Framed Ink: Drawing and Composition for Visual Storytellers

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Zuletzt aktualisiert am 26. Nov. 2025 08:19:11 MEZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Neu: Neues, ungelesenes, ungebrauchtes Buch in makellosem Zustand ohne fehlende oder beschädigte ...
Release Year
2010
ISBN
9781933492957
Kategorie

Über dieses Produkt

Product Identifiers

Publisher
Design Studio Press
ISBN-10
1933492953
ISBN-13
9781933492957
eBay Product ID (ePID)
84485016

Product Key Features

Book Title
Framed Ink : Drawing and Composition for Visual Storytellers
Number of Pages
128 Pages
Language
English
Publication Year
2010
Topic
Techniques / Cartooning, Techniques / Drawing, Film & Video
Illustrator
Yes
Genre
Art
Author
Marcos Mateu-Mestre
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Length
10.9 in
Item Width
8.6 in

Additional Product Features

Intended Audience
Trade
LCCN
2010-923308
Dewey Edition
22
Reviews
"There are some people who draw in a way that looks like they load their pens with pure liquified fun. Concept artist Marcos Mateu has a wonderful character of line and a jaunty, casual style that makes it look like the lines danced out and created the image of their own accord. His loose, relaxed application of color, which careens between brilliant lights and rich, atmospheric darks, just adds to the visual treat. Mateu's drawings have just the right touch of exaggeration to give them extra visual appeal; lines are given an extra spring, forms bent out just a bit, and figures swirled into motion in a way that gives everything a sense of verve and life." - Charley Parker, "With Framed Ink, Marcos Mateu distills his twenty-plus year career in feature animation into a clear, practical manual on the language of images.  Marcos has a special eye for composition, lighting, and continuity that creates a tangible sense of mood and drama in all of his work." -       Jeffrey Katzenberg, Co-founder and CEO DreamWorks Animation SKG
Dewey Decimal
741.5/1
Synopsis
The ultimate guide to visual storytelling! How to make the audience ""feel"" the story while they are ""reading"" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication. After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house. In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative., From the animator and illustrator behind your favorite DreamWorks and Netflix films, this installment of the Framed series will instruct visual artists to set a scene's emotion. Learn how to make the audience feel the story while they're reading the story. Using his experiences from working in the comic book industry, movie studios and teaching, Mateu-Mestre introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication. After a brief discussion on narrative art, Mateu-Mestre introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house. In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative., The ultimate guide to visual storytelling How to make the audience ""feel"" the story while they are ""reading"" the story. Using his experiences from working in the comic book industry, movie studios and teaching, Marcos introduces the reader to a step-by-step system that will create the most successful storyboards and graphics for the best visual communication. After a brief discussion on narrative art, Marcos introduces us to drawing and composing a single image, to composing steady shots to drawing to compose for continuity between all the shots. These lessons are then applied to three diverse story lines - a train accident, a cowboy tale and bikers approaching a mysterious house. In addition to setting up the shots, he also explains and illustrates visual character development, emotive stances and expressions along with development of the environmental setting to fully develop the visual narrative.
LC Classification Number
PN6710.M33237 2010

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