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SIGNIERT Innen-, Außen- und Bühnenbilder Die Gemälde von Cynthia Polsky 1963-1974
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Ca.CHF 32,18
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Artikelzustand:
“Excellent condition. Rare signed copy.”
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US $5,97 (ca. CHF 4,80) USPS Media MailTM.
Standort: Hoboken, New Jersey, USA
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eBay-Artikelnr.:135159407035
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “Excellent condition. Rare signed copy.”
- Subject
- Art & Photography
- Special Attributes
- 1st Edition, Inscribed, Signed
- ISBN
- 9780856676284
Über dieses Produkt
Product Identifiers
Publisher
I. B. Tauris & Company, The Limited
ISBN-10
0856676284
ISBN-13
9780856676284
eBay Product ID (ePID)
56979293
Product Key Features
Book Title
Interior, Exterior and Scenic : the Paintings of Cynthia Polsky, 1963-1974
Number of Pages
128 Pages
Language
English
Topic
Criticism & Theory, General, American / General
Publication Year
2006
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
37.5 Oz
Item Length
11.5 in
Item Width
8.9 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
TitleLeading
The
Dewey Decimal
759.13
Table Of Content
Essay: Interior, Exterior, and Scenic * Interview with Cynthia Polsky * Catalogue Essay: Interior, Exterior, and Scenic * Interview with Cynthia Polsky * Catalogue
Synopsis
Some of the most ravishing and daring paintings of the 20th century belong to the tradition of all-over, color based abstraction, pioneered by the generation of Color-Field painters in the late 1950s and early 1960s including Morris Louis, Kenneth Noland, and Helen Frankenthaler. This tradition continued to evolve in the work of a subsequent generation throughout the 1970s. Cynthia Polsky, who, between 1962 and 1974, created a group of ambitious, inventive works on paper and large-scale paintings distinguished by eloquent drawing and diaphanous clouds of color, is part of this next generation. Cynthia Polsky's paintings remind us that we can be deeply moved and profoundly stimulated by things that defy language and ideation. In an era when ambitious artists often seem less engaged by the visual than the conceptual, it is reassuring to be confronted by evidence of the potency and complexity of the visual. The essays in this volume by the curator - critic Karen Wilkin and the poet-critic John Yau discuss the rich overtones of Cynthia Polsky's work, from the world o nature and the world of art, including dance, music and Asian calligraphies, and illuminate the varied sources that inform this accomplished and original body of work. Her works are represented in numerous private and public collections including the Allentown Museum of Art, Allentown, Pennsylvania, the Corcoran Museum, Washington DC, the Herbert F. Johnson Museum, Cornell University, Ithaca, New York, and the Metropolitan Museum of Art, New York, New York., Some of the most ravishing and daring paintings of the 20th century belong to the tradition of all-over, color based abstraction, pioneered by the generation of Color-Field painters in the late 1950s and early 1960s including Morris Louis, Kenneth Noland, and Helen Frankenthaler. This tradition continued to evolve in the work of a subsequent generation throughout the 1970s. Cynthia Polsky, who, between 1962 and 1974, created a group of ambitious, inventive works on paper and large-scale paintings distinguished by eloquent drawing and diaphanous clouds of color, is part of this next generation. Cynthia Polsky' s paintings remind us that we can be deeply moved and profoundly stimulated by things that defy language and ideation. In an era when ambitious artists often seem less engaged by the visual than the conceptual, it is reassuring to be confronted by evidence of the potency and complexity of the visual. The essays in this volume by the curator-- critic Karen Wilkin and the poet-critic John Yau discuss the rich overtones of Cynthia Polsky' s work, from the world o nature and the world of art, including dance, music and Asian calligraphies, and illuminate the varied sources that inform this accomplished and original body of work. Her works are represented in numerous private and public collections including the Allentown Museum of Art, Allentown, Pennsylvania, the Corcoran Museum, Washington DC, the Herbert F. Johnson Museum, Cornell University, Ithaca, New York, and the Metropolitan Museum of Art, New York, New York., Some of the most ravishing and daring paintings of the 20th century belong to the tradition of all-over, color based abstraction, pioneered by the generation of Color-Field painters in the late 1950s and early 1960s including Morris Louis, Kenneth Noland, and Helen Frankenthaler. This tradition continued to evolve in the work of a subsequent generation throughout the 1970s. Cynthia Polsky, who, between 1962 and 1974, created a group of ambitious, inventive works on paper and large-scale paintings distinguished by eloquent drawing and diaphanous clouds of color, is part of this next generation. Cynthia Polsky's paintings remind us that we can be deeply moved and profoundly stimulated by things that defy language and ideation. In an era when ambitious artists often seem less engaged by the visual than the conceptual, it is reassuring to be confronted by evidence of the potency and complexity of the visual. The essays in this volume by the curator--critic Karen Wilkin and the poet-critic John Yau discuss the rich overtones of Cynthia Polsky's work, from the world o nature and the world of art, including dance, music and Asian calligraphies, and illuminate the varied sources that inform this accomplished and original body of work. Her works are represented in numerous private and public collections including the Allentown Museum of Art, Allentown, Pennsylvania, the Corcoran Museum, Washington DC, the Herbert F. Johnson Museum, Cornell University, Ithaca, New York, and the Metropolitan Museum of Art, New York, New York.
LC Classification Number
ND237
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