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eBay-Artikelnr.:136217829861
Artikelmerkmale
- Artikelzustand
- Release Year
- 2010
- ISBN
- 9780807833667
Über dieses Produkt
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
0807833665
ISBN-13
9780807833667
eBay Product ID (ePID)
78665225
Product Key Features
Book Title
Cultural Contact and the Making of European Art since the Age of Exploration
Number of Pages
240 Pages
Language
English
Publication Year
2010
Topic
Globalization, European, Subjects & Themes / General, History / General
Illustrator
Yes
Genre
Art, Political Science
Book Series
Bettie Allison Rand Lectures in Art History Ser.
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
2 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
LCCN
2009-049095
Dewey Edition
22
Reviews
"This book is refreshing for the attention it pays to understudied artists and traditionally undervalued media such as drawing and the decorative arts. . . . Recommended."-- Choice, "This book is refreshing for the attention it pays to understudied artists and traditionally undervalued media such as drawing and the decorative arts. . . . Recommended." -- CHOICE, This book is refreshing for the attention it pays to understudied artists and traditionally undervalued media such as drawing and the decorative arts. . . . Recommended.-- Choice, This book is refreshing for the attention it pays to understudied artists and traditionally undervalued media such as drawing and the decorative arts. . . . Recommended. -- CHOICE, "This book is refreshing for the attention it pays to understudied artists and traditionally undervalued media such as drawing and the decorative arts. . . . Recommended." - Choice
Dewey Decimal
709.4
Synopsis
Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early 20th century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts., Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact -- between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific -- focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a pure tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact -- including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages -- that enabled these exchanges well before the modern age of globalization. Contributors: Claire Farago, University of Colorado at Boulder Elisabeth A. Fraser, University of South Florida Julie Hochstrasser, University of Iowa Christopher Johns, Vanderbilt University Carol Mavor, University of North Carolina at Chapel Hill Mary D. Sheriff, University of North Carolina at Chapel Hill Lyneise E. Williams, University of North Carolina at Chapel Hill, Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century.Essays here analyze distinct zones of contact -- between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific -- focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a "pure" tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact -- including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages -- that enabled these exchanges well before the modern age of globalization.Contributors: Claire Farago, University of Colorado at BoulderElisabeth A. Fraser, University of South FloridaJulie Hochstrasser, University of IowaChristopher Johns, Vanderbilt UniversityCarol Mavor, University of North Carolina at Chapel HillMary D. Sheriff, University of North Carolina at Chapel HillLyneise E. Williams, University of North Carolina at Chapel Hill, Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrounds the centrality of international borrowings or colonial appropriations and counters conceptions of European art as a "pure" tradition uninfluenced by the artistic forms of other cultures. The contributors analyze the social, cultural, commercial, and political conditions of cultural contact--including tourism, colonialism, religious pilgrimage, trade missions, and scientific voyages--that enabled these exchanges well before the modern age of globalization.Contributors: Claire Farago, University of Colorado at BoulderElisabeth A. Fraser, University of South FloridaJulie Hochstrasser, University of IowaChristopher Johns, Vanderbilt UniversityCarol Mavor, University of North Carolina at Chapel HillMary D. Sheriff, University of North Carolina at Chapel HillLyneise E. Williams, University of North Carolina at Chapel Hill
LC Classification Number
N72.G55C85 2010
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baystatebooks
99,4% positive Bewertungen•232 Tsd. Artikel verkauft
Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe.
Verkäuferbewertungen (71'228)
Dieser Artikel (1)
Alle Artikel (71'228)
- 5***b (269)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGreat value including p&p, in great condition for a quality second hand item, shipped from the USA to the UK in 11 days, arriving well before the estimated delivery date. All good!
- eBay 自動留下信用評價- Bewertung vom Käufer.Letzter Monat訂單準時送達，沒遇到任何問題
- eBay 自動留下信用評價- Bewertung vom Käufer.Letzter Monat訂單準時送達，沒遇到任何問題
- o***o (13)- Bewertung vom Käufer.Letzter MonatBestätigter KaufLove the book, but was more damaged than the seller stated in the description. I spent less than $10 on the item so it's not a big deal.