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eBay-Artikelnr.:135257597458
Artikelmerkmale
- Artikelzustand
- Binding
- Paperback
- Product Group
- Book
- Weight
- 1 lbs
- IsTextBook
- Yes
- ISBN
- 9780195130041
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195130049
ISBN-13
9780195130041
eBay Product ID (ePID)
1789654
Product Key Features
Number of Pages
360 Pages
Publication Name
Classical Myth and Culture in the Cinema
Language
English
Publication Year
2001
Subject
Film / General, Folklore & Mythology, Ancient & Classical, Film / History & Criticism
Type
Textbook
Subject Area
Literary Criticism, Performing Arts, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
18.1 Oz
Item Length
5.8 in
Item Width
8.9 in
Additional Product Features
Intended Audience
College Audience
LCCN
00-056665
Dewey Edition
21
Reviews
"A fascinating satura lanx: a collection of essays which provides the reader with a very valuable diversity of approaches.... This book must be considered a crucial and innovative contribution to the fields of classical philology, comparative literature, and film analysis; and, at the same time, pleasant reading for a larger public interested in cinema and literature.... The innovative value and the extraordinary quality of the book show the vitality of classical tradition in contemporary culture and the hermeneutic importance of the 'fusion between past and present.'"--Classical World"One of the most striking interpretative studies of cinematic texts.... In his valuable and well-structured introduction Martin M. Winkler describes the theoretical background and history of Film Philology.... A rewarding and engaging collection of varied essays on classics and cinema covering discussions of common patterns and motifs in non-classical films as well as the interpretation of ancient text from the perspective of cinema...and film criticism.... This informative collection is helpful for both classicists with an interest in film philology and film criticism and for film-literate readers with an interest in classical themes, inducing them to watch a particular film again and to think anew about it."--Bryn Mawr Classical Review"Intertextual readings enrich our appreciation of the films, but these essays also offer new ways to interpret the ancient texts.... [Winkler's] deliberate selection of the widest possible cross section of approaches to the interface of classical culture and cinema ensures that the reader will find something among the diverse essays to inspire new readings and fresh insights in film and ancient text alike."--AmphoraPraise for the previous edition: "The collection bears testimony to the fruitful possibilities of combining 'ancient' knowledge with cinematic perspectives.... There are pleasures to mine [here]."--Film Quarterly"Lively, often meticulously researched, well-structured, and--not least of its virtues--unpredictable."--The Classical Review, "A fascinating satura lanx : a collection of essays which provides the reader with a very valuable diversity of approaches.... This book must be considered a crucial and innovative contribution to the fields of classical philology, comparative literature, and film analysis; and, at the same time, pleasant reading for a larger public interested in cinema and literature.... The innovative value and the extraordinary quality of the book show the vitality of classical tradition in contemporary culture and the hermeneutic importance of the 'fusion between past and present.'"-- Classical World "One of the most striking interpretative studies of cinematic texts.... In his valuable and well-structured introduction Martin M. Winkler describes the theoretical background and history of Film Philology.... A rewarding and engaging collection of varied essays on classics and cinema covering discussions of common patterns and motifs in non-classical films as well as the interpretation of ancient text from the perspective of cinema...and film criticism.... This informative collection is helpful for both classicists with an interest in film philology and film criticism and for film-literate readers with an interest in classical themes, inducing them to watch a particular film again and to think anew about it."-- Bryn Mawr Classical Review "Intertextual readings enrich our appreciation of the films, but these essays also offer new ways to interpret the ancient texts.... [Winkler's] deliberate selection of the widest possible cross section of approaches to the interface of classical culture and cinema ensures that the reader will find something among the diverse essays to inspire new readings and fresh insights in film and ancient text alike."-- Amphora Praise for the previous edition: "The collection bears testimony to the fruitful possibilities of combining 'ancient' knowledge with cinematic perspectives.... There are pleasures to mine [here]."-- Film Quarterly "Lively, often meticulously researched, well-structured, and--not least of its virtues--unpredictable."-- The Classical Review, The innovative value and the extraordinary quality of the book show the vitality of classical tradition in contemporary culture and the hermeneutic importance of the 'fusion between past and present'., "A fascinatingsatura lanx: a collection of essays which provides the reader with a very valuable diversity of approaches.... This book must be considered a crucial and innovative contribution to the fields of classical philology, comparative literature, and film analysis; and, at the same time, pleasant reading for a larger public interested in cinema and literature.... The innovative value and the extraordinary quality of the book show the vitality of classical tradition in contemporary culture and the hermeneutic importance of the 'fusion between past and present.'"--Classical World "One of the most striking interpretative studies of cinematic texts.... In his valuable and well-structured introduction Martin M. Winkler describes the theoretical background and history of Film Philology.... A rewarding and engaging collection of varied essays on classics and cinema covering discussions of common patterns and motifs in non-classical films as well as the interpretation of ancient text from the perspective of cinema...and film criticism.... This informative collection is helpful for both classicists with an interest in film philology and film criticism and for film-literate readers with an interest in classical themes, inducing them to watch a particular film again and to think anew about it."--Bryn Mawr Classical Review "Intertextual readings enrich our appreciation of the films, but these essays also offer new ways to interpret the ancient texts.... [Winkler's] deliberate selection of the widest possible cross section of approaches to the interface of classical culture and cinema ensures that the reader will find something among the diverse essays to inspire new readings and fresh insights in film and ancient text alike."--Amphora Praise for the previous edition: "The collection bears testimony to the fruitful possibilities of combining 'ancient' knowledge with cinematic perspectives.... There are pleasures to mine [here]."--Film Quarterly "Lively, often meticulously researched, well-structured, and--not least of its virtues--unpredictable."--The Classical Review, "One of the most striking interpretative studies of cinematic texts.... In his valuable and well-structured introduction Martin M. Winkler describes the theoretical background and history of Film Philology.... A rewarding and engaging collection of varied essays on classics and cinema coveringdiscussions of common patterns and motifs in non-classical films as well as the interpretation of ancient text from the perspective of cinema...and film criticism.... This informative collection is helpful for both classicists with an interest in film philology and film criticism and forfilm-literate readers with an interest in classical themes, inducing them to watch a particular film again and to think anew about it."--Bryn Mawr Classical Review, "One of the most striking interpretative studies of cinematic texts.... Inhis valuable and well-structured introduction Martin M. Winkler describes thetheoretical background and history of Film Philology.... A rewarding andengaging collection of varied essays on classics and cinema covering discussionsof common patterns and motifs in non-classical films as well as theinterpretation of ancient text from the perspective of cinema...and filmcriticism.... This informative collection is helpful for both classicists withan interest in film philology and film criticism and for film-literate readerswith an interest in classical themes, inducing them to watch a particular filmagain and to think anew about it."--Bryn Mawr Classical Review, 'a rewarding and engaging collecton of varied essays on classics and cinema. .. Rose's essay is especially recommended for its interdisciplinary approaches to antiquity (psychoanalytic, structuralist, political and historical). This informative collection is helpful for both classicists with an interest in film philology and film criticism and for film-literate readers with an interest in classical themes, inducing them to watch a particular film again andto think anew about it.'Bryn Mawr Classical Review 2001.12.13'In his valuable and well-structured introduction Martin M. Winkler describes the theoretical background and the history of Film Philology.'Bryn Mawr Classical Review 2001.12.13, "A fascinating satura lanx: a collection of essays which provides the reader with a very valuable diversity of approaches.... This book must be considered a crucial and innovative contribution to the fields of classical philology, comparative literature, and film analysis; and, at the same time, pleasant reading for a larger public interested in cinema and literature.... The innovative value and the extraordinary quality of the book show the vitality of classical tradition in contemporary culture and the hermeneutic importance of the 'fusion between past and present.'"--Classical World "One of the most striking interpretative studies of cinematic texts.... In his valuable and well-structured introduction Martin M. Winkler describes the theoretical background and history of Film Philology.... A rewarding and engaging collection of varied essays on classics and cinema covering discussions of common patterns and motifs in non-classical films as well as the interpretation of ancient text from the perspective of cinema...and film criticism.... This informative collection is helpful for both classicists with an interest in film philology and film criticism and for film-literate readers with an interest in classical themes, inducing them to watch a particular film again and to think anew about it."--Bryn Mawr Classical Review "Intertextual readings enrich our appreciation of the films, but these essays also offer new ways to interpret the ancient texts.... [Winkler's] deliberate selection of the widest possible cross section of approaches to the interface of classical culture and cinema ensures that the reader will find something among the diverse essays to inspire new readings and fresh insights in film and ancient text alike."--Amphora Praise for the previous edition: "The collection bears testimony to the fruitful possibilities of combining 'ancient' knowledge with cinematic perspectives.... There are pleasures to mine [here]."--Film Quarterly "Lively, often meticulously researched, well-structured, and--not least of its virtues--unpredictable."--The Classical Review, "A fascinating satura lanx: a collection of essays which provides the reader with a very valuable diversity of approaches.... This book must be considered a crucial and innovative contribution to the fields of classical philology, comparative literature, and film analysis; and, at the sametime, pleasant reading for a larger public interested in cinema and literature.... The innovative value and the extraordinary quality of the book show the vitality of classical tradition in contemporary culture and the hermeneutic importance of the 'fusion between past and present.'"--ClassicalWorld, "Intertextual readings enrich our appreciation of the films, but these essays also offer new ways to interpret the ancient texts.... [Winkler's] deliberate selection of the widest possible cross section of approaches to the interface of classical culture and cinema ensures that the reader willfind something among the diverse essays to inspire new readings and fresh insights in film and ancient text alike."--Amphora
Illustrated
Yes
Dewey Decimal
791.4366
Synopsis
Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature. The book illustrates the continuing presence of antiquity in the most varied and influential medium of modern popular culture. The diversity of content and theoretical stances found in Classical Myth and Culture in the Cinema will makethis volume required reading for scholars and students interested in the presence of Greece and Rome in modern popular culture., Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image, and for anyone interested in the presence of Greece and Romein modern popular culture., Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in ancient Greece and Rome and to films that reflect archetypal features of classical literature. The diversity of content and theoretical stances found in this volume will make it required reading for scholars and students interested in interdisciplinary approaches to text and image, and for anyone interested in the presence of Greece and Rome in modern popular culture.
LC Classification Number
PN1995.9.M96C59 2001
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