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Persuasion (Norton Critical - Taschenbuch, von Austen Jane; Spacks - akzeptabel n

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Artikelzustand
Akzeptabel: Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ...
Type
Textbook
ISBN
9780393960181
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Norton & Company, Incorporated, w. w.
ISBN-10
0393960188
ISBN-13
9780393960181
eBay Product ID (ePID)
52921

Product Key Features

Book Title
Persuasion
Number of Pages
336 Pages
Language
English
Topic
Literary, European / English, Irish, Scottish, Welsh
Publication Year
1994
Illustrator
Yes
Genre
Literary Criticism, Fiction
Author
Jane Austen
Book Series
Norton Critical Editions Ser.
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
11.2 Oz
Item Length
8.4 in
Item Width
5.1 in

Additional Product Features

Intended Audience
College Audience
LCCN
94-004510
Dewey Edition
22
Series Volume Number
0
Dewey Decimal
823/.7
Synopsis
The text of this Norton Critical Edition is that of the first edition (dated 1818 but probably issued in late 1817), which was published posthumously., The editor has spelled out ampersands and made superscript letters lowercase. The novel, which is fully annotated, is followed by the two canceled chapters that comprise Persuasion 's original ending. "Backgrounds and Contexts" collects contemporary assessments of Jane Austen as well as materials relating to social issues of the period. Included are an excerpt from William Hayley's 1785 "Essay on Old Maids"; Austen's letters to Fanny Knight, which reveal her skepticism about marriage as the key to happiness; Henry Austen's memorial tribute to his famous sister; assessments by nineteenth-century critics Julia Kavanagh and Goldwin Smith, who saw Austen as an unassuming, sheltered, "feminine," rural writer; and the perspective of Austen's biographer Geraldine Edith Mitten. "Modern Critical Views" reflects a dramatic shift in the way that twentieth-century scholars view both Austen and Persuasion . Increasingly, the focus is on Austen's moral purposefulness and political acumen and on Persuasion's historical, social, and political implications. A variety of perspectives are provided by A. Walton Litz, Marilyn Butler, Tony Tanner, Robert Hopkins, Ann W. Astell, Claudia L. Johnson, and Cheryl Ann Weissman. A Selected Bibliography is also included., The editor has spelled out ampersands and made superscript letters lowercase. The novel, which is fully annotated, is followed by the two canceled chapters that comprise Persuasion's original ending. "Backgrounds and Contexts" collects contemporary assessments of Jane Austen as well as materials relating to social issues of the period. Included are an excerpt from William Hayley's 1785 "Essay on Old Maids"; Austen's letters to Fanny Knight, which reveal her skepticism about marriage as the key to happiness; Henry Austen's memorial tribute to his famous sister; assessments by nineteenth-century critics Julia Kavanagh and Goldwin Smith, who saw Austen as an unassuming, sheltered, "feminine," rural writer; and the perspective of Austen's biographer Geraldine Edith Mitten. "Modern Critical Views" reflects a dramatic shift in the way that twentieth-century scholars view both Austen and Persuasion. Increasingly, the focus is on Austen's moral purposefulness and political acumen and on Persuasion's historical, social, and political implications. A variety of perspectives are provided by A. Walton Litz, Marilyn Butler, Tony Tanner, Robert Hopkins, Ann W. Astell, Claudia L. Johnson, and Cheryl Ann Weissman. A Selected Bibliography is also included., The novel, which is fully annotated, is followed by the two canceled chapters that comprise Persuasion 's original ending. "Backgrounds and Contexts" collects contemporary assessments of Jane Austen as well as materials relating to social issues of the period. Included are an excerpt from William Hayley's 1785 "Essay on Old Maids"; Austen's letters to Fanny Knight, which reveal her skepticism about marriage as the key to happiness; Henry Austen's memorial tribute to his famous sister; assessments by nineteenth-century critics Julia Kavanagh and Goldwin Smith, who saw Austen as an unassuming, sheltered, "feminine," rural writer; and the perspective of Austen's biographer Geraldine Edith Mitten. "Modern Critical Views" reflects a dramatic shift in the way that twentieth-century scholars view both Austen and Persuasion . Increasingly, the focus is on Austen's moral purposefulness and political acumen and on Persuasion's historical, social, and political implications. A variety of perspectives are provided by A. Walton Litz, Marilyn Butler, Tony Tanner, Robert Hopkins, Ann W. Astell, Claudia L. Johnson, and Cheryl Ann Weissman. A Selected Bibliography is also included.
LC Classification Number
PR4034.P4 1995

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