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Performance Practices in Classic Piano Music: Their Principles and Applications
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Performance Practices in Classic Piano Music: Their Principles and Applications
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Performance Practices in Classic Piano Music: Their Principles and Applications

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    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Binding
    Hardcover
    Product Group
    Book
    Weight
    2 lbs
    IsTextBook
    No
    ISBN
    9780253343147
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Indiana University Press
    ISBN-10
    0253343143
    ISBN-13
    9780253343147
    eBay Product ID (ePID)
    69138

    Product Key Features

    Book Title
    Performance Practices in Classic Piano Music : Their Principles and Applications
    Number of Pages
    544 Pages
    Language
    English
    Topic
    Musical Instruments / Piano & Keyboard
    Publication Year
    1988
    Illustrator
    Yes
    Genre
    Music
    Author
    Sandra P. Rosenblum
    Book Series
    Music: Scholarship and Performance Ser.
    Format
    Hardcover

    Dimensions

    Item Weight
    17.6 Oz
    Item Length
    9.4 in
    Item Width
    5.9 in

    Additional Product Features

    LCCN
    87-045437
    Dewey Edition
    23
    Dewey Decimal
    786.3/041
    Table Of Content
    FOREWORD BY MALCOLM BILSON PREFACE: ABOUT PERFORMANCE PRACTICES ACKNOWLEDGMENTS SOURCES OF FIGURES INTRODUCTION: USING THIS BOOK ABBREVIATIONS I. Background for the Study Point of View Invention and Gradual Acceptance of the Piano The Musical Need CristoforiÕs Invention The PianoÕs Ultimate Triumph Some Influences on Performance Music and Rhetoric Empfindsamkeit (Sensibility) Sturm und Drang (Storm and Stress) Haydn and Mozart Beethoven and the Rhetorical Spirit Beyond Beethoven The Musical Score Changes in the Classic Era More-Recent Developments The Composers and Their Pianism Haydn Mozart Clementi Beethoven CzernyÕs Observations on Beethoven Performance II. The Fortepiano circa 1780-1820 General Characteristics of Construction Expansion of Keyboard Compass and Instrument Size Changes in Range and Construction BeethovenÕs Extension of Range The Problem of ÒNote RestorationÓ Tone and Touch ÒMutationsÓ: Hand Stops, Levers, and Pedals English Versus Viennese Fortepianos Actions and Sounds Attempts to Modify the Viennese Action Four Classic Composers and Their Fortepianos Composer-Performers and Piano Makers Haydn, Mozart, and Clementi Beethoven Instruments Played for This Study Viennese Instruments German Instruments English Instruments Personal Observations III. Dynamics and Accentuation Playing Classic Period Music on a Modern Grand Piano Notation and Interpretation of Dynamic Indications Introduction Orientation to ComposersÕ Notation and Unfamiliar Terms The Scope of Forte and Piano Concinnity of Dynamics and Form Filling in the Missing Dynamics Terraced and Graduated Dynamics Repeats Repeats in Sonata-Allegro Form Inner Repeats in the Minuet or Scherzo Da Capo Evolution of Calando and Related Terms Origin: Use by Haydn and Mozart ClementiÕs Definition and Usage Use of Calando by Beethoven, Hummel, and Czerny Qualitative (Dynamic) Accents Indications for Accents ComposersÕ Uses of Accent Indications Rinforzando Types of Accentuation Accentuation in BeethovenÕs Music; The Annotations to CramerÕs Etudes The Annotations to Etudes IX and XII Schindler and Beethoven An Assessment of the Annotations to CramerÕs Etudes IV. Use of the Pedals The Damper Pedal: Introduction Types of Pedaling Rhythmic Pedaling Syncopated or Legato Pedaling Stylistic Use of the Damper Pedal Contemporary Descriptions and Uses Planning Appropriate Pedaling The Development of Pedal Indications and Their Ambiguities England and France Germany and Austria Special Effects by Beethoven, Dussek, Clementi, and Others Indications that Create Distinctive Timbres Indications that Highlight Form The ÒMoonlightÓ Sonata Adjusting Early Pedal Indications to the Pianoforte The Una Corda Pedal V. Articulation and Touch Introduction Nonlegato, Legato, and the Prolonged Touch Nonlegato, Tenuto, and the Heavy and Light Execution A Shift toward More Legato Legato and Legatissimo Touches Described in Tutors The Prolonged Touch The Language of the Slur The Expressivity of Short Slurs Longer Legato Goups and Slurs Do All Slurs Indicate Attack and Release? Dot, Stroke and Wedge VI. Historical Technique and Fingering Point of View Specific Functions of Technique Role and Position of the Arm and Hand Finger Technique How to Practice Staccato Touches Playing the Incise Slur Repeated Notes, Octaves, and Glissandos Summary Increasing Technical Demands ClementiÕs Introduction and Gradus BeethovenÕs Exercises and Other Fragments Fingerings by Clementi and Beethoven VII. Ornaments Introduction Appoggiaturas and Other One-N
    Synopsis
    ..". is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." -- American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." -- Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." -- Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." -- The Musical Times "Its importance to thoughtful musicians cannot be overstated." -- Choice ..". thoroughly musicological." -- Performance Practice Review ..". indispensable... " -- New York Times
    LC Classification Number
    ML705.R67 1988

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      The book I received was an excellent condition. The book was advertise as used, but if you ask me, it was like brand new. It even smelled brand new lol.It was very well packaged and great communication. This is a seller you can trust thank you.
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      Events surrounding this, is one of the oddest. Seller had 2nd book of interest. A quarry if matching the price of a half a dozen other sellers on the EXACT item as Trinity's had "Make Offer" in listing + if combined shipping policy was an option; "Thank You" was the reply. Trinity refused offer, but would combined. Then 1 week later the book(s) are in the state of origin. Bought 2nd book from 2nd seller + saved💲. Original Trinity listing VANISHED. Would buy again, Books where package GREAT!🤗!
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      Trinity Treasures is a fine source of fine books at a very reasonable price. Perfect packaging and very reasonable shipping. The books are better than the description. GR8 eBayer! Favorite seller! 5*! Einfachplatzgefahren! Ja, ja, ja, was ist los? Was ist das?