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Dickinsons Elend: Eine Theorie von - Taschenbuch, von Jackson Virginia - akzeptabel
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eBay-Artikelnr.:146445878432
Artikelmerkmale
- Artikelzustand
- Book Title
- Dickinson's Misery: A Theory of Lyric Reading
- ISBN
- 9780691119915
Über dieses Produkt
Product Identifiers
Publisher
Princeton University Press
ISBN-10
0691119910
ISBN-13
9780691119915
eBay Product ID (ePID)
30894448
Product Key Features
Number of Pages
320 Pages
Publication Name
Dickinson's Misery : a Theory of Lyric Reading
Language
English
Subject
Women Authors, Poetry, American / General
Publication Year
2005
Type
Textbook
Subject Area
Literary Criticism
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
18 Oz
Item Length
9.4 in
Item Width
7.4 in
Additional Product Features
Intended Audience
College Audience
LCCN
2004-052466
Dewey Edition
22
Reviews
"Jackson seeks to engage with the reader in exploring various theories of the lyric, and to find a way into a range of lyric genres (songs, notes, letters, elegies, valentines, verse) in order to consider them as alternatives to a singular idea of the lyric. The book is beautifully illustrated with a range of Dickinson material which allows the reader to appreciate the images of her writing as an essential element in 'reading' the past."-- The Year's Work in English Studies (2007), "Jackson seeks to engage with the reader in exploring various theories of the lyric, and to find a way into a range of lyric genres (songs, notes, letters, elegies, valentines, verse) in order to consider them as alternatives to a singular idea of the lyric. The book is beautifully illustrated with a range of Dickinson material which allows the reader to appreciate the images of her writing as an essential element in 'reading' the past." -- The Year's Work in English Studies (2007), "Beautifully written, witty, incisive, learned, savvy, generous, and generative, Dickinson's Misery has no contemporary peer, synthesizing as it does knowledge of a vast range of relevant philosophy, poetic theory, and poetry as Jackson's inquiry opens up territories none other has thought to explore." --Martha Nell Smith, American Literature, Beautifully written, witty, incisive, learned, savvy, generous, and generative,Dickinson's Miseryhas no contemporary peer, synthesizing as it does knowledge of a vast range of relevant philosophy, poetic theory, and poetry as Jackson's inquiry opens up territories none other has thought to explore. -- Martha Nell Smith, American Literature, Jackson seeks to engage with the reader in exploring various theories of the lyric, and to find a way into a range of lyric genres (songs, notes, letters, elegies, valentines, verse) in order to consider them as alternatives to a singular idea of the lyric. The book is beautifully illustrated with a range of Dickinson material which allows the reader to appreciate the images of her writing as an essential element in 'reading' the past., Beautifully written, witty, incisive, learned, savvy, generous, and generative,Dickinson's Miseryhas no contemporary peer, synthesizing as it does knowledge of a vast range of relevant philosophy, poetic theory, and poetry as Jackson's inquiry opens up territories none other has thought to explore., Jackson seeks to engage with the reader in exploring various theories of the lyric, and to find a way into a range of lyric genres (songs, notes, letters, elegies, valentines, verse) in order to consider them as alternatives to a singular idea of the lyric. The book is beautifully illustrated with a range of Dickinson material which allows the reader to appreciate the images of her writing as an essential element in 'reading' the past. -- The Year's Work in English Studies, Beautifully written, witty, incisive, learned, savvy, generous, and generative, Dickinson's Misery has no contemporary peer, synthesizing as it does knowledge of a vast range of relevant philosophy, poetic theory, and poetry as Jackson's inquiry opens up territories none other has thought to explore. -- Martha Nell Smith, American Literature, "Beautifully written, witty, incisive, learned, savvy, generous, and generative, Dickinson's Misery has no contemporary peer, synthesizing as it does knowledge of a vast range of relevant philosophy, poetic theory, and poetry as Jackson's inquiry opens up territories none other has thought to explore."-- Martha Nell Smith, American Literature, Beautifully written, witty, incisive, learned, savvy, generous, and generative, Dickinson's Misery has no contemporary peer, synthesizing as it does knowledge of a vast range of relevant philosophy, poetic theory, and poetry as Jackson's inquiry opens up territories none other has thought to explore., Winner of the 2006 Christian Gauss Award, Phi Beta Kappa Book Awards Winner of the 2005 Prize for a First Book, Modern Language Association
Illustrated
Yes
Dewey Decimal
811/.4
Synopsis
How do we know that Emily Dickinson wrote poems? How do we recognize a poem when we see one? In Dickinson's Misery, Virginia Jackson poses fundamental questions about reading habits we have come to take for granted. Because Dickinson's writing remained largely unpublished when she died in 1886, decisions about what it was that Dickinson wrote have been left to the editors, publishers, and critics who have brought Dickinson's work into public view. The familiar letters, notes on advertising fliers, verses on split-open envelopes, and collections of verses on personal stationery tied together with string have become the Dickinson poems celebrated since her death as exemplary lyrics. Jackson makes the larger argument that the century and a half spanning the circulation of Dickinson's work tells the story of a shift in the publication, consumption, and interpretation of lyric poetry. This shift took the form of what this book calls the "lyricization of poetry," a set of print and pedagogical practices that collapsed the variety of poetic genres into lyric as a synonym for poetry.Featuring many new illustrations from Dickinson's manuscripts, this book makes a major contribution to the study of Dickinson and of nineteenth-century American poetry.It maps out the future for new work in historical poetics and lyric theory., Poses fundamental questions about reading habits we have come to take for granted. Featuring illustrations from Dickinson's manuscripts, this book makes a contribution to the study of Dickinson and of nineteenth-century American poetry. It also maps out the future for work in historical poetics and lyric theory., How do we know that Emily Dickinson wrote poems? How do we recognize a poem when we see one? In Dickinson's Misery , Virginia Jackson poses fundamental questions about reading habits we have come to take for granted. Because Dickinson's writing remained largely unpublished when she died in 1886, decisions about what it was that Dickinson wrote have been left to the editors, publishers, and critics who have brought Dickinson's work into public view. The familiar letters, notes on advertising fliers, verses on split-open envelopes, and collections of verses on personal stationery tied together with string have become the Dickinson poems celebrated since her death as exemplary lyrics. Jackson makes the larger argument that the century and a half spanning the circulation of Dickinson's work tells the story of a shift in the publication, consumption, and interpretation of lyric poetry. This shift took the form of what this book calls the "lyricization of poetry," a set of print and pedagogical practices that collapsed the variety of poetic genres into lyric as a synonym for poetry. Featuring many new illustrations from Dickinson's manuscripts, this book makes a major contribution to the study of Dickinson and of nineteenth-century American poetry. It maps out the future for new work in historical poetics and lyric theory.
LC Classification Number
PS1541.Z5J33 2005
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