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A Dangerously Curious Eye The Edge of San Francisco Barry Shapiro 1972-1982 HC
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A Dangerously Curious Eye The Edge of San Francisco Barry Shapiro 1972-1982 HC
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A Dangerously Curious Eye The Edge of San Francisco Barry Shapiro 1972-1982 HC

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    Artikelzustand
    Gut: Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr ...
    Signed
    No
    Book Series
    N/A
    Ex Libris
    No
    Narrative Type
    Nonfiction
    Original Language
    English
    Intended Audience
    Young Adults, Adults
    Inscribed
    No
    Edition
    First Edition, First Printing
    Vintage
    No
    Personalize
    No
    Type
    Book
    Personalized
    No
    Features
    N/A
    Country/Region of Manufacture
    China
    ISBN
    9780979331497

    Über dieses Produkt

    Product Identifiers

    Publisher
    Rock Out! Books
    ISBN-10
    0979331498
    ISBN-13
    9780979331497
    eBay Product ID (ePID)
    84238305

    Product Key Features

    Book Title
    Dangerously Curious Eye : the Edge of San Francisco, Barry Shapiro, 1972-1982
    Number of Pages
    160 Pages
    Language
    English
    Topic
    Individual Photographers / General, Methodology, Artists, Architects, Photographers, United States / West / Pacific (Ak, CA, Hi, Or, Wa), History
    Publication Year
    2010
    Illustrator
    Yes
    Genre
    Travel, Social Science, Photography, Biography & Autobiography
    Author
    Mark Joseph
    Format
    Hardcover

    Dimensions

    Item Height
    1 in
    Item Weight
    40.1 Oz
    Item Length
    9 in
    Item Width
    12 in

    Additional Product Features

    Intended Audience
    Trade
    TitleLeading
    A
    Photographed by
    Shapiro, Barry
    Synopsis
    Far from the bridges and cable cars, hidden away behind the famous hills, there is another San Francisco Bay Area that most people never see. San Francisco's Hunter's Point and Fillmore District, West Oakland and Richmond's Iron Triangle -- in the 1970s these places on the edges of this great American metropolis offered Barry Shapiro an alternate reality where he pointed his lens. Although Barry made his reputation as a professional photographer with the 1972 publication of Handmade Houses: The Woodbutcher's Art, his day job as a teacher of remedial reading to adults gave him an entree into a world that white America only saw in the blaxploitation films of the day like "Shaft" and "Superfly." His curious eye brought him to many dangerous places, but with the trust he earned, he was able to not only hang out in this unique subculture, but be allowed to photograph their very intimate and sometimes dark moments. In these photos we see glimpses of tenderness that can explode into violence, tension that dissolves into laughter, kids showing off for the camera, and tough motorcycle gangs chilled out after a night of hard partying. What instantly captures the viewer's attention is that Barry, with the force of his energetic personality, established a trusting relationship with each of his subjects, whether that relationship lasted for years or only a few seconds. When Barry wasn't hanging out in these fringe neighborhoods, he was prowling the streets of the Bay Area with his stealth Leica shooting poignant black-and-white moments of street life through the windows of his VW bus. These images record an incredible slice of everyday urban life without any hint of his even being there. Barry captured what Henri Cartier-Bresson called "the decisive moment" over and over with a natural ability that only the best photographers have. Always a maverick, rarely inclined to shoot to spec and unwilling to compromise or cater to photographic fashion, Barry shot his black-and-white photographs with no thoughts of commercialism. Although his career as a photographer spanned more than forty years, and he spent the last sixteen years of his life as a high-school teacher and principal, he never stopped shooting. With a foreword by famed San Francisco rock photographer Jim Marshall and an introduction by best-selling novelist Mark Joseph, two of Barry's closest friends, A Dangerously Curious Eye will show you a very different side of the San Francisco Bay Area., Far from the bridges and cable cars, hidden away behind the famous hills, there is another San Francisco Bay Area that most people never see. San Francisco's Hunter's Point and Fillmore District, West Oakland and Richmond's Iron Triangle - in the 1970s these places on the edges of this great American metropolis offered Barry Shapiro an alternate reality where he pointed his lens. Although Barry made his reputation as a professional photographer with the 1972 publication of Handmade Houses: The Woodbutcher's Art, his day job as a teacher of remedial reading to adults gave him an entr (c)e into a world that white America only saw in the blaxploitation films of the day like "Shaft" and "Superfly." His curious eye brought him to many dangerous places, but with the trust he earned, he was able to not only hang out in this unique subculture, but be allowed to photograph their very intimate and sometimes dark moments. In these photos we see glimpses of tenderness that can explode into violence, tension that dissolves into laughter, kids showing off for the camera, and tough motorcycle gangs chilled out after a night of hard partying. What instantly captures the viewer's attention is that Barry, with the force of his energetic personality, established a trusting relationship with each of his subjects, whether that relationship lasted for years or only a few seconds. When Barry wasn't hanging out in these fringe neighborhoods, he was prowling the streets of the Bay Area with his stealth Leica shooting poignant black-and-white moments of street life through the windows of his VW bus. These images record an incredible slice of everyday urban life without any hint of his even being there. Barry captured what Henri Cartier-Bresson called "the decisive moment" over and over with a natural ability that only the best photographers have. Always a maverick, rarely inclined to shoot to spec and unwilling to compromise or cater to photographic fashion, Barry shot his black-and-white photographs with no thoughts of commercialism. Although his career as a photographer spanned more than forty years, and he spent the last sixteen years of his life as a high-school teacher and principal, he never stopped shooting. With a foreword by famed San Francisco rock photographer Jim Marshall and an introduction by best-selling novelist Mark Joseph, two of Barry's closest friends, A Dangerously Curious Eye will show you a very different side of the San Francisco Bay Area.

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