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Der rote Buchstabe spielt von Parks, Suzan-Lori

by Parks, Suzan-Lori | PB | LikeNew
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Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, ... Mehr erfahrenÜber den Artikelzustand
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Zuletzt aktualisiert am 26. Sep. 2025 04:10:15 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
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Buch, das wie neu aussieht, aber bereits gelesen wurde. Der Einband weist keine sichtbaren Gebrauchsspuren auf. Bei gebundenen Büchern ist der Schutzumschlag vorhanden (sofern zutreffend). Alle Seiten sind vollständig vorhanden, es gibt keine zerknitterten oder eingerissenen Seiten und im Text oder im Randbereich wurden keine Unterstreichungen, Markierungen oder Notizen vorgenommen. Der Inneneinband kann minimale Gebrauchsspuren aufweisen. Minimale Gebrauchsspuren. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers. Alle Zustandsdefinitionen ansehenwird in neuem Fenster oder Tab geöffnet
Hinweise des Verkäufers
“Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9781559361958
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Theatre Communications Group, Incorporated
ISBN-10
1559361956
ISBN-13
9781559361958
eBay Product ID (ePID)
1713716

Product Key Features

Book Title
Red Letter Plays
Number of Pages
224 Pages
Language
English
Publication Year
2000
Topic
American / African American, American / General, Ethnic Studies / African American Studies
Illustrator
Yes
Genre
Drama, Social Science
Author
Suzan-Lori Parks
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
12.5 Oz
Item Length
8.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
LCCN
00-046679
TitleLeading
The
Reviews
"In the Blood is an extraordinary new play...It is truly harrowing...we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with "a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron."
Dewey Edition
21
Dewey Decimal
812/.54
Synopsis
"In the Blood is an extraordinary new play…It is truly harrowing…we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with "a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron.'"-Margo Jefferson, The New York Times The playwright who "has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way [John Heilpern, New York Observer and Vogue]," has written two haunting riffs on Hawthorne's The Scarlett Letter: In the Blood and Fucking A. Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children-"my treasures, my five joys"-who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available-abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her. These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today. Suzan Lori-Parks is also the author of The America Play and Other Works and Venus, both published by TCG. She lives in Brooklyn, New York., "In the Blood is an extraordinary new play...It is truly harrowing...we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with "a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron.'"--Margo Jefferson, The New York Times The playwright who "has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way John Heilpern, New York Observer and Vogue ]," has written two haunting riffs on Hawthorne's The Scarlett Letter: In the Blood and Fucking A. Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children--"my treasures, my five joys"--who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available--abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her. These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today. Suzan Lori-Parks is also the author of The America Play and Other Works and Venus , both published by TCG. She lives in Brooklyn, New York., "In the Blood is an extraordinary new play...It is truly harrowing...we cannot turn away, and we do not want to. The play strikes us as Hawthorne claimed his first glimpse of the scarlet letter struck him, with "a sensation not altogether physical yet almost so, as of a burning heat, as if the letter were not of red cloth but of red-hot iron.'"--Margo Jefferson, The New York Times The playwright who "has burst through every known convention to invent a new theatrical language, like a jive Samuel Beckett, while exploding American cultural myths and stereotypes along the way [John Heilpern, New York Observer and Vogue ]," has written two haunting riffs on Hawthorne's The Scarlett Letter: In the Blood and Fucking A. Hester La Negrita of In the Blood is an unapologetic mother of five illegitimate children--"my treasures, my five joys"--who practices writing the alphabet to help herself "one day get a leg up. The letter A is as far as she gets. Hester Smith of Fucking A works the only job available--abortionist to the lower class, in order to save for a reunion picnic with her imprisoned son. Her branded A bleeds afresh every time a patient comes to see her. These are two mature, beautifully crafted, inventive and poetic plays by one of the most unique voices writing for the stage today. Suzan Lori-Parks is also the author of The America Play and Other Works and Venus , both published by TCG. She lives in Brooklyn, New York.
LC Classification Number
PS3566.A736R44 2001

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