The Divine Comedy, Volume II: Purgatorio, Dante Alighieri & Robert Durling
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eBay-Artikelnr.:146420247445
Artikelmerkmale
- Artikelzustand
- Intended Audience
- Trade
- ISBN
- 9780195087451
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195087453
ISBN-13
9780195087451
eBay Product ID (ePID)
30218873
Product Key Features
Book Title
Divine Comedy of Dante Alighieri : Volume 2: Purgatorio
Number of Pages
720 Pages
Language
English
Publication Year
2004
Topic
European / General, General, European / Italian
Illustrator
Yes
Genre
Literary Criticism, Poetry, Literary Collections
Format
Trade Paperback
Dimensions
Item Height
1.9 in
Item Weight
34.1 Oz
Item Length
9.3 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Trade
Reviews
"As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking." --David Young, translator of The Poetry of Petrarch"Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term." --Michael Wyatt, author of The Italian Encounter with Tudor England"At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment." --Richard Lansing, editor of The Dante Encyclopedia, "In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended."--Library Journal, "In this new translation, Durling tries to be as concrete as possible,producing a version that is more fluent and accurate than the versions ofMandelbaum and Musa.... Highly recommended."--Library Journal, 'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.' -The Christian Science Monitor 'A useful volume for students and first-time visitors to Dante's cosmos.'- Publishers Weekly 'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.' -Library Journal 'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.' -Robert Harrison, Professor of Italian, Stanford University "As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, and acute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking." --David Young, translator of The Poetry of Petrarch "Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term." --Michael Wyatt, author of The Italian Encounter with Tudor England "At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. A splendid accomplishment." --Richard Lansing, editor of The Dante Encyclopedia, 'This new edition of Inferno is distinctly user-friendly....Serious students-in or out of the classroom-who...examine the original poem alongside a readable and reliable prose translation will find this edition excellently suited to their needs.' -The Christian Science Monitor'A useful volume for students and first-time visitors to Dante's cosmos.'- Publishers Weekly'In this new translation, Durling tries to be as concrete as possible, producing a version that is more fluent and accurate than the versions of Mandelbaum and Musa.... Highly recommended.' -Library Journal'Like the Inferno edition that preceded it, the Durling-Martinez Purgatorio, with its beautiful translation and superb apparatus of notes, is simply the best edition of Dante's second canticle in English. No other version offers anything close to what we find gathered here in one volume.' -Robert Harrison, Professor of Italian, Stanford University"As Durling and Martinez complete their monumental three-volume presentation of Dante's masterpiece, we can sense their triumph and elation, despite their characteristic modesty. This, after all, is the volume with which they can demonstrate the fullness and consistency of Dante's great project, its final approach to what they describe in one footnote as 'a pitch of intensity unique in all literature.' The scholarship, as always, is graceful, comprehensive, andacute, and it surrounds a translation that is so carefully considered and fully realized as to be, at times, quite breathtaking." --David Young, translator of The Poetry of Petrarch"Durling and Martinez deliver Paradiso in elegant English prose faithful to Dante's Italian. The general introduction and succinct notes to each canto enable an informed reading of a frequently daunting text, while the longer 'Additional Notes,' bibliography, and indices will more than satisfy the most exigent critic. Marvelous, in the richest medieval sense of the term." --Michael Wyatt, author of The Italian Encounter with Tudor England"At the end of his poem Dante claims that his 'high imagining failed of power,' but Durling and Martinez have suffered no such fate in completing their translation of the Divine Comedy. Their Paradiso is a crowning achievement, a work of lucid prose and of impeccable accuracy. Readers will find themselves rewarded by the succinct, richly informative notes at the end of each canto and the extended essay-notes at the back of the volume. Asplendid accomplishment." --Richard Lansing, editor of The Dante Encyclopedia
TitleLeading
The
Volume Number
Vol. 2
Table Of Content
CONTENTS Abbreviations, xv Introduction, 2 PARADISO CANTO 1 Notes to Canto 1 CANTO 2 Notes to Canto 2 CANTO 3Notes to Canto 3 CANTO 4Notes to Canto 4CANTO 5Notes to Canto 5CANTO 6Notes to Canto 6CANTO 7Notes to Canto 7 CANTO 8Notes to Canto 8CANTO 9Notes to Canto 9 CANTO 10Notes to Canto 10 CANTO 11Notes to Canto 11CANTO 12Notes to Canto 12 CANTO 13Notes to Canto 13CANTO 14Notes to Canto 14 CANTO 15Notes to Canto 15 CANTO 16Notes to Canto 16 CANTO 17Notes to Canto 17CANTO 18Notes to Canto 18 CANTO 19Notes to Canto 19 CANTO 20Notes to Canto 20CANTO 21Notes to Canto 21CANTO 22Notes to Canto 22 CANTO 23Notes to Canto 23 CANTO 24Notes to Canto 24CANTO 25Notes to Canto 25 CANTO 26Notes to Canto 26 CANTO 27Notes to Canto 27 CANTO 28Notes to Canto 28CANTO 29Notes to Canto 29 CANTO 30Notes to Canto 30CANTO 31Notes to Canto 31CANTO 32Notes to Canto 32 CANTO 33Notes to Canto 33 THE NICENE CREEDBOETHIUS' O QUI PERPETUA MUNDUM RATIONE GUBERNASNotes to "O qui perpetua'ADDITIONAL NOTES1. The Figure of Beatrice (After Canto 2)2. The Paradiso and the Monarchia3.The Primacy of the Intellect, the Sun, and the Circling Theologians (After Canto 14)4. Dante and the Liturgy (After Canto 15)5. The Religious Orders in the Paradiso 6. The Threshold Cantos in the Comedy 7. The Fate of Phaethon in the Comedy 8. Circle-Cross-Eagle-Scales: Images in the Paradiso9. The Final Image 10. The Neoplatonic Background11. Dante and Neoplatonism12. Dante's Astrology13. The Heavens and the Sciences: Convivio 214. The Paradiso as Alpha and OmegaTextual VariantsBibliographyIndex of Italian, Latin, and Other Foreign Words Discussed in the NotesIndex of Passages Cited in the NotesIndex of Proper Names in the NotesIndex of Proper Names in the Text and Translation
Synopsis
The second volume of Oxford's new Divine Comedy presents the Italian text of the Purgatorio and, on facing pages, a new prose translation. Continuing the story of the poet's journey through the medieval Other World under the guidance of the Roman poet Virgil, the Purgatorio culminates in the regaining of the Garden of Eden and the reunion there with the poet's long-lost love Beatrice. This new edition of the Italian text takes recent critical editions into account, and Durling's prose translation, like that of the Inferno, is unprecedented in its accuracy, eloquence, and closeness to Dante's syntax. Martinez' and Durling's notes are designed for the first-time reader of the poem but include a wealth of new material unavailable elsewhere. The extensive notes on each canto include innovative sections sketching the close relation to passages--often similarly numbered cantos--in the Inferno. Fifteen short essays explore special topics and controversial issues, including Dante's debts to Virgil and Ovid, his radical political views, his original conceptions of homosexuality, of moral growth, and of eschatology. As in the Inferno, there is an extensive bibliography and four useful indexes. Robert Turner's illustrations include maps, diagrams of Purgatory and the cosmos, and line drawings of objects and places mentioned in the poem., In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata , but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno , not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole., The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem., In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.
LC Classification Number
PQ4390
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- 1***o (71)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufIt's experiences as with this seller - which was WONDERUL - that makes spending money delightful. I could have gotten this book for about the same price with free shipping, but with this paid shipping version, I really got a lot: fast service, good packaging, and nice communication. Book was in BETTER shape than described. Definitely look forward to buying from this seller again.
- t***5 (217)- Bewertung vom Käufer.Letzter MonatBestätigter KaufGood seller. Good packaging. Brochure arrived on time and well protected.
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