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Die Kunst von Picassos Olga Periode Hardcover brandneu kostenloser Versand in Schrumpfverpackung

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Standort: Allen, Texas, USA
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eBay-Artikelnr.:156310180552
Zuletzt aktualisiert am 02. Jan. 2025 06:53:38 MEZAlle Änderungen ansehenAlle Änderungen ansehen

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Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
Narrative Type
Nonfiction
Type
Biography
Features
Illustrated
Book Series
Historical
Intended Audience
Young Adults, Adults
ISBN
9782072822612

Über dieses Produkt

Product Identifiers

Publisher
Gallimard, Editions
ISBN-10
2072822610
ISBN-13
9782072822612
eBay Product ID (ePID)
16038754576

Product Key Features

Book Title
Olga Picasso
Number of Pages
312 Pages
Language
English
Topic
Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, General, Subjects & Themes / General
Publication Year
2019
Illustrator
Yes
Genre
Art
Author
E. Philippot
Format
Hardcover

Dimensions

Item Height
1.2 in
Item Weight
0.1 Oz
Item Length
11.5 in
Item Width
9 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
709.2
Table Of Content
Contents: 1) Olga's suitcase; 2) Picasso's Olga Period; 3) Muse and model; 4) Melancoly; 5) Life story; 6) Lifestyle change; 7) Maternity; 8) Paul; 9) Metamorhosis; 10) On screen; 11) Les baigneuses; 12) Circus; 13) Workshop; 14) Corridas; 15) Eros and Thanatos; 16) Olga's lives; 17) Olga seen by biographers.
Synopsis
In light of a large selection of previously unpublished personal archives - documents, photographs and films - this title explores Picasso's 'Olga period' by contextualising his work during this period and by questioning the contrast between the subject and its portrayal. A favourite model since their meeting in 1917, Olga Khokhlova, a Russian ballet dancer who married Picasso in July 1918, is the most represented female figure in the artist's work of the late 1910s and 1920s. Picasso renders the ambiguity of his first wife, her beauty, her Ingres-like contours, and her deep, pensive, melancholy, in many of his most famous portraits. The exhibition that this book accompanies brings to light materials conserved by Olga's family until recently, including memorabilia of her life as a dancer, photos of Picasso, their son Paul, and their daily life together, and their travels to Barcelona, Naples, and Monte Carlo. AUTHORS: Emilia Philippot is curator for Picasso Museum of Paris. Joachim Pissarro is an art historian, curator and director of Hunter College art galleries. Bernard Ruiz-Picasso is co-founder of Foundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA). SELLING POINTS: * A thematic exploration of Picasso's work in the 1910s and 1920s * Includes previously unpublished material from the archives of the Fundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA) * An exhibition catalogue with 200 works and 80 archival images 200 colour and 80 b/w images, - A thematic exploration of Picasso's work in the 1910s and 1920s- Includes previously unpublished material from the archives of the Fundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA)- An exhibition catalogue with 200 works and 80 archival images In light of a large selection of previously unpublished personal archives - documents, photographs and films - this title explores Picasso's 'Olga period' by contextualizing his work during this period and by questioning the contrast between the subject and its portrayal. A favorite model since their meeting in 1917, Olga Khokhlova, a Russian ballet dancer who married Picasso in July 1918, is the most represented female figure in the artist's work of the late 1910s and 1920s. Picasso renders the ambiguity of his first wife, her beauty, her Ingres-like contours, and her deep, pensive, melancholy, in many of his most famous portraits. The exhibition that this book accompanies brings to light materials conserved by Olga's family until recently, including memorabilia of her life as a dancer, photos of Picasso, their son Paul, and their daily life together, and their travels to Barcelona, Naples, and Monte Carlo., * A thematic exploration of Picasso's work in the 1910s and 1920s* Includes previously unpublished material from the archives of the Fundacion Almine y Bernard Ruiz-Picasso para el Arte (FABA)* An exhibition catalogue with 200 works and 80 archival images In light of a large selection of previously unpublished personal archives - documents, photographs and films - this title explores Picasso's 'Olga period' by contextualizing his work during this period and by questioning the contrast between the subject and its portrayal. A favorite model since their meeting in 1917, Olga Khokhlova, a Russian ballet dancer who married Picasso in July 1918, is the most represented female figure in the artist's work of the late 1910s and 1920s. Picasso renders the ambiguity of his first wife, her beauty, her Ingres-like contours, and her deep, pensive, melancholy, in many of his most famous portraits. The exhibition that this book accompanies brings to light materials conserved by Olga's family until recently, including memorabilia of her life as a dancer, photos of Picasso, their son Paul, and their daily life together, and their travels to Barcelona, Naples, and Monte Carlo.
LC Classification Number
N6853.P5O43 2019

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