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Bild 1 von 11
Signiert, neuwertig Bradford: Endpapiere, 1. Auflage 2020, festgebundenes Kunstbuch
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Standort: Houston, Texas, USA
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eBay-Artikelnr.:134285107802
Artikelmerkmale
- Artikelzustand
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Personalize
- No
- Inscribed
- No
- Type
- Picture Book
- Vintage
- No
- Original Language
- English
- Personalized
- No
- Intended Audience
- Young Adults, Adults
- Signed
- Yes
- Signed By
- Mark Bradford
- Edition
- First Edition
- Era
- 2020s
- ISBN
- 9783791359724
- Book Title
- Mark Bradford : End Papers
- Publisher
- Prestel Gmbh & Co KG.
- Item Length
- 12.9 in
- Publication Year
- 2020
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 0.7 in
- Genre
- Art
- Topic
- American / African American, Mixed Media, Individual Artists / Monographs, General
- Item Weight
- 52.9 Oz
- Item Width
- 11.7 in
- Number of Pages
- 124 Pages
Über dieses Produkt
Product Identifiers
Publisher
Prestel Gmbh & Co KG.
ISBN-10
379135972X
ISBN-13
9783791359724
eBay Product ID (ePID)
2309679480
Product Key Features
Book Title
Mark Bradford : End Papers
Number of Pages
124 Pages
Language
English
Publication Year
2020
Topic
American / African American, Mixed Media, Individual Artists / Monographs, General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
52.9 Oz
Item Length
12.9 in
Item Width
11.7 in
Additional Product Features
Intended Audience
Trade
LCCN
2019-953773
Dewey Edition
23
Dewey Decimal
769.92
Synopsis
Drawing on the diverse cultural and geographic makeup of his South Los Angeles community, Mark Bradford is known for his wall-size collages and installations from scavenged materials. These artworks are responses to the impromptu networks-- underground economies, migrant communities, or popular appropriation of abandoned public space--that emerge within a city. This book focuses on some of Bradford's earliest works which take the form of subtle abstract collages made from end papers, small translucent paper that protects hair from overheating, which he learned to use while working as a hairdresser in his mother's salon. Part painting and part collage, the coloured End Papers works feature grids that contain various hues that pulsate across the surface. Begun when he was a student at the California Institute of Art in the 1990s, the End Paper paintings were the beginning of his process of combining paper and paint. Bradford said recently, "I learned my own way of constructing paintings through the End Papers--how to create space, how to use colour. And how to provide a new kind of content. They were the beginning for me." The exhibition and book examine the use of end papers as a fundamental motif in Bradford's career and how he has returned to it in the past two decades. The essay by Auping discusses how these early works led to his use of merchant's posters, broadsides, and even billboards he found in downtown Los Angeles to make his paintings., Explore Mark Bradford's career through his storied End Papers works. Drawing on the diverse cultural and geographic makeup of his South Los Angeles community, Mark Bradford is known for his wall-size collages and installations from scavenged materials. These artworks are responses to the impromptu networks--underground economies, migrant communities, or popular appropriation of abandoned public space--that emerge within a city. This book focuses on some of Bradford's earliest works which take the form of subtle abstract collages made from end papers, small translucent paper that protects hair from overheating, which he learned to use while working as a hairdresser in his mother's salon. Part painting and part collage, the colored End Papers works feature grids that contain various hues that pulsate across the surface. Begun when he was a student at the California Institute of Art in the 1990s, the End Paper paintings were the beginning of his process of combining paper and paint. Bradford said recently, "I learned my own way of constructing paintings through the End Papers--how to create space, how to use color. And how to provide a new kind of content. They were the beginning for me." The exhibition and book examine the use of end papers as a fundamental motif in Bradford's career and how he has returned to it in the past two decades. The essay by Auping discusses how these early works led to his use of merchant's posters, broadsides, and even billboards he found in downtown Los Angeles to make his paintings. Published with the Modern Art Museum of Fort Worth
LC Classification Number
N6537.B6813A4 2020
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