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North American Indian Art (World of Art), George Horse Capture, David W. Penney,

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Zuletzt aktualisiert am 23. Jun. 2025 02:02:25 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
ISBN
9780500203774

Über dieses Produkt

Product Identifiers

Publisher
Thames & Hudson
ISBN-10
0500203776
ISBN-13
9780500203774
eBay Product ID (ePID)
30237442

Product Key Features

Book Title
North American Indian Art
Number of Pages
232 Pages
Language
English
Topic
Textile & Costume
Publication Year
2004
Illustrator
Yes
Genre
Design
Author
David W. Penney
Book Series
World of Art Ser.
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
17.6 Oz
Item Length
8.3 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Trade
LCCN
2003-108929
Dewey Edition
0
Series Volume Number
0
Dewey Decimal
709.7
Synopsis
This timely book surveys the artistic traditions of indigenous North America, from those of ancient cultures to the work of modern artists. The text is organized geographically, covering tribes as wide-ranging as the Navajo, Cheyenne, Chumash, Tsimshian and Inuit, and draws upon Native American history, the testimonies of oral tradition and the latest research in North American archaeology. Native American art is often discussed simply as a cultural production, but this book focuses as much as possible on the individual artists, their roles in society, and the cultural and social contexts of the objects they created, whether 'traditional', 'tourist' or contemporary. The author also examines the tension between artistic practices that have spanned thousands of years and the startlingly fresh innovations that have resulted from historical circumstance., A splendidly illustrated introduction to the rich history of Native American art, distinguished by its broad coverage and nuanced discussion., This timely new book surveys the artistic traditions of indigenous North America, from those of ancient cultures such as Adena, Hopewell, Mississippian, and Anasazi to the work of modern artists like Earnest Spybuck, Fred Kabotie, Dick West, T. C. Cannon, and Gerald McMaster. The text is organized geographically and draws upon the testimonies of oral tradition, Native American history, and the latest research in North American archaeology. Recent art historical scholarship has helped restore, to a large degree, some understanding of the identities and cultural roles of Native American artists and the social contexts of the objects they created. Native American art is often discussed simply as a cultural production rather than the work of individual artists who made objects to fufill social and cultural purposes; this book focuses as much as possible on the artists themselves, their cultural identities, and the objects they made even when the names of the individual artists remain unrecoverable. But this is not a book of artists' biographies. It seeks to inform a general readership about the history of Native American art with a lively narrative full of historical incident and illustrated with provocative and superlative works of art. It explores the tension between artistic continuities spanning thousands of years and the startlingly fresh innovations that resulted from specific historical circumstances. The narrative weaves together so-called "traditional" arts, "tourist" arts, and Native American art of today by taking the point of view of their particular and local histories--the artists, their communities, and audiences. Among the many cultures included are: Arapaho, Athapascan, Cherokee, Cheyenne, Chumash, Hopi, Hupa/Karok, Inuit, Iroquois, Kwakiutl, Lakota, Miwok, Navajo, Ojibwa, Pomo, Tlingit, Tsimshian, Uypik, and Zuni., Recent art historical scholarship has helped restore, to a large degree, some understanding of the identities and cultural roles of Native American artists and the social contexts of the objects they created. Native American art is often discussed simply as a cultural production rather than the work of individual artists who made objects to fufill social and cultural purposes; this book focuses as much as possible on the artists themselves, their cultural identities, and the objects they made even when the names of the individual artists remain unrecoverable. But this is not a book of artists' biographies. It seeks to inform a general readership about the history of Native American art with a lively narrative full of historical incident and illustrated with provocative and superlative works of art. It explores the tension between artistic continuities spanning thousands of years and the startlingly fresh innovations that resulted from specific historical circumstances. The narrative weaves together so-called "traditional" arts, "tourist" arts, and Native American art of today by taking the point of view of their particular and local histories--the artists, their communities, and audiences. Among the many cultures included are: Arapaho, Athapascan, Cherokee, Cheyenne, Chumash, Hopi, Hupa/Karok, Inuit, Iroquois, Kwakiutl, Lakota, Miwok, Navajo, Ojibwa, Pomo, Tlingit, Tsimshian, Uypik, and Zuni.
LC Classification Number
E98.A7

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