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Black Broadway: African Americans on the Great White Way by Lane, Stewart F.
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Black Broadway: African Americans on the Great White Way by Lane, Stewart F.
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Black Broadway: African Americans on the Great White Way by Lane, Stewart F.

by Lane, Stewart F. | HC | VeryGood
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Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ... Mehr erfahrenÜber den Artikelzustand
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    Artikelzustand
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    Hinweise des Verkäufers
    “Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ...
    Binding
    Hardcover
    Weight
    3 lbs
    Product Group
    Book
    IsTextBook
    No
    ISBN
    9780757003882
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Square One Publishers
    ISBN-10
    0757003885
    ISBN-13
    9780757003882
    eBay Product ID (ePID)
    159921716

    Product Key Features

    Book Title
    Black Broadway : African Americans on the Great White Way
    Number of Pages
    288 Pages
    Language
    English
    Publication Year
    2015
    Topic
    Theater / General, Theater / History & Criticism, General
    Illustrator
    Yes
    Genre
    Performing Arts, History
    Author
    Stewart F. Lane
    Format
    Hardcover

    Dimensions

    Item Height
    0.8 in
    Item Weight
    25.2 Oz
    Item Length
    12 in
    Item Width
    9 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2014-006513
    Dewey Edition
    23
    Reviews
    Filled with black-and-white and color photos and illustrations, this richly informative book by six-time Tony Award-winning Broadway producer Lane honors the legacy of determined African-American performers and ground-breaking productions . . . With photo stills and original theater-bill cover art, this is a wonderful, insightful history of black theater., A beautiful, 275-page, full-color coffee table book, Black Broadway juxtaposes the history of Black theater from the nineteenth century to today with the general history of African Americans . . . the book is a welcome addition to any library . . . Black Broadway is a great introduction to a broad range of people and plays, and it's hard to imagine a reader not being inspired to seek out the scripts, albums, and films of at least a few of the titles and performers mentioned., For African Americans, the stage has held as much challenge, struggle, and triumph as other aspects of American life and culture. In this wonderfully illustrated and researched book, Tony Award-winning producer Lane chronicles the evolution of black theater from the 1700s to today. It is a history of finding creative expression in the midst of social constraints and massive cultural and political changes . . . [Black Broadway] details the efforts of black Americans to carve out a place for themselves . . . Lane profiles an assortment of black actors, composers, lyricists, and playwrights who brought the African American experience alive in the theater., The history of the participation of African Americans on the Broadway stage as actors, directors, producers, composers, and playwrights is presented in this handsomely illustrated volume . . . [author Stewart] Lane gives an impressive overview with rare production stills, playbills, and posters making his study an essential reference work . . . Of interest to students is the time line of African American history running at the bottom of each page and providing valuable social and cultural context . . . [t]his volume's superior presentation of visual theatrical elements make it essential for any theater collection., A fascinating cavalcade.  Some 300 photographs, many-never-before-published, are lavished on this book in its celebration to the stage contributions of African-American playwrights, songwriters, directors and designers . . . the author is a thorough and exacting historian., The book of all books. Recently, there has been a serious buzz about Black Broadway and it's all due to a new book called Black Broadway: African Americans on the Great White Way.  As soon as I saw it, my eyes lit up like a kid on Christmas morning. It's just as glorious as you might imagine. Order your copy of the book today.
    Dewey Decimal
    792.089/96073
    Table Of Content
    Acknowledgments Foreword by Kenny Leon Preface Introduction 1. African-American Theater Through the Nineteenth Century 2. The Turn of the Century 3. The 1920s and the Harlem Renaissance 4. Breadlines to Breakthroughs: The 1930s and 1940s 5. Postwar Broadway: The 1950s 6. The Turbulent Sixties 7. The Door Has Opened: The 1970s and 1980s 8. Broadway Now and Tomorrow Conclusion Permissions About the Author Index
    Synopsis
    The African-American actors and actresses whose names have shone brightly on Broadway marquees earned their place in history not only through hard work, perseverance, and talent, but also because of the legacy left by those who came before them. Like the doors of many professions, those of the theater world were shut to minorities for decades. While the Civil War may have freed the slaves, it was not until the Civil Rights Movement of the 1960s that the playing field began to level. In this remarkable book, theater producer and historian Stewart F. Lane uses words and pictures to capture this tumultuous century and to highlight the rocky road that black actors have travelled to reach recognition on the Great White Way. After the Civil War, the popularity of the minstrel shows grew by leaps and bounds throughout the country. African Americans were portrayed by whites, who would entertain audiences in black face. While the depiction of blacks was highly demeaning, it opened the door to African-American performers, and by the late 1800s, a number of them were playing to full houses. By the 1920s, the Jazz Age was in full swing, allowing black musicians and composers to reach wider audiences. And in the thirties, musicals such as George Gershwin's Porgy and Bess and Eubie Blake's Swing It opened the door a little wider. As the years passed, black performers continued to gain ground. In the 1940s, Broadway productions of Cabin in the Sky, Carmen Jones, and St. Louis Woman enabled African Americans to demonstrate a fuller range of talents, and Paul Robeson reached national prominence in his awarding-winning portrayal of Othello. By the 1950s and '60s, more black actors--including Ruby Dee, Ossie Davis, and Sidney Poitier--had found their voices on stage, and black playwrights and directors had begun to make their marks. Black Broadway provides an entertaining, poignant history of a Broadway of which few are aware. By focusing a spotlight on both performers long forgotten and on those whom we still hold dear, this unique book offers a story well worth telling., The African-American actors and actresses whose names have shone brightly on Broadway marquees earned their place in history not only through hard work, perseverance, and talent, but also because of the legacy left by those who came before them. Like the doors of many professions, those of the theater world were shut to minorities for decades. While the Civil War may have freed the slaves, it was not until the Civil Rights Movement of the 1960s that the playing field began to level. In this remarkable book, theater producer and historian Stewart F. Lane uses words and pictures to capture this tumultuous century and to highlight the rocky road that black actors have travelled to reach recognition on the Great White Way. After the Civil War, the popularity of the minstrel shows grew by leaps and bounds throughout the country. African Americans were portrayed by whites, who would entertain audiences in black face. While the depiction of blacks was highly demeaning, it opened the door to African-American performers, and by the late 1800s, a number of them were playing to full houses. By the 1920s, the Jazz Age was in full swing, allowing black musicians and composers to reach wider audiences. And in the thirties, musicals such as George Gershwin's Porgy and Bess andEubie Blake's Swing It opened the door a little wider. As the years passed, black performers continued to gain ground. In the 1940s, Broadway productions of Cabin in the Sky, Carmen Jones, and St. Louis Woman enabled African Americans to demonstrate a fuller range of talents, and Paul Robeson reached national prominence in his awarding-winning portrayal of Othello. By the 1950s and '60s, more black actors--including Ruby Dee, Ossie Davis, and Sidney Poitier--had found their voices on stage, and black playwrights and directors had begun to make their marks. Black Broadway provides an entertaining, poignant history of a Broadway of which few are aware. By focusing a spotlight on both performers long forgotten and on those whom we still hold dear, this unique book offers a story well worth telling.
    LC Classification Number
    PN2270.A35L36 2014

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