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Widerspenstige Natur: Die Landschaften von Théodore Rousseau von Edouard Kopp und Scott
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US $5,99 (ca. CHF 4,78) USPS Media MailTM.
Standort: Glendale, California, USA
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eBay-Artikelnr.:134516962705
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “GREAT CONDITION, HARD COVER”
- Literary Movement
- Naturalism
- ISBN
- 9781606064771
Über dieses Produkt
Product Identifiers
Publisher
Getty Publications
ISBN-10
1606064770
ISBN-13
9781606064771
eBay Product ID (ePID)
219126474
Product Key Features
Book Title
Unruly Nature : the Landscapes of Théodore Rousseau
Number of Pages
224 Pages
Language
English
Publication Year
2016
Topic
Individual Artists / General, History / Romanticism, Collections, Catalogs, Exhibitions / General, European
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
54.2 Oz
Item Length
11 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2015-037558
Reviews
"[This] excellent catalogue ... guide[s] us a consider-able way down the path to enlightenment."-- Burlington Magazine , "[This] excellent catalogue ... guide[s] us a considerable way down the path to enlightenment."-- Burlington Magazine, "[This] excellent catalogue ... guide[s] us a consider-able way down the path to enlightenment."-- Burlington Magazine
Dewey Edition
23
Dewey Decimal
759.4
Synopsis
Théodore Rousseau (1812-1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of "unruly nature," a Romantic naturalism that confounded his contemporaries with its "bizarre" compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau's diverse techniques and working procedures as a painter and as a draftsman, as well as his art's mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen's essay focuses on Mont Blanc Seen from La Faucille, Storm Effect , an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek's collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017., Th odore Rousseau (1812-1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of "unruly nature," a Romantic naturalism that confounded his contemporaries with its "bizarre" compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and douard Kopp alternately examine Rousseau's diverse techniques and working procedures as a painter and as a draftsman, as well as his art's mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen's essay focuses on Mont Blanc Seen from La Faucille, Storm Effect , an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek's collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017., Thodore Rousseau (1812-1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of "unruly nature," a Romantic naturalism that confounded his contemporaries with its "bizarre" compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and douard Kopp alternately examine Rousseau's diverse techniques and working procedures as a painter and as a draftsman, as well as his art's mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen's essay focuses on Mont Blanc Seen from La Faucille, Storm Effect , an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek's collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
LC Classification Number
N6853.R684A4 2016
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