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A Bag Worth a Pony: The Art of the Ojibwe Bandolier Bag, Anderson, Marcia G., 97
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A Bag Worth a Pony: The Art of the Ojibwe Bandolier Bag, Anderson, Marcia G., 97
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A Bag Worth a Pony: The Art of the Ojibwe Bandolier Bag, Anderson, Marcia G., 97

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    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    ISBN
    9781681340296
    Kategorie

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    Product Identifiers

    Publisher
    Minnesota Historical Society Press
    ISBN-10
    1681340291
    ISBN-13
    9781681340296
    eBay Product ID (ePID)
    234622865

    Product Key Features

    Book Title
    Bag Worth a Pony : the Art of the Ojibwe Bandolier Bag
    Number of Pages
    272 Pages
    Language
    English
    Publication Year
    2017
    Topic
    Ethnic Studies / Native American Studies, Native American
    Illustrator
    Yes
    Genre
    Social Science, History
    Author
    Marcia G. Anderson
    Format
    Trade Paperback

    Dimensions

    Item Length
    11 in
    Item Width
    8.5 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2016-047354
    TitleLeading
    A
    Synopsis
    Bandolier bags, or gashkibidaaganag--the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes--are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony, Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of seven master beadworkers., Bandolier bags, or gashkibidaaganag--the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes--are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony , Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of seven master beadworkers., A celebration, illumination, and study of the spectacular beaded bags made by the Ojibwe of Minnesota., Bandolier bags, or gashkibidaaganag the large, heavily beaded shoulder bags made and worn by several North American Indian tribes around the Great Lakes are prized cultural icons here and around the world. From the 1870s to the present day, Ojibwe bead artists of Minnesota have been especially well known for their lively, creative designs. Neighboring Dakota people would trade a pony for a beautiful beaded bag. Over the years, non-Indian collectors and ethnographers, struck by the bags' cultural significance and visual appeal, bought them up. Today, there are hundreds of bags in museums around the world, but not so many in the hands of community members. In A Bag Worth a Pony, Marcia G. Anderson shares the results of thirty years of study, in which she learned from the talented bead artists who keep the form alive, from historical records, and from the bags themselves. Anderson examines the history, forms, structure, and motifs of the bags, giving readers the tools to understand a bag's makeup and meaning. She also offers a tour of Minnesota's seven Ojibwe reservations, showing the beautiful beaded bags associated with each along with the personal insights of six master beadworkers."
    LC Classification Number
    E99.C6A446 2017

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