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Absolut auf Musik: Gespräche
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Absolut auf Musik: Gespräche

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    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Release Year
    2016
    ISBN
    9780385354349

    Über dieses Produkt

    Product Identifiers

    Publisher
    Knopf Doubleday Publishing Group
    ISBN-10
    0385354347
    ISBN-13
    9780385354349
    eBay Product ID (ePID)
    220431441

    Product Key Features

    Book Title
    Absolutely on Music : Conversations
    Number of Pages
    352 Pages
    Language
    English
    Publication Year
    2016
    Topic
    History & Criticism, Philosophy & Social Aspects, Genres & Styles / Classical, Personal Memoirs, Composers & Musicians, Individual Composer & Musician
    Genre
    Music, Biography & Autobiography
    Author
    Haruki Murakami, Seiji Ozawa
    Format
    Hardcover

    Dimensions

    Item Height
    1.2 in
    Item Weight
    15.9 Oz
    Item Length
    8.3 in
    Item Width
    5.3 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2016-008866
    Reviews
    "Intriguing insights about the nature of music. . . . Deliberate and contemplative. In some ways, these conversations are  High Fidelity  for classical music fans." -- Publishers Weekly   "Transcribed from conversations between the phenomenal Japanese author Murakami (who ran a jazz club in his youth) and magician-with-a-baton Seiji Ozawa, whom I remember fondly as conductor of the Boston Symphony Orchestra in my student days long, long ago? I  cannot  resist. For all your smart readers." --Barbara Hoffert,  Library Journal   "Engaging. . . . [Murakami's] knowledge of music is beyond impressive, as anyone who has read his novels already knows. He loves jazz, and one of the most interesting passages involves exchanges about blues in Chicago in the 1960s. Ozawa also declares a deep admiration for Louis Armstrong. . . . A work that general readers will enjoy and the musical cognoscenti will devour." -- Kirkus Reviews, "What most fascinates about Absolutely on Music is how it unlocks the challenging question of what makes for genius in the performance of music. . . . [It is] a book that opens a new side of [Murakami''s] authorial persona and that will open doors for people who want to love classical music. It is a quirky, oddly compelling book carried along by the smooth, laid-back rhythms of its relaxing conversations. Reading it, I found myself digging out pieces I hadn''t listened to in ages, engaged with a newfound appreciation. . . . Readable, accessible, highly entertaining, educational." --Scott Esposito, San Francisco Chronicle "Fascinating. . . . Ozawa is a beloved figure, known more for his modesty, preparation and smiling-hippie looks than for breaking batons. In Absolutely on Music, he appears in conversation with his countryman, the renowned Japanese novelist Haruki Murakami. Their discussions are prompted by listening to recordings together and range from musical personalities to the nuts and bolts of running an orchestra. Mr. Murakami is a non-musician who is nevertheless quite well-listened. . . . Murakami stays in the background of these conversations, but his preparation and curiosity draw out Mr. Ozawa wonderfully." -- The Wall Street Journal "A useful guide [that] is also about the way the concert hall''s values of composition and rhythm can apply to any kind of creative life." -- A.V. Club "Intriguing insights about the nature of music. . . . Deliberate and contemplative. In some ways, these conversations are  High Fidelity  for classical music fans." -- Publishers Weekly "A strange and delightful book. Murakami and Ozawa sit sipping hot hojicha tea, snacking on persimmons, and discussing in riveting detail works by Mahler, Bartok, Beethoven, Brahms, and many other central figures in the history of Western music. . . . While he defers to Ozawa on technical matters, [Murakami] describes music with rich and suggestive metaphors and images that capture something essential about the spirit of the music." -- The Christian Science Monitor "Transcribed from conversations between the phenomenal Japanese author Murakami (who ran a jazz club in his youth) and magician-with-a-baton Seiji Ozawa, whom I remember fondly as conductor of the Boston Symphony Orchestra in my student days long, long ago? I  cannot  resist. For all your smart readers." --Barbara Hoffert,  Library Journal   "Engaging. . . . [Murakami''s] knowledge of music is beyond impressive, as anyone who has read his novels already knows. He loves jazz, and one of the most interesting passages involves exchanges about blues in Chicago in the 1960s. Ozawa also declares a deep admiration for Louis Armstrong. . . . A work that general readers will enjoy and the musical cognoscenti will devour." -- Kirkus Reviews "Soaring conversations that are at times erudite, funny and deeply personal. . . . An important and engaging reflection on the career of a great conductor." -- The Providence Journal "Haruki Murakami loves music, from naming one of his most beloved novels Norwegian Wood (recalling the hit from The Beatles) to being the former owner of a jazz club in Tokyo. In these brilliantly illuminating conversations with his friend, the former conductor of the Boston Symphony Orchestra, Seiji Ozawa, these two creatives discuss the power of music. From pop-up orchestras to Brahms, these two insightful artists trace the way music has impacting them and society in general." -- BookRiot "[A] glimpse into the minds of . . . two maestros and their creative process. Never a stormy debate, the talks make sweet melodies that may linger on for many readers--especially book and music lovers. . . . This book is easy reading and music is ''absolutely'' the winner." -- Otago Daily Times (New Zealand), "What most fascinates about Absolutely on Music is how it unlocks the challenging question of what makes for genius in the performance of music. . . . [It is] a book that opens a new side of [Murakami's] authorial persona and that will open doors for people who want to love classical music. It is a quirky, oddly compelling book carried along by the smooth, laid-back rhythms of its relaxing conversations. Reading it, I found myself digging out pieces I hadn't listened to in ages, engaged with a newfound appreciation. . . . Readable, accessible, highly entertaining, educational." --Scott Esposito, San Francisco Chronicle "A useful guide [that] is also about the way the concert hall's values of composition and rhythm can apply to any kind of creative life." -- A.V. Club "Intriguing insights about the nature of music. . . . Deliberate and contemplative. In some ways, these conversations are  High Fidelity  for classical music fans." -- Publishers Weekly   "Transcribed from conversations between the phenomenal Japanese author Murakami (who ran a jazz club in his youth) and magician-with-a-baton Seiji Ozawa, whom I remember fondly as conductor of the Boston Symphony Orchestra in my student days long, long ago? I  cannot  resist. For all your smart readers." --Barbara Hoffert,  Library Journal   "Engaging. . . . [Murakami's] knowledge of music is beyond impressive, as anyone who has read his novels already knows. He loves jazz, and one of the most interesting passages involves exchanges about blues in Chicago in the 1960s. Ozawa also declares a deep admiration for Louis Armstrong. . . . A work that general readers will enjoy and the musical cognoscenti will devour." -- Kirkus Reviews "Haruki Murakami loves music, from naming one of his most beloved novels Norwegian Wood (recalling the hit from The Beatles) to being the former owner of a jazz club in Tokyo. In these brilliantly illuminating conversations with his friend, the former conductor of the Boston Symphony Orchestra, Seiji Ozawa, these two creatives discuss the power of music. From pop-up orchestras to Brahms, these two insightful artists trace the way music has impacting them and society in general." -- BookRiot
    Dewey Edition
    23
    Dewey Decimal
    784.2092
    Synopsis
    A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and the former conductor of the Boston Symphony Orchestra. In Absolutely on Music , internationally Haruki Murakami sits down with his friend Seiji Ozawa, the revered former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bartók to Mahler, and from pop-up orchestras to opera. They listen to and dissect recordings of some of their favorite performances, and Murakami questions Ozawa about his career conducting orchestras around the world. Culminating in Murakami's ten-day visit to the banks of Lake Geneva to observe Ozawa's retreat for young musicians, the book is interspersed with ruminations on record collecting, jazz clubs, orchestra halls, film scores, and much more. A deep reflection on the essential nature of both music and writing, Absolutely on Music is an unprecedented glimpse into the minds of two maestros., A deeply personal, intimate conversation about music and writing between the internationally acclaimed, best-selling author and the former conductor of the Boston Symphony Orchestra. In Absolutely on Music , internationally Haruki Murakami sits down with his friend Seiji Ozawa, the revered former conductor of the Boston Symphony Orchestra, for a series of conversations on their shared passion: music. Over the course of two years, Murakami and Ozawa discuss everything from Brahms to Beethoven, from Leonard Bernstein to Glenn Gould, from Bart k to Mahler, and from pop-up orchestras to opera. They listen to and dissect recordings of some of their favorite performances, and Murakami questions Ozawa about his career conducting orchestras around the world. Culminating in Murakami's ten-day visit to the banks of Lake Geneva to observe Ozawa's retreat for young musicians, the book is interspersed with ruminations on record collecting, jazz clubs, orchestra halls, film scores, and much more. A deep reflection on the essential nature of both music and writing, Absolutely on Music is an unprecedented glimpse into the minds of two maestros.
    LC Classification Number
    ML422.O9A513 2016

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