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DAVID SHEA - KLAVIER 1 NEUE CD

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eBay-Artikelnr.:142101165550
Zuletzt aktualisiert am 04. Mai. 2024 07:55:36 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Artikel, dessen Originalverpackung (sofern zutreffend) nicht geöffnet oder entfernt wurde. Der ...
UPC
0739027481928
Artist
Shea, David
Format
CD
Release Year
2016
Record Label
Romf, Room40
Release Title
Piano 1
Genre
Jazz

Über dieses Produkt

Product Identifiers

Record Label
Romf, Room40
UPC
0739027481928
eBay Product ID (ePID)
27046055731

Product Key Features

Release Year
2016
Format
CD
Genre
Jazz
Artist
Shea, David
Release Title
Piano 1

Dimensions

Item Height
0.40in
Item Weight
0.25lb.
Item Length
5.60in
Item Width
4.90in

Additional Product Features

Number of Discs
1
Number of Tracks
14
Country/Region of Manufacture
United States
Tracks
1.1 Mirror 1.2 Suite Pt. 1 1.3 Suite Pt. 2 1.4 Suite Pt. 3 1.5 Suite Pt. 4 1.6 Suite Pt. 5 1.7 Suite Pt. 6 1.8 Suite Pt. 7 1.9 Suite Pt. 8 1.10 Magnets 1.11 Tribute to Mancini I 1.12 Tribute to Mancini II 1.13 Tribute to Mancini III 1.14 Tribute to Mancini IV
Notes
David Shea presents Piano 1. From David Shea: "The piano has been an instrument that has woven it's way in and out of my life since I was a child. I grew up listening to great classical and jazz players, prepared piano and electronic experiments, extended techniques and later the incredible works of Boulez, Stockhausen, Cage, Ligeti, Ferrari, Feldman, Xenakis and Scelsi. I had written for and worked with many great pianists and created ensemble works with piano and electronics where I was given the freedom to write complex pieces for gifted musicians and technical masters. Although I would often compose on piano and use simpler piano works in my own solo concerts I had never dedicated myself to a path of the endless intense practice of a single instrument that these pianists had. I always wanted to stay on the level of composing for the whole of a work and not potentially get lost in the maze of technical issues that these musicians excelled at. And then one day Lawrence English suggested that I put out a CD of piano works. I had recorded, on many of my other CDs, extended piano pieces with good pianists so I thought 'piano solo pieces, all acoustic'. A real challenge when so much has been written for such an iconic instrument, one so loaded with historical weight. What I didn't realize at the time was that Lawrence was asking me to be the pianist. This is not only something I never considered but although I've always played and performed on keyboards in my solo and ensemble works, I never took on the huge task of being able to play the technically challenging (at least by my standards) the type of scores I had written for others. So I spent the next year unraveling my past approach to composing for piano and explored my own physical technique. No preparations, no samples, no extended electronics or reliance on my past sample acoustic techniques. The result of this year of practice, writing, listening, exploring and recording is this CD. Whether or not it is significant that a work is purely acoustic, prepared or electro-acoustically treated, fully composed or improvised, extended or played traditionally, etc., were not the central issues for me, it was this time spent with the piano, the ritual of playing and this re-working of my own physical and conscious process that forms the core of these pieces."

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