book World "Elmore Leonard wouldn't write what he does if Stark hadn't been there before. And Quentin Tarantino wouldn't write what he does without Leonard. . . . Old master that he is, Stark does all of them one better."- Los Angeles Times "Donald Westlake's Parker novels are among the small number of books I read over and over. Forget all that crap you've been telling yourself about War and Peace and Proust-these are the books you'll want on that desert island."-Lawrence Block
    LC Classification Number
    PS3573.E9M3 2008

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