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Malerei-Profis: Künstlerinnen und die Entwicklung der modernen amerikanischen...
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Malerei-Profis: Künstlerinnen und die Entwicklung der modernen amerikanischen...

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    eBay-Artikelnr.:136419913149
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    Artikelmerkmale

    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Release Year
    2001
    ISBN
    9780807849712
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    University of North Carolina Press
    ISBN-10
    0807849715
    ISBN-13
    9780807849712
    eBay Product ID (ePID)
    1920623

    Product Key Features

    Book Title
    Painting Professionals : Women Artists and the Development of Modern American Art, 1870-1930
    Number of Pages
    328 Pages
    Language
    English
    Publication Year
    2001
    Topic
    United States / 20th Century, Women's Studies, American / General
    Features
    New Edition
    Illustrator
    Yes
    Genre
    Art, Social Science, History
    Author
    Kirsten Swinth
    Book Series
    Gender and American Culture Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.8 in
    Item Weight
    16.8 Oz
    Item Length
    9.2 in
    Item Width
    6.3 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2001-027413
    Reviews
    Kirsten Swinth helps explain all those women we see in photographs of late Victorian art classes--where they came from, where they went, and why so many disappeared. A magnificent achievement! (Wanda M. Corn, Stanford University), Swinth gives the reader the big picture, weaving together diaries, letters, and contemporary criticism to create a fascinating story of women's considerable professional achievements in the American art world. (Erica E. Hirshler, John Moors Cabot Curator of Paintings, Art of the Americas, Museum of Fine Arts, Boston)
    Dewey Edition
    21
    Dewey Decimal
    759.13/082
    Edition Description
    New Edition
    Synopsis
    Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology.Swinth traces the careers of women painters in New York, Philadelphia, and Boston, opening and closing her book with discussion of the two most famous women artists of the period--Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape twentieth-century understandings of high culture and the formation of modernism in profound ways., Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology. Swinth traces the careers of women painters in New York, Philadelphia, and Boston, opening and closing her book with discussion of the two most famous women artists of the period -- Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape twentieth-century understandings of high culture and the formation of modernism in profound ways., Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology. Swinth traces the careers of women painters in New York, Philadelphia, and Boston, opening and closing her book with discussion of the two most famous women artists of the period--Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape twentieth-century understandings of high culture and the formation of modernism in profound ways., Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology.Swinth traces the careers of women painters in New York, Philadelphia, and Boston, opening and closing her book with discussion of the two most famous women artists of the period -- Mary Cassatt and Georgia O'Keeffe. Perhaps surprisingly, Swinth shows that in the 1870s and 1880s men and women easily crossed the boundaries separating conventionally masculine and feminine artistic territories to compete with each other as well as to join forces to professionalize art training, manage a fluid and unpredictable art market, and shape the language of art criticism. By the 1890s, however, women artists faced a backlash. Ultimately, Swinth argues, these gender contests spilled beyond the world of art to shape twentieth-century understandings of high culture and the formation of modernism in profound ways., Thousands of women pursued artistic careers in the United States during the late 19th century. Examining the effects of this change, Kirsten Swinth explores how women's growing presence in the American art world transformed both its institutions and its ideology.
    LC Classification Number
    2001027413 [ND]

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