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Leben und Werk von Sid Grossman, sehr gutes Buch
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Leben und Werk von Sid Grossman, sehr gutes Buch
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Leben und Werk von Sid Grossman, sehr gutes Buch

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    Artikelmerkmale

    Artikelzustand
    Sehr gut: Buch, das nicht neu aussieht und gelesen wurde, sich aber in einem hervorragenden Zustand ...
    ISBN
    9783958291256
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Publisher
    Steidl Gmbh & Co. Ohg
    ISBN-10
    3958291252
    ISBN-13
    9783958291256
    eBay Product ID (ePID)
    242771967

    Product Key Features

    Book Title
    Life and Work of Sid Grossman
    Number of Pages
    252 Pages
    Language
    English
    Publication Year
    2016
    Topic
    General, Collections, Catalogs, Exhibitions / General
    Illustrator
    Yes
    Genre
    Photography
    Author
    Keith F. Davis
    Format
    Hardcover

    Dimensions

    Item Height
    1 in
    Item Weight
    61.7 Oz
    Item Length
    10.5 in
    Item Width
    10.2 in

    Additional Product Features

    Intended Audience
    Trade
    TitleLeading
    The
    Dewey Edition
    23
    Dewey Decimal
    779.092
    Synopsis
    Sid Grossman (1913-55) and his work were largely forgotten after his untimely death in 1955. Labeled as a communist by the FBI after the war, his hard-earned reputation as a free-thinking photographer quickly fell into oblivion for the rest of the century and beyond. Grossman was one of the founders of the famous New York Photo League and a notoriously demanding and capricious teacher who always challenged his students. This monograph, the first comprehensive survey of Grossman's life and work, contains more than 150 photographs that demonstrate Grossman's enduring talent. The images range from his early social documentary of the late 1930s to the more personal, dynamic street photography of the late 1940s, as well as later experiments with abstraction in both black and white and color. It features an essay by renowned historian Keith F. Davis, and concludes with excerpted transcripts from recordings of a course Grossman taught in 1950., Sid Grossman and his photographs were largely forgotten after his untimely death in 1955 at the age of forty-two. One of the founders of the left-leaning Photo League (1936-51), Grossman was labeled a Communist and blacklisted in 1949. A demanding and capricious teacher who challenged his students to think critically about all aspects of their photography, Grossman's own approach to imagemaking and his remarkable body of work were constantly evolving. This monograph, the first comprehensive survey of Sid Grossman's life and work, contains more than 150 photographs that demonstrate Grossman's enduring talent and depth. The images range from his early social documentary work of the late 1930s to the more personal and dynamic street photography of the late 1940s, as well as late experiments with abstraction in both black and white and color. It features a biographical and critical essay by the renowned curator and photo historian, Keith F. Davis, which traces Grossman's evolution as a photographer and examines his considerable influence as a teacher. The book concludes with an extensive selection of excerpts from a transcript of tape recordings of a course that Grossman taught in the spring of 1950 in which he expounds his views on photography, art, and creativity., Sid Grossman (1913 55) and his work were largely forgotten after his untimely death in 1955. Labeled as a communist by the FBI after the war, his hard-earned reputation as a free-thinking photographer quickly fell into oblivion for the rest of the century and beyond. Grossman was one of the founders of the famous New York Photo League and a notoriously demanding and capricious teacher who always challenged his students. This monograph, the first comprehensive survey of Grossman s life and work, contains more than 150 photographs that demonstrate Grossman s enduring talent. The images range from his early social documentary of the late 1930s to the more personal, dynamic street photography of the late 1940s, as well as later experiments with abstraction in both black and white and color. It features an essay by renowned historian Keith F. Davis, and concludes with excerpted transcripts from recordings of a course Grossman taught in 1950.
    LC Classification Number
    TR655

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