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Muddy Waters - Best Of [Neue Vinyl-LP] Bonustracks, 180 Gramm, Rmst, Virgin Vinyl

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(3397895)
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Zuletzt aktualisiert am 23. Jul. 2025 02:30:38 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Neuer, unbenutzter und unbeschädigter Artikel in der ungeöffneten Verpackung (soweit eine ...
Custom Bundle
No
Duration
Album
Language
English
Modified Item
No
Record Grading
Mint(M)
Record Size
12"
Sleeve Grading
Mint(M)
Features
Bonus Tracks, 180 Gram, Rmst, Virgin Vinyl, Spain - Import
Speed
33 RPM
Title
Best Of
Album Name
Best Of
Type
Album
Brand
Wax Time
UPC
8436559464093

Über dieses Produkt

Product Identifiers

Record Label
Wxt, Wax TIME
UPC
8436559464093
eBay Product ID (ePID)
9046032953

Product Key Features

Release Year
2018
Format
Record
Genre
Blues
Artist
Waters, Muddy
Release Title
Best of

Dimensions

Item Height
0.17 in
Item Weight
0.60 lb
Item Length
12.33 in
Item Width
12.28 in

Additional Product Features

Number of Tracks
16
Country/Region of Manufacture
Spain
Tracks
1.1 I Just Want to Make Love to You [Aka Just Make Love to Me] (Willie Dixon) 2:56 1.2 Long Distance Call (Muddy Waters) 2:43 1.3 Louisiana Blues (Muddy Waters) 2:56 1.4 Honey Bee (Muddy Waters) 3:25 1.5 Rollin' Stone (Muddy Waters) 3:10 1.6 I'm Ready (Willie Dixon) 3:06 1.7 Evans Shuffle (Muddy Waters) 2:14* 1.8 Too Young to Know (Muddy Waters) 3:15* 1.9 (I'm Your) Hoochie Coochie Man (Willie Dixon) 2:53 1.10 She Moves Me (Muddy Waters) 3:00 1.11 I Want You to Love Me [Aka Mad Love] (Willie Dixon) 3:06 1.12 Standing Around Crying (Muddy Waters) 3:25 1.13 Still a Fool (Muddy Waters) 3:21 1.14 I Can't Be Satisfied (Muddy Waters) 2:44 1.15 She's So Pretty (Muddy Waters) 2:16* 1.16 I Feel Like Going Home (Muddy Waters) 3:11*
Number of Discs
1
Notes
180 gram. High Definition Premium Virgin Vinyl Pressing For Super Fidelity. Direct Metal Mastering. The transition from country to urban blues that began in the 1920s was driven by the successive waves of economic crisis and booms and the associated move of African Americans from rural to urban areas. This has come to be known as the Great Migration. In the aftermath of World War II, the long boom period induced the Second Migration, which marked a massive migration of the African American population. Many performers such as Howlin' Wolf, Muddy Waters, Willie Dixon, and Jimmy Reed, among many others, migrated to Chicago from the Mississippi region. This situation reinforced trends within urban blues music such as the progressive electrification of the instruments, their amplification and the generalization of the blues beat. Chicago became a center for electric blues from 1948 on, when Muddy Waters recorded his first success: "I Can't Be Satisfied." But Waters, born McKinley Morganfield (Issaquena County, Mississippi, April 4, 1913 - Westmon, Illinois, April 30, 1983), was more than a pioneer in the Chicago electric blues scene. He was a great singer of American vernacular music - a vocal artist of astonishing power, range, depth, and subtlety. His presence was that of a king, and his blues sounded simple, but it was so deeply rooted in the traditions of the Mississippi Delta that other singers and guitarists found it almost impossible to imitate it convincingly. "My blues looks so simple, so easy to do, but it's not. They say my blues is the hardest blues in the world to play, " stated Muddy Waters in a 1978 interview. Among musicians and singers, his remarkable sense of timing, his command of inflection and pitch shading, and his vocabulary of vocal sounds and effects, from the purest falsetto to grainy moaning rasps, were all frequent topics of conversation. He was also able to duplicate many of his singing techniques on electric guitar, using a metal slider to make the instrument "speak" in a quivering, voice-like manner.

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