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EDWARD HOPPER
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Artikelzustand:
“ex library copy, with slight cover and edge wear, has stamps and stickers from library,”
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Buch, das gelesen wurde, sich aber in einem guten Zustand befindet. Der Einband weist nur sehr geringfügige Beschädigungen auf, wie z.B. kleinere Schrammen, er hat aber weder Löcher, noch ist er eingerissen. Bei gebundenen Büchern ist der Schutzumschlag möglicherweise nicht mehr vorhanden. Die Bindung weist geringfügige Gebrauchsspuren auf. Die Mehrzahl der Seiten ist unbeschädigt, das heißt, es gibt kaum Knitter oder Einrisse, es wurden nur in geringem Maße Bleistiftunterstreichungen im Text vorgenommen, es gibt keine Textmarkierungen und die Randbereiche sind nicht beschrieben. Alle Seiten sind vollständig vorhanden. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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Versand:
Kostenlos USPS Media MailTM.
Standort: Spring, Texas, USA
Lieferung:
Lieferung zwischen Mo, 6. Okt und Sa, 11. Okt nach 94104 bei heutigem Zahlungseingang
Rücknahme:
30 Tage Rückgabe. Verkäufer zahlt Rückversand.
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eBay-Artikelnr.:157303935167
Artikelmerkmale
- Artikelzustand
- Gut
- Hinweise des Verkäufers
- “ex library copy, with slight cover and edge wear, has stamps and stickers from library,”
- ISBN
- 9780878467129
Über dieses Produkt
Product Identifiers
Publisher
Museum of FINE Arts, Boston
ISBN-10
0878467122
ISBN-13
9780878467129
eBay Product ID (ePID)
57587247
Product Key Features
Book Title
Edward Hopper
Number of Pages
288 Pages
Language
English
Topic
History / Modern (Late 19th Century to 1945), Individual Artists / General, Collections, Catalogs, Exhibitions / General
Publication Year
2007
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1 in
Item Weight
67 Oz
Item Length
11.3 in
Item Width
10.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2006-939431
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
759.13
Synopsis
One of the most enduringly popular painters of the twentieth century, Edward Hopper produced many works now considered icons of Modern art. Canvases such as Drugstore, New York Movie , and the universally recognized (and often parodied) Nighthawks not only reshaped what painting looked like in America, but created a visual language for middle-class life and its discontents. This extensive new assessment of Hopper, which accompanies a major traveling exhibition, examines the dynamics of the artist's creative process and discusses his work within the cultural currents of his day--examining the influence not only of other painters, but also of such media as literature and film. And while most studies have tended to see Hopper as the great painter of alienation, this one takes a much broader, more nuanced, and ultimately more representative view. Spanning the entirety of Hopper's career, but with particular emphasis on his heyday in the 30s and 40s, Edward Hopper highlights the artist's greatest achievements while discussing such topics as his absorption of European influences, critical reactions to his work, the relation of Realism to Modernism, the artist's fascination with architecture, his depiction of women, and the struggle in his last years to produce original works. Illustrated with over 150 oils, watercolors and prints, and including essays by several noted scholars in the field and an extensive chronology and bibliography, this is the most comprehensive volume on Hopper produced in the last decade., One of the most enduringly popular painters of the twentieth century, Edward Hopper produced many works now considered icons of Modern art. Canvases such as Drugstore, New York Movie, and the universally recognized (and often parodied) Nighthawks not only reshaped what painting looked like in America, but created a visual a language for middle-class life and its discontents. This extensive new assessment of Hopper, which accompanies a major traveling exhibition, examines the dynamics of the artist's creative process and discusses his work within the cultural currents of his day--examining the influence not only of other painters, but also of such media as literature and film. And while most studies have tended to see Hopper as the great painter of alienation, this one takes a much broader, more nuanced, and ultimately more representative view. Spanning the entirety of Hopper's career, but with particular emphasis on his heyday in the 30s and 40s, Edward Hopper highlights the artist's greatest achievements while discussing such topics as his absorption of European influences, critical reactions to his work, the relation of Realism to Modernism, the artist's fascination with architecture, his depiction of women, and the struggle in his last years to produce original works. Illustrated with over 150 oils, watercolors and prints, and including essays by several noted scholars in the field and an extensive chronology and bibliography, this is the most comprehensive volume on Hopper produced in the last decade.
LC Classification Number
ND237.H75A4 2007
Text by
Barter, Judith, Davis, Elliot, Troyen, Carol
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