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Death On The Cheap: The Lost B Movies Of Film Noir
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Death On The Cheap: The Lost B Movies Of Film Noir
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Death On The Cheap: The Lost B Movies Of Film Noir

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    Standort: North Smithfield, Rhode Island, USA
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    Zuletzt aktualisiert am 13. Sep. 2025 22:39:31 MESZAlle Änderungen ansehenAlle Änderungen ansehen

    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Release Year
    2000
    ISBN
    9780306809965
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Grand Central Publishing
    ISBN-10
    0306809966
    ISBN-13
    9780306809965
    eBay Product ID (ePID)
    1673620

    Product Key Features

    Book Title
    Death on the Cheap : the Lost B Movies of Film Noir
    Number of Pages
    224 Pages
    Language
    English
    Publication Year
    2000
    Topic
    Film / Guides & Reviews, Modern / 20th Century, Film / Genres / Crime, Film / Direction & Production, Film / History & Criticism
    Illustrator
    Yes
    Genre
    Performing Arts, History
    Author
    Arthur Lyons
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.6 in
    Item Weight
    12.8 Oz
    Item Length
    9 in
    Item Width
    6.1 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    00-043164
    Dewey Edition
    21
    Dewey Decimal
    791.43/655
    Synopsis
    Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines,about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap , Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo , and L.A. Confidential . The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected, lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap ., Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts. Film noir was made to order for the B, or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines--about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap , Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such neo-noir films as Pulp Fiction, Fargo , and L.A. Confidential . The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected--"lost to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap ., Robert Mitchum once commented to Arthur Lyons about his movies of the 1940s and 1950s: "Hell, we didn't know what film noir was in those days. We were just making movies. Cary Grant and all the big stars at RKO got all the lights. We lit our sets with cigarette butts." Film noir was made to order for the "B," or low-budget, part of the movie double bill. It was cheaper to produce because it made do with less lighting, smaller casts, limited sets, and compact story lines--about con men, killers, cigarette girls, crooked cops, down-and-out boxers, and calculating, scheming, very deadly women. In Death on the Cheap , Arthur Lyons entertainingly looks at the history of the B movie and how it led to the genre that would come to be called noir, a genre that decades later would be transformed in such "neo-noir" films as Pulp Fiction, Fargo , and L.A. Confidential . The book, loaded with movie stills, also features a witty and informative filmography (including video sources) of B films that have largely been ignored or neglected--"lost" to the general public but now restored to their rightful place in movie history thanks to Death on the Cheap .
    LC Classification Number
    PN1995.9.F54L96 2000

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