Molloy, Malone stirbt, The Unnamable (Everyman's Library), Beckett, Samuel Buch
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Molloy, Malone stirbt, The Unnamable (Everyman's Library), Beckett, Samuel Buch
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Artikelmerkmale
- Artikelzustand
- ISBN
- 9780375400704
Über dieses Produkt
Product Identifiers
Publisher
Knopf Doubleday Publishing Group
ISBN-10
0375400702
ISBN-13
9780375400704
eBay Product ID (ePID)
583121
Product Key Features
Book Title
Molloy, Malone Dies, the Unnamable : a Trilogy; Introduction by Gabriel Josipovici
Number of Pages
512 Pages
Language
English
Topic
Literary
Publication Year
1997
Genre
Fiction
Book Series
Everyman's Library Contemporary Classics Ser.
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
19.6 Oz
Item Length
8.3 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Trade
LCCN
98-119494
Reviews
"Beckett is one of the most positive writers alive. Behind all his mournful blasphemies against man there is real love. And he is genuine: every sentence is written as if it had been lived." - The New York Times Book Review "[Beckett] possesses fierce intellectual honesty, and his prose has a bare, involuted rhythm that is almost hypnotic." - Time "Samuel Beckett is sui generis...He has given a voice to the decrepit and maimed and inarticulate, men and women at the end of their tether, past pose or pretense, past claim of meaningful existence. He seems to say that only there and then, as metabolism lowers, amid God's paucity, not his plenty, can the core of the human condition be approached...Yet his musical cadences, his wrought and precise sentences, cannot help but stave off the void...Like salamanders we survive in his fire." -Richard Ellmann "[Beckett] is an incomparable spellbinder...a serious writer with something serious to say about the human condition." - The New York Times, "More powerful and important than Godot... Mr. Beckett seeks to empty the novel of its usual recognizable objects -- plot, situation, characters -- and yet to keep the reader interested and moved. Beckett is one of the most positive writers alive. Behind all his mournful blasphemies against man there is real love. And he is genuine: every sentence is written as if it had been lived." -- New York Times Book Review "[Beckett] possesses fierce intellectual honesty, and his prose has a bare, involuted rhythm that is almost hypnotic." -- Time "Samuel Beckett is sui generis...He has given a voice to the decrepit and maimed and inarticulate, men and women at the end of their tether, past pose or pretense, past claim of meaningful existence. He seems to say that only there and then, as metabolism lowers, amid God's paucity, not his plenty, can the core of the human condition be approached...Yet his musical cadences, his wrought and precise sentences, cannot help but stave off the void...Like salamanders we survive in his fire." -- Richard Ellmann "[Beckett] is an incomparable spellbinder...a serious writer with something serious to say about the human condition." -- New York Times, "Beckett is one of the most positive writers alive. Behind all his mournful blasphemies against man there is real love. And he is genuine: every sentence is written as if it had been lived." -The New York Times Book Review "[Beckett] possesses fierce intellectual honesty, and his prose has a bare, involuted rhythm that is almost hypnotic." -Time "Samuel Beckett is sui generis...He has given a voice to the decrepit and maimed and inarticulate, men and women at the end of their tether, past pose or pretense, past claim of meaningful existence. He seems to say that only there and then, as metabolism lowers, amid God's paucity, not his plenty, can the core of the human condition be approached...Yet his musical cadences, his wrought and precise sentences, cannot help but stave off the void...Like salamanders we survive in his fire." -Richard Ellmann "[Beckett] is an incomparable spellbinder...a serious writer with something serious to say about the human condition." -The New York Times
Dewey Edition
21
Series Volume Number
Vol. 236
Dewey Decimal
823/.912
Synopsis
The first novel of Samuel Beckett's mordant and exhilarating midcentury trilogy introduces us to Molloy, who has been mysteriously incarcerated, and who subsequently escapes to go discover the whereabouts of his mother. In the latter part of this curious masterwork, a certain Jacques Moran is deputized by anonymous authorities to search for the aforementioned Molloy. In the trilogy's second novel, Malone, who might or might not be Molloy himself, addresses us with his ruminations while in the act of dying. The third novel consists of the fragmented monologue-delivered, like the monologues of the previous novels, in a mournful rhetoric that possesses the utmost splendor and beauty-of what might or might not be an armless and legless creature living in an urn outside an eating house. Taken together, these three novels represent the high-water mark of the literary movement we call Modernism. Within their linguistic terrain, where stories are taken up, broken off, and taken up again, where voices rise and crumble and are resurrected, we can discern the essential lineaments of our modern condition, and encounter an awesome vision, tragic yet always compelling and always mysteriously invigorating, of consciousness trapped and struggling inside the boundaries of nature.
LC Classification Number
PQ2603.E378A6 1997
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