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Constellations of Miro, Breton by Paul Hammond - Brand New Softcover
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Constellations of Miro, Breton by Paul Hammond - Brand New Softcover

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    Artikelzustand
    Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
    ISBN
    9780872863729

    Über dieses Produkt

    Product Identifiers

    Publisher
    City Lights
    ISBN-10
    0872863727
    ISBN-13
    9780872863729
    eBay Product ID (ePID)
    1675485

    Product Key Features

    Book Title
    Constellations of Miro, Breton
    Number of Pages
    260 Pages
    Language
    English
    Publication Year
    2000
    Topic
    History / Modern (Late 19th Century to 1945), Individual Artists / General, Individual Artists / Essays, European / French
    Illustrator
    Yes
    Genre
    Literary Criticism, Art
    Author
    Paul Hammond
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.7 in
    Item Weight
    13.4 Oz
    Item Length
    7.9 in
    Item Width
    5.9 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    99-087460
    Dewey Edition
    21
    Dewey Decimal
    700/.92/2
    Synopsis
    During the early days of the Second World War, the Catalán painter, Joan Miró, created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet André Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Miró's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Miró, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miró's Constellations and a translation of André Breton's "proses parallèles." Also included is André Breton's essay, "Constellations of Joan Miró," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous Méliès , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Buñuel's L'Âge d'or . He is the editor and translator of The Shadow and Its Shadow: Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalán painter, Joan Miró, created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet André Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Miró's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Miró, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miró's Constellations and a translation of André Breton's "proses parallèles." Also included is André Breton's essay, "Constellations of Joan Miró," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous Méliès , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Buñuel's L'Âge d'or . He is the editor and translator of The Shadow and Its Shadow:Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalán painter, Joan Miró, created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet André Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Miró's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Miró, Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miró's Constellations and a translation of André Breton's "proses parallèles." Also included is André Breton's essay, "Constellations of Joan Miró," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous Méliès , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Buñuel's L'ge d'or . He is the editor and translator of The Shadow and Its Shadow:Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalan painter Joan Miro created a startling series of twenty-three gouaches, his Constellations, works redolent with the nightmare of contemporary events. In 1958 the French poet Andre Breton..., During the early days of the Second World War, the Catal n painter, Joan Mir , created a startling series of twenty-three gouaches, his Constellations , works redolent with the nightmare of contemporary events. In 1958 the French poet Andr Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"--that is, not simply to shed light on, but to lend luster to--Mir 's paintings, and to resume a peripatetic dialogue about exile. In Constellations of Mir , Breton Paul Hammond unravels some of the mysteries of the call-and-response of these two surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Mir 's Constellations and a translation of Andr Breton's "proses parall les." Also included is Andr Breton's essay, "Constellations of Joan Mir ," as well as documentary illustrations and photographs. Paul Hammond is the author of Marvellous M li s , French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Bu uel's L' ge d'or . He is the editor and translator of The Shadow and Its Shadow: Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo., During the early days of the Second World War, the Catalan painter Joan Miro created a startling series of twenty-three gouaches, his Constellations, works redolent with the nightmare of contemporary events. In 1958 the French poet Andre Breton composed his own "Constellations," a set of hermetic prose poems meant to "illustrate"-that is, not simply to shed light on, but to lend luster to-Miro's paintings, and to resume a peripatetic dialogue about exile. In "Constellations of Miro, Breton" Paul Hammond unravels some of the mysteries of the call-and-response of these two Surrealists by reading the pictures against the poetry, the poetry against the pictures, and both against the madness of a history that none of us has left that far behind. Featured in this edition are reproductions of the complete series of Joan Miro's Constellations and a translation of Andre Breton's "proses paralleles." Also included is Andre Breton's essay, "Constellations of Joan Miro," as well as documentary illustrations and photographs. About the AuthorPaul Hammond is the author of Marvellous Melies, "French Undressing, Upon the Pun: Dual Meaning in Words and Pictures (with Patrick Hughes), and a monograph on Luis Bunuel's L'Age d'or. He is the editor and translator of The Shadow and Its Shadow:Surrealist Writings on the Cinema (a new edition published by City Lights Books in Fall 2000), and the coeditor, with Ian Breakwell, of Seeing in the Dark: A Compendium of Cinemagoing and Brought to Book: The Balance of Books and Life. His translations include Whatever by Michel Houellebecq and The Virgin of the Hitmen by Fernando Vallejo.
    LC Classification Number
    ND2002.M57A64 2000

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