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Jenseits der Partitur: Musik als Performance Illustrierte Ausgabe von Nicholas Cook (Aut
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Jenseits der Partitur: Musik als Performance Illustrierte Ausgabe von Nicholas Cook (Aut
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Jenseits der Partitur: Musik als Performance Illustrierte Ausgabe von Nicholas Cook (Aut

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    Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
    Hinweise des Verkäufers
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    Brand
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    Book Title
    Beyond the Score: Music as Performance
    MPN
    Does not apply
    ISBN
    9780199357406
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Oxford University Press, Incorporated
    ISBN-10
    0199357404
    ISBN-13
    9780199357406
    eBay Product ID (ePID)
    170302529

    Product Key Features

    Number of Pages
    480 Pages
    Publication Name
    Beyond the Score : Music As Performance
    Language
    English
    Publication Year
    2014
    Subject
    Philosophy & Social Aspects, General, Instruction & Study / Theory
    Type
    Textbook
    Subject Area
    Music
    Author
    Nicholas Cook
    Format
    Hardcover

    Dimensions

    Item Height
    1.6 in
    Item Weight
    28.2 Oz
    Item Length
    6.4 in
    Item Width
    9.3 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2013-027060
    Dewey Edition
    23
    Illustrated
    Yes
    Dewey Decimal
    781.17
    Table Of Content
    About the companion websiteList of figuresList of media examplesIntroduction1. Plato's curseSounded writingPerformative turns?2. Page and stageTheorist's analysisPerformer's analysisPerformance analysis3. What the theorist heardAffecting the sentimentSpoken melody, or sung speechSchenker vs. Schenker4. Beyond structureStructure in contextMozart's miniature theatreRhetoric old and newIn time and of time5. Close and distant listeningReinventing style analysisForensics vs. musicologyPerforming PolandThe savour of the Slav6. Objective expressionNature's nuancePhrase arching in historyPhrase arching in culture7. Playing somethin'Referents and referenceThe work as performance8. Social ScriptsAn ethnographic turnSociality in soundPerforming complexity9. The signifying body31 August 1970, 3.30 amThe white man's black man10. Everything countsPleasures of the bodyBodies in soundBuilding bridges11. The ghost in the machineMusic everywhereOriginal and copySignifying sound12. Beyond reproductionThe best seat in the hallAcoustic choreographyRethinking the concertMaking music togetherList of references
    Synopsis
    In Beyond the Score: Music as Performance , author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars - including musicologists, music theorists, and music cognition scholars - everywhere. Publication of this book was supported by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation., In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches., In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western "art" tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket.Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars - including musicologists, music theorists, and music cognition scholars - everywhere., In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket.Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
    LC Classification Number
    ML457.C75 2013

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