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eBay-Artikelnr.:133363083292
Artikelmerkmale
- Artikelzustand
- Topic
- Art
- ISBN
- 9780195177435
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195177436
ISBN-13
9780195177435
eBay Product ID (ePID)
46445765
Product Key Features
Book Title
Mastering the Art of Performance : a Primer for Musicians
Number of Pages
224 Pages
Language
English
Topic
Instruction & Study / General, Instruction & Study / Exercises, Instruction & Study / Theory
Publication Year
2005
Genre
Music
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
16.8 Oz
Item Length
9.3 in
Item Width
6.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-010152
Reviews
"Stewart Gordon, one of America's premiere concert pianists and teachers, has compressed decades of artistic and pedagogical wisdom into this concise, clear, and significant book, which addresses universal challenges encountered by all performers who strive towards ownership of their musicalart. This book is a treasure trove of wise counsel that will find its place in my teaching studio forthwith."--George I. Shirley, The Joseph Edgar Maddy Distinguished University Professor of Music (Voice), and Director, Vocal Arts Division, School of Music, The University of Michigan, "In Mastering the Art of Performance, Stewart Gordon brilliantly addresses all the challenges we face before, during, and after a concert performance. The solutions in this book offer extraordinary tools that should uplift, enrich, and offer great confidence to all who wish to transcend andcommand the stage!"--Norman Krieger, concert pianist, Persson (Goteborg Univ.) offers a thoughtful, albeit disturbing, addition to the continuing discussion regarding the human condition. Philosophers have maintained since antiquity that reason is the primary and necessary element of a fulfilled and meaningful life. This serves to downplay, if not deride, the role of emotions and other ancillary mental states-what Persson calls the "para-cognitive" attitudes toward individuality, time and responsibility. Rationalism, as strictly construed and practiced, conflicts with all these aims. Persson contends that philosophy has treated para-cognitive attitudes as if they can be mapped onto a naturalistic framework; he does a laudable job of demonstrating that this is not the case. Thus one either stays within the rationalist framework expected of the philosopher (abdicating natural biases toward duty, self, and time), or (preferably) abdicates one's professional and cultural bias toward reason. Either option is unsettling. --Choice, "Have you always wanted to avoid performance pitfalls? This detailed, comprehensive, and erudite book is written by an experienced performer and teacher who wants to help you do just that. Every musician and teacher should have it in easy reach; I recommend it."--Marni Nixon, soprano, actress,educator, "Within my long musical memory, this is the first knowledgeable bookconcerning the many details and challenges that confront today's performers intheir quest for a fulfilling musical life. Mastering the Art of Performance isan essential book for every musician who aspires to be skilled in thecomplexities of a musical career. With fascinating and thought-provokingexperiences, Stewart Gordon has presented a valuable and astute message for alldedicated performers."--Earl Wild, pianist, Persson (G teborg Univ.) offers a thoughtful, albeit disturbing, addition to the continuing discussion regarding the human condition. Philosophers have maintained since antiquity that reason is the primary and necessary element of a fulfilled and meaningful life. This serves to downplay, if not deride, the role of emotions and other ancillary mental states-what Persson calls the "para-cognitive" attitudes toward individuality, time and responsibility. Rationalism, as strictly construed and practiced, conflicts with all these aims. Persson contends that philosophy has treated para-cognitive attitudes as if they can be mapped onto a naturalistic framework; he does a laudable job of demonstrating that this is not the case. Thus one either stays within the rationalist framework expected of the philosopher (abdicating natural biases toward duty, self, and time), or (preferably) abdicates one's professional and cultural bias toward reason. Either option is unsettling. "This is one of those rare volumes that should occupy an honored place on the book shelves of every serious student and teacher of classical music. Beginning with a broad based definition of performance as an integral part of the human experience,Mastering the Art of Performance: A Primer forMusicians, goes on to deal with the psychological, physical, practical, cultural and even spiritual dilemmas and opportunities familiar to everyone who aspires to a high standard of musical performace...The style and organization of Gordon's book is exemplary because it is astute without being academic, popular without being insipid, and practical without being Philistine."--American Music Teacher "Within my long musical memory, this is the first knowledgeable book concerning the many details and challenges that confront today's performers in their quest for a fulfilling musical life.Mastering the Art of Performanceis an essential book for every musician who aspires to be skilled in the complexities of a musical career. With fascinating and thought-provoking experiences, Stewart Gordon has presented a valuable and astute message for all dedicated performers."--Earl Wild, pianist "Have you always wanted to avoid performance pitfalls? This detailed, comprehensive, and erudite book is written by an experienced performer and teacher who wants to help you do just that. Every musician and teacher should have it in easy reach; I recommend it."--Marni Nixon, soprano, actress, educator "Here is solid and proven advice for all who are interested in performance, from a sterling musician who is well-known to the musical world. Get this book, follow its advice, and your life as a performer will be happier and enhanced immeasurably!"--Maurice Hinson, Senior Professor of Piano, School of Church Music and Worship, The Southern Baptist Theological Seminary, Louisville, Kentucky "InMastering the Art of Performance, Stewart Gordon brilliantly addresses all the challenges we face before, during, and after a concert performance. The solutions in this book offer extraordinary tools that should uplift, enrich, and offer great confidence to all who wish to transcend and command the stage!"--Norman Krieger, concert pianist "Stewart Gordon, one of America's premiere concert pianists and teachers, has compressed decades of artistic and pedagogical wisdom into this concise, clear, and significant book, which addresses universal challenges encountered by all performers who strive towards ownership of their musical art. This book is a treasure trove of wise counsel that will find its place in my teaching studio forthwith."--George I. Shirley, The Joseph Edgar Maddy Distinguished University Professor of Music (Voice), and Director, Vocal Arts Division, School of Music, The University of Michigan, Persson (Göteborg Univ.) offers a thoughtful, albeit disturbing, addition to the continuing discussion regarding the human condition. Philosophers have maintained since antiquity that reason is the primary and necessary element of a fulfilled and meaningful life. This serves to downplay, if not deride, the role of emotions and other ancillary mental states-what Persson calls the "para-cognitive" attitudes toward individuality, time and responsibility. Rationalism, as strictly construed and practiced, conflicts with all these aims. Persson contends that philosophy has treated para-cognitive attitudes as if they can be mapped onto a naturalistic framework; he does a laudable job of demonstrating that this is not the case. Thus one either stays within the rationalist framework expected of the philosopher (abdicating natural biases toward duty, self, and time), or (preferably) abdicates one's professional and cultural bias toward reason. Either option is unsettling. "This is one of those rare volumes that should occupy an honored place on the book shelves of every serious student and teacher of classical music. Beginning with a broad based definition of performance as an integral part of the human experience, Mastering the Art of Performance: A Primer for Musicians, goes on to deal with the psychological, physical, practical, cultural and even spiritual dilemmas and opportunities familiar to everyone who aspires to a high standard of musical performace...The style and organization of Gordon's book is exemplary because it is astute without being academic, popular without being insipid, and practical without being Philistine."--American Music Teacher "Within my long musical memory, this is the first knowledgeable book concerning the many details and challenges that confront today's performers in their quest for a fulfilling musical life. Mastering the Art of Performance is an essential book for every musician who aspires to be skilled in the complexities of a musical career. With fascinating and thought-provoking experiences, Stewart Gordon has presented a valuable and astute message for all dedicated performers."--Earl Wild, pianist "Have you always wanted to avoid performance pitfalls? This detailed, comprehensive, and erudite book is written by an experienced performer and teacher who wants to help you do just that. Every musician and teacher should have it in easy reach; I recommend it."--Marni Nixon, soprano, actress, educator "Here is solid and proven advice for all who are interested in performance, from a sterling musician who is well-known to the musical world. Get this book, follow its advice, and your life as a performer will be happier and enhanced immeasurably!"--Maurice Hinson, Senior Professor of Piano, School of Church Music and Worship, The Southern Baptist Theological Seminary, Louisville, Kentucky "In Mastering the Art of Performance, Stewart Gordon brilliantly addresses all the challenges we face before, during, and after a concert performance. The solutions in this book offer extraordinary tools that should uplift, enrich, and offer great confidence to all who wish to transcend and command the stage!"--Norman Krieger, concert pianist "Stewart Gordon, one of America's premiere concert pianists and teachers, has compressed decades of artistic and pedagogical wisdom into this concise, clear, and significant book, which addresses universal challenges encountered by all performers who strive towards ownership of their musical art. This book is a treasure trove of wise counsel that will find its place in my teaching studio forthwith."--George I. Shirley, The Joseph Edgar Maddy Distinguished University Professor of Music (Voice), and Director, Vocal Arts Division, School of Music, The University of Michigan, "Here is solid and proven advice for all who are interested in performance, from a sterling musician who is well-known to the musical world. Get this book, follow its advice, and your life as a performer will be happier and enhanced immeasurably!"--Maurice Hinson, Senior Professor of Piano,School of Church Music and Worship, The Southern Baptist Theological Seminary, Louisville, Kentucky, "This is one of those rare volumes that should occupy an honored place on the book shelves of every serious student and teacher of classical music. Beginning with a broad based definition of performance as an integral part of the human experience, Mastering the Art of Performance: A Primer forMusicians, goes on to deal with the psychological, physical, practical, cultural and even spiritual dilemmas and opportunities familiar to everyone who aspires to a high standard of musical performace...The style and organization of Gordon's book is exemplary because it is astute without beingacademic, popular without being insipid, and practical without being Philistine."--American Music Teacher, "Within my long musical memory, this is the first knowledgeable book concerning the many details and challenges that confront today's performers in their quest for a fulfilling musical life. Mastering the Art of Performance is an essential book for every musician who aspires to be skilled inthe complexities of a musical career. With fascinating and thought-provoking experiences, Stewart Gordon has presented a valuable and astute message for all dedicated performers."--Earl Wild, pianist, Persson (Goteborg Univ.) offers a thoughtful, albeit disturbing, addition to the continuing discussion regarding the human condition. Philosophers have maintained since antiquity that reason is the primary and necessary element of a fulfilled and meaningful life. This serves to downplay, ifnot deride, the role of emotions and other ancillary mental states-what Persson calls the "para-cognitive" attitudes toward individuality, time and responsibility. Rationalism, as strictly construed and practiced, conflicts with all these aims. Persson contends that philosophy has treatedpara-cognitive attitudes as if they can be mapped onto a naturalistic framework; he does a laudable job of demonstrating that this is not the case. Thus one either stays within the rationalist framework expected of the philosopher (abdicating natural biases toward duty, self, and time), or(preferably) abdicates one's professional and cultural bias toward reason. Either option is unsettling. --Choice, Persson (Göteborg Univ.) offers a thoughtful, albeit disturbing, addition to the continuing discussion regarding the human condition. Philosophers have maintained since antiquity that reason is the primary and necessary element of a fulfilled and meaningful life. This serves to downplay, if not deride, the role of emotions and other ancillary mental states-what Persson calls the "para-cognitive" attitudes toward individuality, time and responsibility. Rationalism, as strictly construed and practiced, conflicts with all these aims. Persson contends that philosophy has treated para-cognitive attitudes as if they can be mapped onto a naturalistic framework; he does a laudable job of demonstrating that this is not the case. Thus one either stays within the rationalist framework expected of the philosopher (abdicating natural biases toward duty, self, and time), or (preferably) abdicates one's professional and cultural bias toward reason. Either option is unsettling. -- Choice, "It is the best book I have read on the topic and is full of wisdom and insights ... The book is a very effective and informative work manual and would be an ideal text for students at tertiary institutions." -- Andrew Lorenz, AUSTA National Journal Reviews "This is profound writing at its very best." -- Andrew Lorenz, AUSTA Stringendo "This is one of those rare volumes that should occupy an honored place on the book shelves of every serious student and teacher of classical music. Beginning with a broad based definition of performance as an integral part of the human experience, Mastering the Art of Performance: A Primer for Musicians, goes on to deal with the psychological, physical, practical, cultural and even spiritual dilemmas and opportunities familiar to everyone who aspires to a high standard of musical performace...The style and organization of Gordon's book is exemplary because it is astute without being academic, popular without being insipid, and practical without being Philistine."--American Music Teacher"Within my long musical memory, this is the first knowledgeable book concerning the many details and challenges that confront today's performers in their quest for a fulfilling musical life. Mastering the Art of Performance is an essential book for every musician who aspires to be skilled in the complexities of a musical career. With fascinating and thought-provoking experiences, Stewart Gordon has presented a valuable and astute message for all dedicated performers."--Earl Wild, pianist"Have you always wanted to avoid performance pitfalls? This detailed, comprehensive, and erudite book is written by an experienced performer and teacher who wants to help you do just that. Every musician and teacher should have it in easy reach; I recommend it."--Marni Nixon, soprano, actress, educator"Here is solid and proven advice for all who are interested in performance, from a sterling musician who is well-known to the musical world. Get this book, follow its advice, and your life as a performer will be happier and enhanced immeasurably!"--Maurice Hinson, Senior Professor of Piano, School of Church Music and Worship, The Southern Baptist Theological Seminary, Louisville, Kentucky"In Mastering the Art of Performance, Stewart Gordon brilliantly addresses all the challenges we face before, during, and after a concert performance. The solutions in this book offer extraordinary tools that should uplift, enrich, and offer great confidence to all who wish to transcend and command the stage!"--Norman Krieger, concert pianist"Stewart Gordon, one of America's premiere concert pianists and teachers, has compressed decades of artistic and pedagogical wisdom into this concise, clear, and significant book, which addresses universal challenges encountered by all performers who strive towards ownership of their musical art. This book is a treasure trove of wise counsel that will find its place in my teaching studio forthwith."--George I. Shirley, The Joseph Edgar Maddy Distinguished University Professor of Music (Voice), and Director, Vocal Arts Division, School of Music, The University of Michigan, Persson (Göteborg Univ.) offers a thoughtful, albeit disturbing, addition to the continuing discussion regarding the human condition. Philosophers have maintained since antiquity that reason is the primary and necessary element of a fulfilled and meaningful life. This serves to downplay, if not deride, the role of emotions and other ancillary mental states-what Persson calls the "para-cognitive" attitudes toward individuality, time and responsibility. Rationalism, as strictly construed and practiced, conflicts with all these aims. Persson contends that philosophy has treated para-cognitive attitudes as if they can be mapped onto a naturalistic framework; he does a laudable job of demonstrating that this is not the case. Thus one either stays within the rationalist framework expected of the philosopher (abdicating natural biases toward duty, self, and time), or (preferably) abdicates one's professional and cultural bias toward reason. Either option is unsettling. "This is one of those rare volumes that should occupy an honored place on the book shelves of every serious student and teacher of classical music. Beginning with a broad based definition of performance as an integral part of the human experience,Mastering the Art of Performance: A Primer forMusicians, goes on to deal with the psychological, physical, practical, cultural and even spiritual dilemmas and opportunities familiar to everyone who aspires to a high standard of musical performace...The style and organization of Gordon's book is exemplary because it is astute without being academic, popular without being insipid, and practical without being Philistine."--American Music Teacher "Within my long musical memory, this is the first knowledgeable book concerning the many details and challenges that confront today's performers in their quest for a fulfilling musical life.Mastering the Art of Performanceis an essential book for every musician who aspires to be skilled in the complexities of a musical career. With fascinating and thought-provoking experiences, Stewart Gordon has presented a valuable and astute message for all dedicated performers."--Earl Wild, pianist "Have you always wanted to avoid performance pitfalls? This detailed, comprehensive, and erudite book is written by an experienced performer and teacher who wants to help you do just that. Every musician and teacher should have it in easy reach; I recommend it."--Marni Nixon, soprano, actress, educator "Here is solid and proven advice for all who are interested in performance, from a sterling musician who is well-known to the musical world. Get this book, follow its advice, and your life as a performer will be happier and enhanced immeasurably!"--Maurice Hinson, Senior Professor of Piano, School of Church Music and Worship, The Southern Baptist Theological Seminary, Louisville, Kentucky "InMastering the Art of Performance, Stewart Gordon brilliantly addresses all the challenges we face before, during, and after a concert performance. The solutions in this book offer extraordinary tools that should uplift, enrich, and offer great confidence to all who wish to transcend and command the stage!"--Norman Krieger, concert pianist "Stewart Gordon, one of America's premiere concert pianists and teachers, has compressed decades of artistic and pedagogical wisdom into this concise, clear, and significant book, which addresses universal challenges encountered by all performers who strive towards ownership of their musical art. This book is a treasure trove of wise counsel that will find its place in my teaching studio forthwith."--George I. Shirley, The Joseph Edgar Maddy Distinguished University Professor of Music (Voice), and Director, Vocal Arts Division, School of Music, The University of Michigan, Persson (Gteborg Univ.) offers a thoughtful, albeit disturbing, addition to the continuing discussion regarding the human condition. Philosophers have maintained since antiquity that reason is the primary and necessary element of a fulfilled and meaningful life. This serves to downplay, if not deride, the role of emotions and other ancillary mental states-what Persson calls the "para-cognitive" attitudes toward individuality, time and responsibility. Rationalism, as strictly construed and practiced, conflicts with all these aims. Persson contends that philosophy has treated para-cognitive attitudes as if they can be mapped onto a naturalistic framework; he does a laudable job of demonstrating that this is not the case. Thus one either stays within the rationalist framework expected of the philosopher (abdicating natural biases toward duty, self, and time), or (preferably) abdicates one's professional and cultural bias toward reason. Either option is unsettling. "This is one of those rare volumes that should occupy an honored place on the book shelves of every serious student and teacher of classical music. Beginning with a broad based definition of performance as an integral part of the human experience, Mastering the Art of Performance: A Primer for Musicians, goes on to deal with the psychological, physical, practical, cultural and even spiritual dilemmas and opportunities familiar to everyone who aspires to a high standard of musical performace...The style and organization of Gordon's book is exemplary because it is astute without being academic, popular without being insipid, and practical without being Philistine."--American Music Teacher "Within my long musical memory, this is the first knowledgeable book concerning the many details and challenges that confront today's performers in their quest for a fulfilling musical life. Mastering the Art of Performance is an essential book for every musician who aspires to be skilled in the complexities of a musical career. With fascinating and thought-provoking experiences, Stewart Gordon has presented a valuable and astute message for all dedicated performers."--Earl Wild, pianist "Have you always wanted to avoid performance pitfalls? This detailed, comprehensive, and erudite book is written by an experienced performer and teacher who wants to help you do just that. Every musician and teacher should have it in easy reach; I recommend it."--Marni Nixon, soprano, actress, educator "Here is solid and proven advice for all who are interested in performance, from a sterling musician who is well-known to the musical world. Get this book, follow its advice, and your life as a performer will be happier and enhanced immeasurably!"--Maurice Hinson, Senior Professor of Piano, School of Church Music and Worship, The Southern Baptist Theological Seminary, Louisville, Kentucky "In Mastering the Art of Performance, Stewart Gordon brilliantly addresses all the challenges we face before, during, and after a concert performance. The solutions in this book offer extraordinary tools that should uplift, enrich, and offer great confidence to all who wish to transcend and command the stage!"--Norman Krieger, concert pianist "Stewart Gordon, one of America's premiere concert pianists and teachers, has compressed decades of artistic and pedagogical wisdom into this concise, clear, and significant book, which addresses universal challenges encountered by all performers who strive towards ownership of their musical art. This book is a treasure trove of wise counsel that will find its place in my teaching studio forthwith."--George I. Shirley, The Joseph Edgar Maddy Distinguished University Professor of Music (Voice), and Director, Vocal Arts Division, School of Music, The University of Michigan
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
781.4/3
Table Of Content
Prelude: Defining Performance 1: Assessing Yourself, the Performer, Achieving a Positive Mindset Toward Performance 2: Why We Perform: Forging a Performance Philosophy3: Physical Support for Performance 4: Conceptualizing and Scheduling Goals 5: Keeping Preparation Fresh and Focused 6: Dealing with Repetition and Drill 7: Techniques to Develop Secure Memorization 8: Insuring Quality 9: Self-Regard at the Time of Performance 10: Managing Stage Fright 11: Dynamics during Performance 12: Evaluation after Performance 13: Performance and Human Interaction 14: The Career Challenge 15: Physical Challenge and Performance 16: Performance Careers in Retrospect Postlude: Performance and Your Spiritual Life Selected BibliographyIndex
Synopsis
In Mastering the Art of Performance: A Primer for Musicians , Stewart Gordon offers seasoned advice to musicians intent on meeting the challenges of performance. Through real-life examples and pre-performance exercises, this accessible manual gives musicians and other performers practical insights into every aspect of performance. While other books merely identify and describe the problems associated with performance, this book offers detailed suggestions for solving them. First, Gordon tackles the critical planning and preparatory stages, helping performers to evaluate their strengths and weaknesses. The book's easy-to-follow exercises address the self-doubt and anxiety many musicians contend with, helping them to analyze why they perform, set goals and assess the level of energy needed to achieve them, and develop a performance philosophy. The book also offers techniques that will help musicians deal with some of the classic pitfalls of performance preparation, including repetition and drill, changing bad habits, and developing memory. For the performance itself, Gordon's insights help musicians with pacing and managing stage fright. For the aftermath, Gordon arms performers with strategies for dealing with criticism and conducting a constructive self-evaluation, equipping them to face the challenges of a lifetime of performances, including career plateaus and burnout. Gordon draws from more than forty years of experience in front of audiences to offer readers invaluable tips and personal reflections. While aimed primarily at musicians, the book will be useful to anyone facing the pressures of performance, such as actors, dancers, and even public speakers., In Mastering the Art of Performance: A Primer for Musicians, Stewart Gordon offers seasoned advice to musicians intent on meeting the challenges of performance. Through real-life examples and pre-performance exercises, this accessible manual gives musicians and other performers practical insights into every aspect of performance. While other books merely identify and describe the problems associated with performance, this book offers detailed suggestionsfor solving them. First, Gordon tackles the critical planning and preparatory stages, helping performers to evaluate their strengths and weaknesses. The book's easy-to-follow exercises address theself-doubt and anxiety many musicians contend with, helping them to analyze why they perform, set goals and assess the level of energy needed to achieve them, and develop a performance philosophy. The book also offers techniques that will help musicians deal with some of the classic pitfalls of performance preparation, including repetition and drill, changing bad habits, and developing memory. For the performance itself, Gordon's insights help musicians with pacing and managingstage fright. For the aftermath, Gordon arms performers with strategies for dealing with criticism and conducting a constructive self-evaluation, equipping them to face the challenges of a lifetimeof performances, including career plateaus and burnout. Gordon draws from more than forty years of experience in front of audiences to offer readers invaluable tips and personal reflections. While aimed primarily at musicians, the book will be useful to anyone facing the pressures of performance, such as actors, dancers, and even public speakers., In Mastering the Art of Performance: A Primer for Musicians, Stewart Gordon offers seasoned advice to musicians intent on meeting the challenges of performance. Through real-life examples and pre-performance exercises, this accessible manual gives musicians and other performers practical insights into every aspect of performance. While other books merely identify and describe the problems associated with performance, this book offers detailed suggestions for solving them. First, Gordon tackles the critical planning and preparatory stages, helping performers to evaluate their strengths and weaknesses. The book's easy-to-follow exercises address the self-doubt and anxiety many musicians contend with, helping them to analyze why they perform, set goals and assess the level of energy needed to achieve them, and develop a performance philosophy. The book also offers techniques that will help musicians deal with some of the classic pitfalls of performance preparation, including repetition and drill, changing bad habits, and developing memory. For the performance itself, Gordon's insights help musicians with pacing and managing stage fright. For the aftermath, Gordon arms performers with strategies for dealing with criticism and conducting a constructive self-evaluation, equipping them to face the challenges of a lifetime of performances, including career plateaus and burnout. Gordon draws from more than forty years of experience in front of audiences to offer readers invaluable tips and personal reflections. While aimed primarily at musicians, the book will be useful to anyone facing the pressures of performance, such as actors, dancers, and even public speakers., Master teacher Stewart Gordon offers advice for musicians on conquering the demands of performance. It spans all aspects of the performance process from the planning and preparatory stages, through the actual performance, evaluation, and cultivation of a life devoted to performance.
LC Classification Number
ML457.G66 2006
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