
Die Nacht am Scheideweg von Simenon, Georges
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Die Nacht am Scheideweg von Simenon, Georges
by Simenon, Georges | PB | Good
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Standort: Aurora, Illinois, USA
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eBay-Artikelnr.:146337485036
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780141393483
Über dieses Produkt
Product Identifiers
Publisher
Penguin Publishing Group
ISBN-10
0141393483
ISBN-13
9780141393483
eBay Product ID (ePID)
175715089
Product Key Features
Original Language
French
Edition
6
Book Title
Night at the Crossroads : Inspector Maigret
Number of Pages
160 Pages
Language
English
Topic
Classics, Mystery & Detective / Police Procedural, Crime
Publication Year
2014
Genre
Fiction
Book Series
Inspector Maigret Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
4.4 Oz
Item Length
7.8 in
Item Width
5.1 in
Additional Product Features
Intended Audience
Trade
Reviews
Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "The matchless French crime novelist." --Adam Gopnik, The New Yorker "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "An astute observer of human nature, writing in a spare and vivid style." --Amor Towles "I never read contemporary fiction-with one exception: the works of Simenon." --T.S. Eliot "A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré "One of the most important writers of our century." --Gabriel García Márquez "A favorite writer of mine." --Sigrid Nunez "A great writer of detail, of atmosphere." --Leïla Slimani "Feels incredibly modern...A great writer." --Ian Rankin "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn." Stig Abell, The Sunday Times (London), Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." --The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." --People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . unforgettable vividness." -- The Independent (London) "Superb . . . the most addictive of writers . . . a unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . marvellously readable--lucid, simple, absolutely in tune with the work he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banvill, Praise for Georges Simenon "One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it." --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville, Praise for Georges Simenon: "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian "These Maigret books are as timeless as Paris itself." -- The Washington Post "Maigret ranks with Holmes and Poirot in the pantheon of fictional detective immortals." -- People "I love reading Simenon. He makes me think of Chekhov." --William Faulkner "The greatest of all, the most genuine novelist we have had in literature." --André Gide "A supreme writer . . . Unforgettable vividness." -- The Independent (London) "Superb . . . The most addictive of writers . . . A unique teller of tales." -- The Observer (London) "Compelling, remorseless, brilliant." --John Gray "A truly wonderful writer . . . Marvelously readable--lucid, simple, absolutely in tune with the world he creates." --Muriel Spark "A novelist who entered his fictional world as if he were a part of it."lle --Peter Ackroyd "Extraordinary masterpieces of the twentieth century." --John Banville "Gem-hard soul-probes . . . not just the world's bestselling detective series, but an imperishable literary legend . . . he exposes secrets and crimes not by forensic wizardry, but by the melded powers of therapist, philosopher and confessor" Times (London) "Strangely comforting . . . so many lovely bistros from the Paris of mid-20th C. The corpses are incidental, it's the food that counts." Margaret Atwood "One of the greatest writers of the 20th century . . . no other writer can set up a scene as sharply and with such economy as Simenon does . . . the conjuring of a world, a place, a time, a set of characters - above all, an atmosphere." Financial Times "Gripping . . . richly rewarding . . . You'll quickly find yourself obsessing about his life as you tackle each mystery in turn."-- Stig Abell The Sunday Times (London)
TitleLeading
The
Grade From
Twelfth Grade
Series Volume Number
6
Synopsis
"A writer as comfortable with reality as with fiction, with passion as with reason." --John Le Carré A sensational tale of deceit and back-stabbing in an isolated community in which only Inspector Maigret can intervene "She came forward, the outlines of her figure blurred in the half-light....'I gather you wish to talk to me, Inspector...but first of all please sit down...' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words." Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?, 'Compelling, remorseless, brilliant' John Gray 'She came forward, the outlines of her figure blurred in the half-light. She came forward like a film star, or rather like the ideal woman in an adolescent's dream. 'I gather you wish to talk to me, Inspector . . . but first of all please sit down . . .' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words.' Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide? This novel has been published in previous translations as Maigret at the Crossroads and The Crossroad Murders . 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent, "One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories." -- The Guardian A sensational tale of deceit and back-stabbing in an isolated community in which only Inspector Maigret can intervene "She came forward, the outlines of her figure blurred in the half-light....'I gather you wish to talk to me, Inspector...but first of all please sit down...' Her accent was more pronounced than Carl's. Her voice sang, dropping on the last syllable of the longer words." Maigret has been interrogating Carl Andersen for seventeen hours without a confession. He's either innocent or a very good liar. So why was the body of a diamond merchant found at his isolated mansion? Why is his sister always shut away in her room? And why does everyone at Three Widows Crossroads have something to hide?
LC Classification Number
PQ2637.I53
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