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Oppenheim: Objekt von Meret Oppenheim

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Standort: Wiri, Neuseeland
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Zuletzt aktualisiert am 08. Mai. 2025 11:22:25 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
EAN
9781633450196
UPC
9781633450196
ISBN
9781633450196
MPN
N/A

Über dieses Produkt

Product Identifiers

Publisher
Museum of Modern Art
ISBN-10
1633450198
ISBN-13
9781633450196
eBay Product ID (ePID)
224005576

Product Key Features

Book Title
Oppenheim: Object
Number of Pages
48 Pages
Language
English
Topic
Individual Artists / Monographs
Publication Year
2017
Illustrator
Yes
Genre
Art
Author
Carolyn Lanchner
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
7.2 Oz
Item Length
9 in
Item Width
7.4 in

Additional Product Features

Intended Audience
Trade
LCCN
2017-941936
Dewey Edition
23
Dewey Decimal
709.2
Synopsis
In 1936, invited by Andr Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim (1913-85) decided to act upon a caf conversation she had recently had with Pablo Picasso and his then companion Dora Maar. Commenting on a fur-covered bracelet that Oppenheim had made for the designer Schiaparelli, Picasso remarked that one could cover just about anything in fur, to which Oppenheim had responded, "Even this cup and saucer." The resulting sculpture was "Object," a teacup, saucer and spoon purchased from a department store and lined with Chinese gazelle fur. In this volume of the MoMA One on One series, an essay by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work., In 1936, invited by André Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim decided to act upon a café conversation she had recently had with Pablo Picasso and his then-companion Dora Maar. Commenting on a fur-covered bracelet that Oppenheim had made for the designer Schiaparelli, Picasso remarked that one could cover just about anything in fur, to which Oppenheim had responded, 'Even this cup and saucer.' The resulting sculpture was Object, a teacup, saucer and spoon purchased from a department store and lined with Chinese gazelle fur. In this volume of the MoMA One on One series, an essay by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work, which simultaneously attracts and repels the viewer, and of the dreamlike world of Surrealism in which Oppenheim worked., In 1936, invited by André Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim (1913 85) decided to act upon a café conversation she had recently had with Pablo Picasso and his then companion Dora Maar. Commenting on a fur-covered bracelet that Oppenheim had made for the designer Schiaparelli, Picasso remarked that one could cover just about anything in fur, to which Oppenheim had responded, Even this cup and saucer. The resulting sculpture was Object, a teacup, saucer and spoon purchased from a department store and lined with Chinese gazelle fur. In this volume of the MoMA One on One series, an essay by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work., In 1936, invited by André Breton to contribute to an exhibition of Surrealist objects, Meret Oppenheim (1913-85) decided to act upon a café conversation she had recently had with Pablo Picasso and his then companion Dora Maar. Commenting on a fur-covered bracelet that Oppenheim had made for the designer Schiaparelli, Picasso remarked that one could cover just about anything in fur, to which Oppenheim had responded, "Even this cup and saucer." The resulting sculpture was "Object," a teacup, saucer and spoon purchased from a department store and lined with Chinese gazelle fur. In this volume of the MoMA One on One series, an essay by Carolyn Lanchner, a former curator of painting and sculpture at MoMA, explores the subversive nature of this sensual yet disturbing work.
LC Classification Number
N6888

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