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Film Study – The Films of Akira Kurosawa, Expanded Edition
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eBay-Artikelnr.:127328013724
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780520220379
Über dieses Produkt
Product Identifiers
Publisher
University of California Press
ISBN-10
0520220374
ISBN-13
9780520220379
eBay Product ID (ePID)
415140
Product Key Features
Edition
3
Book Title
Films of Akira Kurosawa
Number of Pages
274 Pages
Language
English
Topic
Film / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts)
Publication Year
1999
Illustrator
Yes
Genre
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
34.2 Oz
Item Length
9.9 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
19
Dewey Decimal
791.4302330924
Synopsis
In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching . Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon -one of the best-remembered and most talked-of films in any language-was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru , from the naked violence of Seven Samurai to the savage comedy of Yojimbo , from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro ., In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching . Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. His Rashomon --one of the best-remembered and most talked-of films in any language--was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity of Rashomon to the moral dedication of Ikiru , from the naked violence of Seven Samurai to the savage comedy of Yojimbo , from the terror-filled feudalism of Throne of Blood to the piercing wit of Sanjuro ., In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be calledThe Ocean Was Watching. Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like very few others in the teeth of a huge and relentless industry, to elevate each of his films to a distinctive level of art. HisRashomon--one of the best-remembered and most talked-of films in any language--was a revelation when it appeared in 1950 and did much to bring Japanese cinema to the world's attention. Kurosawa's films display an extraordinary breadth and an astonishing strength, from the philosophic and sexual complexity ofRashomonto the moral dedication ofIkiru, from the naked violence ofSeven Samuraito the savage comedy ofYojimbo, from the terror-filled feudalism ofThrone of Bloodto the piercing wit ofSanjuro., In 2006, 500 years after his death, the Royal Library of Belgium organised an exhibition revealing treasures from the era of Philip the Fair (1478-1506), last duke of Burgundy. This volume reunites most of the papers delivered at a conference held during the exhibition, increased with four new chapters. Ten specialists from Belgium, the Netherlands and the United States discuss the book market and its place in society in this transitional period when manuscripts and printed books were produced and used next to one another. The contributions are organised in pairs around five topics, whereby in each case one author treats manuscripts and the other printed books: Philip the Fair and his books, art in books, music in books, politics in books, the book market. Contributions by: Renaud Adam, Jean-Marie Cauchies, Marieke van Delft, Lieve De Kesel, Samuel Mareel, Zoe Saunders, Susie Speakman Sutch, Herman Pleij, Rob Wegman, and Hanno Wijsman.
LC Classification Number
PN1998.3
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