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Rahmung Piraterie von Shujen Wang Softcover
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eBay-Artikelnr.:146274532613
Artikelmerkmale
- Artikelzustand
- Subtitle
- Globalization and Film Distribution in Greater China
- EAN
- 9780742519800
- ISBN
- 9780742519800
- Release Year
- 2003
- Publication Name
- Framing Piracy
- Title
- Framing Piracy
- ISBN-10
- 0742519805
- Country/Region of Manufacture
- US
- Release Date
- 09/08/2003
Über dieses Produkt
Product Identifiers
Publisher
Rowman & Littlefield Publishers, Incorporated
ISBN-10
0742519805
ISBN-13
9780742519800
eBay Product ID (ePID)
2726925
Product Key Features
Book Title
Framing Piracy : Globalization and Film Distribution in Greater China
Number of Pages
256 Pages
Language
English
Topic
Film / General, Intellectual Property / Copyright
Publication Year
2003
Illustrator
Yes
Genre
Law, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
11.7 Oz
Item Length
9 in
Item Width
5.9 in
Additional Product Features
Intended Audience
Trade
LCCN
2003-046652
Dewey Edition
21
Reviews
Shujen Wang provides a valuable range of contexts, both theoretical and practical....The great merit of this essay lies in its meticulous attention to detailing the link between global production and local distribution under globalism., A deliciously concrete yet profoundly general account of how the media in Greater China sort out their paradoxes--as well as how they negotiate a globalizing and technological order that they had never known before., "A deliciously concrete yet profoundly general account of how the media in Greater China sort out their paradoxes-as well as how they negotiate a globalizing and technological order that they had never known before." --Chin-Chuan Lee, University of Minnesota "The information presented in this book is very informative, fresh, and comprehensive, and the analysis provided by the author is important and thoughtful. . . . A significant contribution." --Junhao Hong "This book goes beyond being cutting edge; it begins to define an entire field of study-media distribution-that until now has been relegated to the margins or seen only as an area of interest to students of marketing or management. . . . I plan to use the book in my international communication courses." --Anandam Kavoori, University of Georgia "Wang provides a thorough, scholarly investigation of distribution and piracy in the (very) contemporary filmmaking industry. The author's approach-involving in-depth interviews, field observations, and library and archival research-is exhaustive and precise. Recommended." -- Choice Reviews "Wang's book is divided into two parts, offering what she calls 'contexts' (historical theoretical, politico-economic-technological), followed by detailed case studies on mainland China, Hong Kong, and Taiwan. The book focuses on both legal and illegal film distribution. . . . This approach enables Wang to demonstrate the crucial relationships between global, national, regional, and local forces. For those interested in the political economy of the film industry in Greater China, this is a valuable pioneering work, offering a wealth of rich detail largely unavailable elsewhere." -- The China Journal "Shujen Wang's extensive field research and thoughtful analysis unveils the mysteries of media piracy, showing how the fundamental logic of commercial film distribution is changing in our globalizing, hi-tech world. This fascinating study demonstrates why Greater China is at once the most promising and the most problematic market that Hollywood has ever confronted." --Michael Curtin, Mellichamp Professor, University of California, Santa Barbara; author of Playing to the World's Biggest Audience "Shujen Wang provides a valuable range of contexts, both theoretical and practical....The great merit of this essay lies in its meticulous attention to detailing the link between global production and local distribution under globalism." --2008, Journal Of International Communication, Wang's book is divided into two parts, offering what she calls 'contexts' (historical theoretical, politico-economic-technological), followed by detailed case studies on mainland China, Hong Kong, and Taiwan. The book focuses on both legal and illegal film distribution. . . . This approach enables Wang to demonstrate the crucial relationships between global, national, regional, and local forces. For those interested in the political economy of the film industry in Greater China, this is a valuable pioneering work, offering a wealth of rich detail largely unavailable elsewhere., Shujen Wang's extensive field research and thoughtful analysis unveils the mysteries of media piracy, showing how the fundamental logic of commercial film distribution is changing in our globalizing, hi-tech world. This fascinating study demonstrates why Greater China is at once the most promising and the most problematic market that Hollywood has ever confronted., The information presented in this book is very informative, fresh, and comprehensive, and the analysis provided by the author is important and thoughtful. . . . A significant contribution., Wang provides a thorough, scholarly investigation of distribution and piracy in the (very) contemporary filmmaking industry. The author's approach--involving in-depth interviews, field observations, and library and archival research--is exhaustive and precise. Recommended., This book goes beyond being cutting edge; it begins to define an entire field of study--media distribution--that until now has been relegated to the margins or seen only as an area of interest to students of marketing or management. . . . I plan to use the book in my international communication courses.
Dewey Decimal
384/.8/0951
Table Of Content
Part 1 List of Figures Part 2 List of Photographs Part 3 List of Tables Part 4 Acknowledgments Part 5 Introduction Part 6 I: Contexts Chapter 7 1. Global Film Distribution Revisited: Network, Technology, and Space Chapter 8 2. Re-Contextualizing Copyright: Technology, Transnational Trade Regimes, and the State Chapter 9 3. WTO and the Greater China Economic Circle: Local, Regional, and Global Dynamics Chapter 10 4. VCD Killed the VHS Star Part 11 II: Case Studies Chapter 12 5. Film Distribution in Mainland China Chapter 13 6. Film Piracy in Mainland China Chapter 14 7. Film Distribution in Taiwan Chapter 15 8. Profile: Wolf Chen Chapter 16 9. A Culture of Illegality? Piracy in Taiwan Chapter 17 10. The Hong Kong Connection: Distribution, Piracy, and Parallel Import Chapter 18 11. Framing Piracy Part 19 Appendix A Part 20 Appendix B Part 21 Appendix C Part 22 Bibliography Part 23 Index Part 24 About the Author
Synopsis
Framing Piracy is the first book to systematically examine film distribution--legal and illegal--in the largest and mostly untapped market in the world: Greater China. Tracing networks of optical disc (VCD, DVD) and online piracy, this book tackles issues of policy, international politics, globalization, and technology. It offers in-depth analyses of the unique market structures and copyright governance regimes in the three territories--China, Hong Kong, and Taiwan--and features a wealth of original research, new data on piracy and distribution, and interviews with global film distributors, key government officials, and film pirates. With changes and reforms afoot in China upon its entering the World Trade Organization, this timely book shows that such transformations have far-reaching implications for policy, theory, and practice., Framing Piracy examines film distribution--legal and illegal--in the largest, mostly untapped market in the world: Greater China. Tracing networks of optical disc (VCD, DVD) and online piracy, this book tackles issues of politics, globalization, and technology. It features a wealth of original research, new distribution data, and interviews with film distributors, government officials, and film pirates. With changes afoot in China upon its entering the World Trade Organization, this timely book shows that such transformations have far-reaching implications for policy, theory, and practice., Framing Piracy is the first book to systematically examine film distribution-legal and illegal-in the largest and mostly untapped market in the world: Greater China. Tracing networks of optical disc (VCD, DVD) and online piracy, this book tackles issues of policy, international politics, globalization, and technology. It offers in-depth analyses of the unique market structures and copyright governance regimes in the three territories-China, Hong Kong, and Taiwan-and features a wealth of original research, new data on piracy and distribution, and interviews with global film distributors, key government officials, and film pirates. With changes and reforms afoot in China upon its entering the World Trade Organization, this timely book shows that such transformations have far-reaching implications for policy, theory, and practice.
LC Classification Number
PN1993.5.C4W268 2003
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