Walls of Light, The Murals of Walter Anderson, Anne R King, 1999
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Walls of Light, The Murals of Walter Anderson, Anne R King, 1999
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Buch mit deutlichen Gebrauchsspuren. Der Einband kann einige Beschädigungen aufweisen, ist aber in seiner Gesamtheit noch intakt. Die Bindung ist möglicherweise leicht beschädigt, in ihrer Gesamtheit aber noch intakt. In den Randbereichen wurden evtl. Notizen gemacht, der Text kann Unterstreichungen und Markierungen enthalten, es fehlen aber keine Seiten und es ist alles vorhanden, was für die Lesbarkeit oder das Verständnis des Textes notwendig ist. Genauere Einzelheiten sowie eine Beschreibung eventueller Mängel entnehmen Sie bitte dem Angebot des Verkäufers.
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US $5,97 (ca. CHF 4,79) USPS Media MailTM.
Standort: Woodville, Mississippi, USA
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eBay-Artikelnr.:167248638856
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781578061280
Über dieses Produkt
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
1578061288
ISBN-13
9781578061280
eBay Product ID (ePID)
613183
Product Key Features
Number of Pages
278 Pages
Language
English
Publication Name
Walls of Light : the Murals of Walter Anderson
Subject
Individual Artists / General, Collections, Catalogs, Exhibitions / General, American / General, Decorative Arts, Subjects & Themes / General
Publication Year
1999
Type
Textbook
Subject Area
Design, Art
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
11.7 Oz
Item Length
11.3 in
Item Width
9.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
98-039010
Dewey Edition
21
Photographed by
Lawrence, John
Illustrated
Yes
Dewey Decimal
759.13
Synopsis
Although his art took form in many mediums, this lush and colorful book is the first to focus on Walter Anderson's murals. Anderson's home was in Ocean Springs on the Mississippi Gulf Coast, where he spent his lifetime recording the region's flora, fauna, life forces, light, and history of his native Gulf Coast. He is known today as mythmaker, local legend, mystic poet, painter, inveterate voyager, and, most of all, brilliant artist. Walls of Light presents for the first time a comprehensive overview of Anderson as muralist. His major mural projects, now housed in the Walter Anderson Museum of Art and the adjacent Ocean Springs Community Center, reflect the artist's own arduous journey and struggle to balance a sense of social obligation with a greater desire to exist in a state of oneness with nature. The WPA murals (Ocean Springs: Past and Present), painted for the auditorium of the Ocean Springs Public School, were government commissions. They are the work of an emerging artist. The expansive murals in the Community Center reveal a mature artist sharing his vision of the Gulf Coast's history and environment with a public audience. The Shearwater Cottage murals, seen in their entirety only after his death, manifest a private, personal epiphany in the light of Anderson's immediate surroundings. Watercolors and block prints--individual works that can be pieced together to create a greater whole--are also viewed as the work of Anderson the muralist. Walls of Light: The Murals of Walter Anderson further expands our understanding of the life work of this richly complex artist. Anne R. King is a museum consultant and curator who lives in Columbus, Georgia. John Lawrence is director of the Lamar Dodd Art Center in La Grange, Georgia., Although his art took form in many mediums, this lush and colorful book is the first to focus on Walter Anderson's murals. Anderson's home was in Ocean Springs on the Mississippi Gulf Coast, where he spent his lifetime recording the region's flora, fauna, life forces, light, and history of his native Gulf Coast. He is known today as mythmaker, local legend, mystic poet, painter, inveterate voyager, and, most of all, brilliant artist. Walls of Light presents for the first time a comprehensive overview of Anderson as muralist. His major mural projects, now housed in the Walter Anderson Museum of Art and the adjacent Ocean Springs Community Center, reflect the artist's own arduous journey and struggle to balance a sense of social obligation with a greater desire to exist in a state of oneness with nature. The WPA murals (Ocean Springs: Past and Present), painted for the auditorium of the Ocean Springs Public School, were government commissions. They are the work of an emerging artist. The expansive murals in the Community Center reveal a mature artist sharing his vision of the Gulf Coast's history and environment with a public audience. The Shearwater Cottage murals, seen in their entirety only after his death, manifest a private, personal epiphany in the light of Anderson's immediate surroundings. Watercolors and block prints--individual works that can be pieced together to create a greater whole--are also viewed as the work of Anderson the muralist. Walls of Light: The Murals of Walter Anderson further expands our understanding of the life work of this richly complex artist., Although his art took form in many mediums, this lush and colorful book is the first to focus on Walter Anderson?s murals. Anderson?s home was in Ocean Springs on the Mississippi Gulf Coast, where he spent his lifetime recording the region?s flora, fauna, life forces, light, and history of his native Gulf Coast. He is known today as mythmaker, local legend, mystic poet, painter, inveterate voyager, and, most of all, brilliant artist. Walls of Light presents for the first time a comprehensive overview of Anderson as muralist. His major mural projects, now housed in the Walter Anderson Museum of Art and the adjacent Ocean Springs Community Center, reflect the artist?s own arduous journey and struggle to balance a sense of social obligation with a greater desire to exist in a state of oneness with nature. The WPA murals ( Ocean Springs: Past and Present ), painted for the auditorium of the Ocean Springs Public School, were government commissions. They are the work of an emerging artist. The expansive murals in the Community Center reveal a mature artist sharing his vision of the Gulf Coast?s history and environment with a public audience. The Shearwater Cottage murals, seen in their entirety only after his death, manifest a private, personal epiphany in the light of Anderson?s immediate surroundings. Watercolors and block prints?individual works that can be pieced together to create a greater whole?are also viewed as the work of Anderson the muralist. Walls of Light: The Murals of Walter Anderson further expands our understanding of the life work of this richly complex artist., Although his art took form in many mediums, this lush and colorful book is the first to focus on Walter Anderson's murals. Anderson's home was in Ocean Springs on the Mississippi Gulf Coast, where he spent his lifetime recording the region's flora, fauna, life forces, light, and history of his native Gulf Coast. He is known today as mythmaker, local legend, mystic poet, painter, inveterate voyager, and, most of all, brilliant artist. Walls of Light presents for the first time a comprehensive overview of Anderson as muralist. His major mural projects, now housed in the Walter Anderson Museum of Art and the adjacent Ocean Springs Community Center, reflect the artist's own arduous journey and struggle to balance a sense of social obligation with a greater desire to exist in a state of oneness with nature. The WPA murals ( Ocean Springs: Past and Present ), painted for the auditorium of the Ocean Springs Public School, were government commissions. They are the work of an emerging artist. The expansive murals in the Community Center reveal a mature artist sharing his vision of the Gulf Coast's history and environment with a public audience. The Shearwater Cottage murals, seen in their entirety only after his death, manifest a private, personal epiphany in the light of Anderson's immediate surroundings. Watercolors and block prints--individual works that can be pieced together to create a greater whole--are also viewed as the work of Anderson the muralist. Walls of Light: The Murals of Walter Anderson further expands our understanding of the life work of this richly complex artist.
LC Classification Number
ND237.A6426A4 1999
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