Collected Poems by James Merrill

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Hinweise des Verkäufers
“Used book in good condition. Shows typical wear. Quick shipping. Satisfaction guaranteed!”
Narrative Type
United States
Type
Book
Intended Audience
N/A
ISBN
9780375411397
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Knopf Doubleday Publishing Group
ISBN-10
0375411399
ISBN-13
9780375411397
eBay Product ID (ePID)
1865931

Product Key Features

Book Title
Collected Poems
Number of Pages
912 Pages
Language
English
Publication Year
2001
Topic
General, American / General
Genre
Poetry
Author
James Ingram Merrill
Format
Hardcover

Dimensions

Item Height
2 in
Item Weight
47.1 Oz
Item Length
9.5 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Trade
LCCN
00-040542
Reviews
"The lyrics in Merrill'sCollected Poemsought to last as long as people still care about poetry . . . poetry as alive as Merrill's iswhypeople care." - David Gates,Newsweek "Gigantic and ravishing . . . What this new volume provides, not without a small shock even to those familiar with Merrill, is the size and scope of his accomplishment . . . [A] monumental new collection."- Daniel Mendelsohn,New York Times Book Review "Merrill . . . has been well-served by his executors and editors, McClatchy and Yenser . . . [In this collection] there's more than enough-in humor and sorrow, in tones of voice, in diction, in subjects--to keep one engaged for days, for years, for life. Reading Merrill is like reading Marvell or Keats or Dickinson; having his lines in mind is that unique thing, a voice that says somebody was here before."-Caroline Fraser,L.A. Times "TheCollected Poems. . . sensitively edited by JD McClatchy and Stephen Yenser . . . represents a major literary event."- Edmund White,OutMagazine "If you like poetry composed (in Hopkin's words) in 'the current language heightened,' Merrill will please you . . . If you have despaired of finding words subtle enough for all that goes on between lovers over time; if you are delighted by poetic invention, Merrill will please you. If you are eager for a window into the pangs and pleasures of gay existence, or if you want to know what a person of ever-attentive receptivity might have seen between 1926 and 1995, Merrill will please you. Above all, if you value lightness of touch, Merrill will please you . . . The weight of the wreath is heavy on all poets, but Merrill rarely allowed the weight to be felt, or the wrinkles to show."- Helen Vendler,The New Yorker From the Hardcover edition., "The lyrics in Merrill's Collected Poems ought to last as long as people still care about poetry . . . poetry as alive as Merrill's is why people care." - David Gates, Newsweek "Gigantic and ravishing . . . What this new volume provides, not without a small shock even to those familiar with Merrill, is the size and scope of his accomplishment . . . [A] monumental new collection." - Daniel Mendelsohn, New York Times Book Review "Merrill . . . has been well-served by his executors and editors, McClatchy and Yenser . . . [In this collection] there's more than enough-in humor and sorrow, in tones of voice, in diction, in subjects--to keep one engaged for days, for years, for life. Reading Merrill is like reading Marvell or Keats or Dickinson; having his lines in mind is that unique thing, a voice that says somebody was here before." -Caroline Fraser, L.A. Times "The Collected Poems . . . sensitively edited by JD McClatchy and Stephen Yenser . . . represents a major literary event." - Edmund White, Out Magazine "If you like poetry composed (in Hopkin's words) in 'the current language heightened,' Merrill will please you . . . If you have despaired of finding words subtle enough for all that goes on between lovers over time; if you are delighted by poetic invention, Merrill will please you. If you are eager for a window into the pangs and pleasures of gay existence, or if you want to know what a person of ever-attentive receptivity might have seen between 1926 and 1995, Merrill will please you. Above all, if you value lightness of touch, Merrill will please you . . . The weight of the wreath is heavy on all poets, but Merrill rarely allowed the weight to be felt, or the wrinkles to show." - Helen Vendler, The New Yorker, "The lyrics in Merrill'sCollected Poemsought to last as long as people still care about poetry . . . poetry as alive as Merrill's iswhypeople care." - David Gates,Newsweek "Gigantic and ravishing . . . What this new volume provides, not without a small shock even to those familiar with Merrill, is the size and scope of his accomplishment . . . [A] monumental new collection."- Daniel Mendelsohn,New York Times Book Review "Merrill . . . has been well-served by his executors and editors, McClatchy and Yenser . . . [In this collection] there's more than enough-in humor and sorrow, in tones of voice, in diction, in subjects--to keep one engaged for days, for years, for life. Reading Merrill is like reading Marvell or Keats or Dickinson; having his lines in mind is that unique thing, a voice that says somebody was here before."-Caroline Fraser,L.A. Times "TheCollected Poems. . . sensitively edited by JD McClatchy and Stephen Yenser . . . represents a major literary event."- Edmund White,OutMagazine "If you like poetry composed (in Hopkin's words) in 'the current language heightened,' Merrill will please you . . . If you have despaired of finding words subtle enough for all that goes on between lovers over time; if you are delighted by poetic invention, Merrill will please you. If you are eager for a window into the pangs and pleasures of gay existence, or if you want to know what a person of ever-attentive receptivity might have seen between 1926 and 1995, Merrill will please you. Above all, if you value lightness of touch, Merrill will please you . . . The weight of the wreath is heavy on all poets, but Merrill rarely allowed the weight to be felt, or the wrinkles to show."- Helen Vendler,The New Yorker
Dewey Edition
21
Dewey Decimal
811/.54
Synopsis
The publication of James Merrill's Collected Poems is a landmark in the history of modern American literature. His First Poems -its sophistication and virtuosity were recognized at once-appeared half a century ago. Over the next five decades, Merrill's range broadened and his voice took on its characteristic richness. In book after book, his urbanity and wit, his intriguing images and paradoxes, shone with a rare brilliance. As he once told an interviewer, he "looked for English in its billiard-table sense-words that have been set spinning against their own gravity." But beneath their surface glamour, his poems were driven by an audacious imagination that continually sought to deepen and refine our perspectives on experience. Among other roles, he was one of the supreme love poets of the twentieth century. In delicate lyric or complex narrative, this book abounds with what he once called his "chronicles of love and loss." Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways-ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler spoke for others when she wrote of Merrill, "The time eventually comes, in a good poet's career, when readers actively wait for his books: to know that someone out there is writing down your century, your generation, your language, your life . . . He has become one of our indispensable poets." This book brings together a remarkable body of work in an authoritative edition. From Merrill's privately printed book, The Black Swan , published in 1946, to his posthumous collection, A Scattering of Salts , which appeared in 1995, all of the poems he published are included, except for juvenalia and his epic, The Changing Light at Sandover . In addition, twenty-one of his translations (from Apollinaire, Montale, and Cavafy, among others) and forty-four of his previously uncollected poems (including those written in the last year of his life) are gathered here for the first time. Collected Poems in the first volume in a series that will present all of James Merrill's work-his novels and plays, and his collected prose. Together, these volumes will testify to a monumental career that distinguished American literature in the late twentieth century and will continue to inspire readers and writers for years to come., As a favour to an old friend, Hercule Poirot finds himself at a summer fete in Devon, taking part not in a Treasure Hunt, but a Murder Hunt, in this never-before-published novella version of Dead Man's Folly. Now released for the first time as an eBook exclusive publication. Sir George and Lady Stubbs, the hosts of a village fête, hit upon the novel idea of staging a mock murder mystery. In good faith, Ariadne Oliver, the well known crime writer, agrees to organise their murder hunt. But at the last minute Ariadne calls her friend Hercule Poirot for his expert assistance. Instinctively, she senses that something sinister is about to happen... In 1954, Agatha Christie wrote this novella with the intention of donating the proceeds to a fund set up to buy stained glass windows for her local church at Churston Ferrers, and she filled the story with references to local places, including her own home of Greenway. But having completed it, she decided instead to expand the story into a full-length novel, Dead Man's Folly, which was published two years later, and donated a Miss Marple story (Greenshaw's Folly) to the church fund instead. Unseen for sixty years, Hercule Poirot and the Greenshore Folly is finally published in this eBook exclusive edition., The publication of James Merrill's "Collected Poems" is a landmark in the history of modern American literature. His "First Poems" its sophistication and virtuosity were recognized at once appeared half a century ago. Over the next five decades, Merrill's range broadened and his voice took on its characteristic richness. In book after book, his urbanity and wit, his intriguing images and paradoxes, shone with a rare brilliance. As he once told an interviewer, he "looked for English in its billiard-table sense words that have been set spinning against their own gravity." But beneath their surface glamour, his poems were driven by an audacious imagination that continually sought to deepen and refine our perspectives on experience. Among other roles, he was one of the supreme love poets of the twentieth century. In delicate lyric or complex narrative, this book abounds with what he once called his "chronicles of love and loss." Like Wallace Stevens and W. H. Auden before him, Merrill sought to quicken the pulse of a poem in surprising and compelling ways ways, indeed, that changed how we came to see our own lives. Years ago, the critic Helen Vendler spoke for others when she wrote of Merrill, "The time eventually comes, in a good poet's career, when readers actively wait for his books: to know that someone out there is writing down your century, your generation, your language, your life . . . He has become one of our indispensable poets." This book brings together a remarkable body of work in an authoritative edition. From Merrill's privately printed book, "The Black Swan," published in 1946, to his posthumous collection, "A Scattering of Salts," which appeared in 1995, all of the poems he published are included, except for juvenalia and his epic, "The Changing Light at Sandover." In addition, twenty-one of his translations (from Apollinaire, Montale, and Cavafy, among others) and forty-four of his previously uncollected poems (including those written in the last year of his life) are gathered here for the first time. Collected Poems in the first volume in a series that will present all of James Merrill's work his novels and plays, and his collected prose. Together, these volumes will testify to a monumental career that distinguished American literature in the late twentieth century and will continue to inspire readers and writers for years to come."
LC Classification Number
PS3525.E6645A17 2001

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