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9/11 und die visuelle Kultur der Katastrophe von Stubblefield, Thomas
by Stubblefield, Thomas | PB | Good
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Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780253015563
- Book Title
- 9/11 and the Visual Culture of Disaster
- Item Length
- 9in
- Publisher
- Indiana University Press
- Publication Year
- 2014
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.6in
- Genre
- History, Social Science, Philosophy
- Topic
- Media Studies, General, Popular Culture, United States / 21st Century
- Item Width
- 6in
- Item Weight
- 12 Oz
- Number of Pages
- 246 Pages
Über dieses Produkt
Product Information
By examining configurations of invisibility and erasure across the media of photography, film, monuments, graphic novels, and digital representation, Stubblefield interprets the post-9/11 presence of absence as the reaffirmation of national identity that implicitly laid the groundwork for the impending invasions of Iraq and Afghanistan.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253015561
ISBN-13
9780253015563
eBay Product ID (ePID)
202759862
Product Key Features
Book Title
9/11 and the Visual Culture of Disaster
Format
Trade Paperback
Language
English
Topic
Media Studies, General, Popular Culture, United States / 21st Century
Publication Year
2014
Genre
History, Social Science, Philosophy
Number of Pages
246 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
12 Oz
Additional Product Features
Lc Classification Number
Hv6432.7.S78 2014
Grade from
College Graduate Student
Reviews
"9/11 and the Visual Culture of Disaster is an extraordinarily brilliant academic book which has explored the 'absence of image' not only in the US media but also how it shaped the arts and culture in the post-9/11. 9/11 and the Visual Culture of Disaster will change how we think about disasters and tragedies. The book is a must-read for both students and practitioners of media studies." 'e" Repository, "9/11 and the Visual Culture of Disaster is an extraordinarily brilliant academic book which has explored the 'absence of image' not only in the US media but also how it shaped the arts and culture in the post-9/11. 9/11 and the Visual Culture of Disaster will change how we think about disasters and tragedies. The book is a must-read for both students and practitioners of media studies."-- Repository "Thomas Stubblefield has written a concise, engaging, and thought-provoking work that asks the reader to reassess their knowledge and relationship to that moment and the resulting milieu of post 9/11 life in America."-- ARLIS/NA Reviews "Recommended."-- Choice "This is a must-read for those interested in visual imagery; indeed, parts of 9/11 and the Visual Culture of Disaster expand our thinking in promising ways. Scholars in the area of visual culture and visual rhetoric will find Stubblefield's book particularly useful in broadening the discussion of what is not present in media images and what they tell us about what is present."-- NEPCA "The book's emphasis on the erased and the invisible--and the intrinsic role these play in shaping collective memory and political ideologies--provides an important contribution to memory and visual culture studies, as well as to a broader analysis of 9/11, how that event has been written into history, and continues to be deployed as an operating force."-- Journal of American History "9/11 and the Visual Culture of Disaster . . . adds a fresh and insightful view on how 9/11 is perceived in American society--the day that 'refuses to enter history,' the tragedy that 'has, ineffect, not yet passed' (188). The book is a captivating account that can be recommended to those interested in US cultural studies,visual analysis, as well aslm, photography, and graphic novels to comprehend how they help their audience realize the tragedy of 9/11from different perspectives."-- Journal of Popular Culture "How can artworks elicit effective collective action? For a long time, contemporary art has been celebrated for its deployment of emptiness and absence as political strategies. Thomas Stubblefield convincingly demonstrates that this discourse doesn't work any more, and that deferring to participants to 'complete' the work has also become a lazy artistic strategy. In close examinations of the production and reception of monuments to disaster, he stirringly argues that discourses of participation and therapy supplant collective action and prepare people, once again, to receive the rhetoric of war."--Laura Marks, author of Enfoldment and Infinity: An Islamic Genealogy of New Media Art "An engaging book with challenging things to say about post-9/11 artistic strategies, the subjectivity of viewers, and the representational paradoxes at the heart of 9/11 art."--Jeffrey Melnick, author of 9/11 Culture, "...an engaging book with challenging things to say about post-9/11 artistic strategies, the subjectivity of viewers, and the representational paradoxes at the heart of 9/11 art." -Jeffrey Melnick , University of Massachusetts, Boston, author of 9/11 Culture, "Thomas Stubblefield has written a concise, engaging, and thought-provoking work that asks the reader to reassess their knowledge and relationship to that moment and the resulting milieu of post 9/11 life in America." --ARLIS/NA Reviews, "9/11 and the Visual Culture of Disaster... adds a fresh and insightful view on how 9/11 is perceived in American society'e"the day that 'refuses to enter history,' the tragedy that 'has, ineffect, not yet passed' (188). The book is a captivating account that can be recommended to those interested in US cultural studies,visual analysis, as well as lm, photography, and graphic novels to comprehend how they help their audience realize the tragedy of 9/11from different perspectives." 'e"Journal of Popular Culture, "The book'e(tm)s emphasis on the erased and the invisible'e"and the intrinsic role these play in shaping collective memory and political ideologies'e"provides an important contribution to memory and visual culture studies, as well as to a broader analysis of 9/11, how that event has been written into history, and continues to be deployed as an operating force." 'e"Journal of American History, "This is a must-read for those interested in visual imagery; indeed, parts of 9/11 and the Visual Culture of Disaster expand our thinking in promising ways. Scholars in the area of visual culture and visual rhetoric will find Stubblefield'e(tm)s book particularly useful in broadening the discussion of what is not present in media images and what they tell us about what is present." 'e"NEPCA, "How can artworks elicit effective collective action? For a long time, contemporary art has been celebrated for its deployment of emptiness and absence as political strategies. Thomas Stubblefield convincingly demonstrates that this discourse doesn't work any more, and that deferring to participants to 'complete' the work has also become a lazy artistic strategy. In close examinations of the production and reception of monuments to disaster, he stirringly argues that discourses of participation and therapy supplant collective action and prepare people, once again, to receive the rhetoric of war." 'e"Laura Marks, author of Enfoldment and Infinity: An Islamic Genealogy of New Media Art, "Thomas Stubblefield has written a concise, engaging, and thought-provoking work that asks the reader to reassess their knowledge and relationship to that moment and the resulting milieu of post 9/11 life in America." 'e"ARLIS/NA Reviews, "An engaging book with challenging things to say about post-9/11 artistic strategies, the subjectivity of viewers, and the representational paradoxes at the heart of 9/11 art." 'e"Jeffrey Melnick, author of 9/11 Culture, "9/11 and the Visual Culture of Disaster is an extraordinarily brilliant academic book which has explored the 'absence of image' not only in the US media but also how it shaped the arts and culture in the post-9/11. 9/11 and the Visual Culture of Disaster will change how we think about disasters and tragedies. The book is a must-read for both students and practitioners of media studies." --Washington Book Review, 9/11 and the Visual Culture of Disaster . . . adds a fresh and insightful view on how 9/11 is perceived in American society--the day that 'refuses to enter history,' the tragedy that 'has, ineffect, not yet passed' (188). The book is a captivating account that can be recommended to those interested in US cultural studies,visual analysis, as well aslm, photography, and graphic novels to comprehend how they help their audience realize the tragedy of 9/11from different perspectives., "9/11 and the Visual Culture of Disaster is an extraordinarily brilliant academic book which has explored the 'absence of image' not only in the US media but also how it shaped the arts and culture in the post-9/11. 9/11 and the Visual Culture of Disaster will change how we think about disasters and tragedies. The book is a must-read for both students and practitioners of media studies." -- Repository
Table of Content
Acknowledgments Introduction: Spectacle and Its Other 1. From Latent to Live: Disaster Photography after the Digital Turn 2. Origins of Affect: The Falling Body and Other Symptoms of Cinema 3. Remembering-Images: Empty Cities, Machinic Vision, and the Post-9/11 Imaginary 4. Lights, Camera, Iconoclasm: How Do Monuments Die and Live to Tell about It? 5. The Failure of the Failure of Images: The Crisis of the Unrepresentable from the Graphic Novel to the 9/11 Memorial Conclusion Notes Bibliography Index
Copyright Date
2014
Lccn
2014-029044
Dewey Decimal
973.931
Intended Audience
Trade
Dewey Edition
23
Illustrated
Yes
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