20th Century Type Designers by Sebastian Carter

by Sebastian Carter | PB | Good
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Hinweise des Verkäufers
“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...
Binding
Paperback
Weight
1 lbs
Product Group
Book
IsTextBook
No
ISBN
9780853318514
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Ashgate Publishing Company
ISBN-10
0853318514
ISBN-13
9780853318514
eBay Product ID (ePID)
2368061

Product Key Features

Edition
3
Book Title
Twentieth Century Type Designers : Sebastian Carter
Number of Pages
192 Pages
Language
English
Topic
History / General
Publication Year
2002
Illustrator
Yes
Genre
Architecture
Author
Sebastian Carter
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
24.8 Oz
Item Length
9.2 in
Item Width
8.7 in

Additional Product Features

Intended Audience
Trade
LCCN
2002-100643
Dewey Edition
21
Dewey Decimal
686.2240922
Synopsis
Since its first publication in 1987, Twentieth Century Type Designers has become a standard reference work for typographers, designers and students alike. This new edition includes an examination of the latest technological developments in the design and composition of type, and introduces the work of some of the more recent designers to have made their mark this century.Although the skeleton shapes of the letters of our alphabet hardly change, many skilled type designers have devoted much time, sometimes their whole lives, to drawing different versions of the outlines. This book serves as an introduction to the concept of typefaces and to some of the personalities who have created them - Goudy, Rogers, Koch, Gill, Morison, Van Krimpen, Trump, Tschichold, Frutiger, and Zapf - and places them in the context of the enormous changes that have occurred this century in the methods of creating and setting type.A new generation of typographers working in the latter half of this century, such as Matthew Carter, Sumner Stone and others, are now profiled. Working with entirely different tools from their predecessors, they reflect the new typography in varying degrees.The introduction in the 1880s of the Linotype and Monotype hot-metal composing machines, and in particular the Benton pantographic punchcutter, revolutionized the manufacture of type, and caused a flood of new typefaces. More recently, filmsetting and digital typesetting have brought new opportunities - as well as new disciplines. This book examines the conflicts arising from these technological advances, which have pitted craftsmanship against commercial interests, and forced designers to come to terms with the new creative opportunities.Whatever motivates type designers - whether it is in the practical need to create new faces for machines, the ideal of producing the perfect letter-form for our age, or whether type is designed as an offshoot of other artistic activities - their work has had a far-reaching impact on our culture., This new edition of the text first published in 1987 includes an examination of the latest technological developments in the design and composition of type, and introduces the work of some of the more recent designers to have made their mark this century. Although the skeleton shapes of the letters of our alphabet hardly change, many skilled type designers have devoted much time, sometimes their whole lives, to drawing different versions of the outlines. This book serves as an introduction to the concept of typefaces and to some of the personalities who have created them - Goudy, Rogers, Koch, Gill, Morison, Van Krimpen, Trump, Tschichold, Frutiger, and Zapf - and places them in the context of the enormous changes that have occurred the 20th century in the methods of creating and setting type., This survey of the careers of type designers such as Gill, Tschichold and Koch also examines the conflicts arising from technological advances that have pitted craftsmanship against commercial interests and forced designers to come to terms with the new creative opportunities.
LC Classification Number
Z250.A2C364 2002

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