
Cezannes Aquarelle: Zwischen Zeichnen und Malen, Matthew Sims, 2008
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Cezannes Aquarelle: Zwischen Zeichnen und Malen, Matthew Sims, 2008
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Standort: Lexington, Kentucky, USA
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Artikelmerkmale
- Artikelzustand
- Sehr gut
- Hinweise des Verkäufers
- “An ex-library copy, still in very good condition.”
- ISBN
- 9780300140668
Über dieses Produkt
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300140665
ISBN-13
9780300140668
eBay Product ID (ePID)
66075652
Product Key Features
Book Title
Cézanne's Watercolors : between Drawing and Painting
Number of Pages
256 Pages
Language
English
Topic
Individual Artists / General, History / Modern (Late 19th Century to 1945), European
Publication Year
2008
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
57.7 Oz
Item Length
1.2 in
Item Width
1 in
Additional Product Features
Intended Audience
Trade
LCCN
2008-006085
Reviews
"The reproductions, including numerous close-up details of Cézanne''s work, are among the best in any of the multitude of publications on Cézanne. . . . This lovely book will be useful to a wide range of readers interested in Cézanne. Recommended." -Choice, "The reproductions, including numerous close-up details of Cézanne's work, are among the best in any of the multitude of publications on Cézanne. . . . This lovely book will be useful to a wide range of readers interested in Cézanne. Recommended." - Choice, "The reproductions, including numerous close-up details of C�zanne's work, are among the best in any of the multitude of publications on C�zanne. . . . This lovely book will be useful to a wide range of readers interested in C�zanne. Recommended." �Choice, "The reproductions, including numerous close-up details of Czanne's work, are among the best in any of the multitude of publications on Czanne. . . . This lovely book will be useful to a wide range of readers interested in Czanne. Recommended." -- Choice, "The reproductions, including numerous close-up details of Cézanne''s work, are among the best in any of the multitude of publications on Cézanne. . . . This lovely book will be useful to a wide range of readers interested in Cézanne. Recommended." - Choice, "The reproductions, including numerous close-up details of Cézanne's work, are among the best in any of the multitude of publications on Cézanne. . . . This lovely book will be useful to a wide range of readers interested in Cézanne. Recommended." -- Choice, "The reproductions, including numerous close-up details of Czanne's work, are among the best in any of the multitude of publications on Czanne. . . . This lovely book will be useful to a wide range of readers interested in Czanne. Recommended." - Choice
Dewey Edition
22
Dewey Decimal
759.4
Synopsis
Cézanne's watercolors exhibit not only kaleidoscopic arrays of translucent color but also very light graphite pencil lines that contrast strikingly with the soft watery touches of color. These drawn lines have been largely overlooked in previous studies of Cézanne's watercolors. In this ravishing book, Matthew Simms argues that it was the dialogue between drawing and painting-the movement between the pencil and the paintbrush-that attracted Cézanne to watercolor. Watercolor allowed Cézanne to express what he termed his "sensations" in two distinct modes that become a record of his shifting and spontaneous responses to his subject. Combining close visual analysis and examination of historical context, Simms focuses on the counterpoint of drawing and color in Cézanne's watercolors over the course of his career and as viewed in relation to his oil paintings. More than a tool for sketching or preparing for oil paintings, Simms contends, watercolor was a unique means of expression in its own right that allowed Cézanne to combine in one place the two otherwise opposed mediums of drawing and painting., C zanne's watercolors exhibit not only kaleidoscopic arrays of translucent color but also very light graphite pencil lines that contrast strikingly with the soft watery touches of color. These drawn lines have been largely overlooked in previous studies of C zanne's watercolors. In this ravishing book, Matthew Simms argues that it was the dialogue between drawing and painting--the movement between the pencil and the paintbrush--that attracted C zanne to watercolor. Watercolor allowed C zanne to express what he termed his "sensations" in two distinct modes that become a record of his shifting and spontaneous responses to his subject. Combining close visual analysis and examination of historical context, Simms focuses on the counterpoint of drawing and color in C zanne's watercolors over the course of his career and as viewed in relation to his oil paintings. More than a tool for sketching or preparing for oil paintings, Simms contends, watercolor was a unique means of expression in its own right that allowed C zanne to combine in one place the two otherwise opposed mediums of drawing and painting.
LC Classification Number
ND1950.C4S56 2008
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