Basquiat's Defacement : The Untold Story, Paperback by Labouvier, Chaedria; S...
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eBay-Artikelnr.:157072132126
Artikelmerkmale
- Artikelzustand
- ISBN
- 9780892075485
Über dieses Produkt
Product Identifiers
Publisher
Guggenheim Museum, Solomon R.
ISBN-10
0892075481
ISBN-13
9780892075485
eBay Product ID (ePID)
15038710492
Product Key Features
Book Title
Basquiat's Defacement : the Untold Story
Number of Pages
168 Pages
Language
English
Topic
American / African American, Individual Artists / General, Art & Politics, Collections, Catalogs, Exhibitions / General
Publication Year
2019
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
16.8 Oz
Item Length
9.5 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Reviews
Basquiat s pieces [demonstrate] a particular violence against black lives that is at once structural, historical, ongoing, and futuristic., {...] does exactly what art should do: tell us a story we don't want to hear but need to, about the racist brutality so prevalent in American life., {...] does exactly what art should do: tell us a story we don t want to hear but need to, about the racist brutality so prevalent in American life., [ Basquiat s Defacement : The Untold Story ] argues for a fresh look at the impact of the racial tension of the 1980s on Basquiat and his peers., The book examines Basquiat's exploration of black identity, his protest against police brutality, and his singular language of empowerment--and is an urgent reminder of the work that must be done to banish state-sanctioned racism., ["Basquiat's 'Defacement': The Untold Story"] brilliantly portrays the artist's response to police brutality., [Basquiat's 'Defacement': The Untold Story] is a small but timely and often surprising powerhouse of a historical show., [ Basquiat s Defacement : The Untold Story ] brilliantly portrays the artist's response to police brutality., Deeply moving [...] Takes Jean-Michel Basquiat's deeply personal and rarely exhibited painting made the week of Stewart's death as its starting point, opening a conversation about police brutality that transcends the time in which the work was made., Deeply moving [...] Takes Jean-Michel Basquiat's deeply personal and rarely exhibited painting made the week of Stewart s death as its starting point, opening a conversation about police brutality that transcends the time in which the work was made., ["Basquiat's 'Defacement': The Untold Story"] argues for a fresh look at the impact of the racial tension of the 1980s on Basquiat and his peers., [Basquiat s Defacement : The Untold Story] is a small but timely and often surprising powerhouse of a historical show., The book examines Basquiat s exploration of black identity, his protest against police brutality, and his singular language of empowerment and is an urgent reminder of the work that must be done to banish state-sanctioned racism., Basquiat's pieces [demonstrate] a particular violence against black lives that is at once structural, historical, ongoing, and futuristic.
Dewey Decimal
759.13
Synopsis
An exploration of a formative chapter in Basquiat's brief career through the lens of his identity and the role of cultural activism in New York City during the early years of the 1980s Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) in 1983 to commemorate the death of a young, black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Published to accompany a focused exhibition of Basquiat's response to anti-black racism and police brutality, this catalogue explores a chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s. With an introduction by Chaédria LaBouvier, Nancy Spector, and Joan Young, and an essay by Johanna F. Almiron are supplemented by commentary from artists, activists, and other cultural figures who were part of this episode in the city's history, which invokes today's urgent conversations about state-sanctioned racism. Ephemera related to Stewart's death, including newspaper clippings and protest posters, and samples of artwork from Stewart's estate are also featured along with paintings and prints made by other artists from Keith Haring, Andy Warhol, David Hammons, in response to Stewart's death., Police brutality, racism, graffiti and the art world of the early-1980s Lower East Side converge in one painting by Jean-Michel Basquiat Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) on the wall of Keith Haring's studio in 1983 to commemorate the death of a young black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Defacement is the starting point for the present volume, which focuses on Basquiat's response to anti-black racism and police brutality. Basquiat's "Defacement": The Untold Story explores this chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s, an era marked by the rise of the art market, the AIDS crisis and ongoing racial tensions in the city. Texts by Chaédria LaBouvier, Nancy Spector, J. Faith Almiron and Greg Tate are supplemented by commentary from artists and activists such as Luc Sante, Carlo McCormick, Jeffrey Deitch, Kenny Scharf, Fred Braithwaite and Michelle Shocked, who were part of this episode in New York City's history, which parallels today's urgent conversations about state-sanctioned racism. Basquiat's painting is contextualized by ephemera related to Stewart's death, including newspaper clippings and protest posters, samples of artwork from Stewart's estate and work made by other artists in response to Stewart's death and the subsequent trial, including pieces by Haring, Andy Warhol, David Hammons, George Condo and Lyle Ashton Harris., Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) on the wall of Keith Haring's studio in 1983 to commemorate the death of a young black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Defacement is the starting point for the present volume, which focuses on Basquiat's response to anti-black racism and police brutality. Basquiat's "Defacement" The Untold Story explores this chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s, an era marked by the rise of the art market, the AIDS crisis and ongoing racial tensions in the city. Texts by Cha dria LaBouvier, Nancy Spector, J. Faith Almiron and Greg Tate are supplemented by commentary from artists and activists such as Luc Sante, Carlo McCormick, Jeffrey Deitch, Kenny Scharf, Fred Braithwaite and Michelle Shocked, who were part of this episode in New York City's history, which parallels today's urgent conversations about state-sanctioned racism. Basquiat's painting is contextualized by ephemera related to Stewart's death, including newspaper clippings and protest posters, samples of artwork from Stewart's estate and work made by other artists in response to Stewart's death and the subsequent trial, including pieces by Haring, Andy Warhol, David Hammons, George Condo and Lyle Ashton Harris."", Police brutality, racism, graffiti and the art world of the early-1980s Lower East Side converge in one painting by Jean-Michel Basquiat Jean-Michel Basquiat painted Defacement (The Death of Michael Stewart) on the wall of Keith Haring's studio in 1983 to commemorate the death of a young black artist who died from injuries sustained while in police custody after being arrested for allegedly tagging a New York City subway station. Defacement is the starting point for the present volume, which focuses on Basquiat's response to anti-black racism and police brutality. Basquiat's "Defacement" The Untold Story explores this chapter in the artist's career through both the lens of his identity and the Lower East Side as a nexus of activism in the early 1980s, an era marked by the rise of the art market, the AIDS crisis and ongoing racial tensions in the city. Texts by Cha dria LaBouvier, Nancy Spector, J. Faith Almiron and Greg Tate are supplemented by commentary from artists and activists such as Luc Sante, Carlo McCormick, Jeffrey Deitch, Kenny Scharf, Fred Braithwaite and Michelle Shocked, who were part of this episode in New York City's history, which parallels today's urgent conversations about state-sanctioned racism. Basquiat's painting is contextualized by ephemera related to Stewart's death, including newspaper clippings and protest posters, samples of artwork from Stewart's estate and work made by other artists in response to Stewart's death and the subsequent trial, including pieces by Haring, Andy Warhol, David Hammons, George Condo and Lyle Ashton Harris.
LC Classification Number
ND237
Text by
Tate, Greg, Spector, Nancy, LaBouvier, Chaédria, Almiron, J. Faith
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Angemeldet als privater VerkäuferDaher finden verbraucherschützende Vorschriften, die sich aus dem EU-Verbraucherrecht ergeben, keine Anwendung. Der eBay-Käuferschutz gilt dennoch für die meisten Käufe.
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- s***3 (964)- Bewertung vom Käufer.Letzte 6 MonateBestätigter KaufGreat seller! Item arrived quickly and was just as described!!!!⭐️⭐️⭐️⭐️⭐️ Would buy from again. Thank you!!!
- i***i (72)- Bewertung vom Käufer.Letzter MonatBestätigter KaufAs described, very friendly, perfect condition, A+++++ seller
- 5***i (25)- Bewertung vom Käufer.Letzter MonatBestätigter KaufArrived quickly and exactly as described. Great experience and would buy from again.
- g***r (2213)- Bewertung vom Käufer.Letzter MonatBestätigter KaufFantastic seller--prompt, thorough, helpful, and kind in all communications. The book itself was very thoughtfully packaged against any damage in transit, and arrived in altogether excellent condition. Pleased to add it to my library. Thank you so much!