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Imagining the Gallery: The Social Body of British Romanticism

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ISBN
9780804751247

Über dieses Produkt

Product Identifiers

Publisher
Stanford University Press
ISBN-10
0804751242
ISBN-13
9780804751247
eBay Product ID (ePID)
50690632

Product Key Features

Number of Pages
272 Pages
Language
English
Publication Name
Imagining the Gallery : the Social Body of British Romanticism
Subject
Subjects & Themes / Portraits, General, European / English, Irish, Scottish, Welsh
Publication Year
2006
Type
Textbook
Subject Area
Literary Criticism, Art
Author
Christopher Rovee
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2005-032998
Dewey Edition
22
Reviews
"Christopher Rovee's Imagining the Gallery presents a fascinating new view of the way in which the portrait served as a metaphor and a subgenre in Romantic literary culture. Deftly balancing literary analysis and cultural history, Rovee's beautifully written book makes an important contribution to the fields of Romantic studies, art history, and cultural studies."-Judith Pascoe, University of Iowa, "Christopher Rovee's Imagining the Gallery presents a fascinating new view of the way in which the portrait served as a metaphor and a subgenre in Romantic literary culture. Deftly balancing literary analysis and cultural history, Rovee's beautifully written book makes an important contribution to the fields of Romantic studies, art history, and cultural studies."—Judith Pascoe, University of Iowa, "Richly informative...Imagining the Gallery is a book of unusual importance both for its exposition of a series of galleries and for its conception of the Gallery itself."- Studies in Romanticism, "Richly informative...Imagining the Gallery is a book of unusual importance both for its exposition of a series of galleries and for its conception of the Gallery itself."-- Studies in Romanticism, "Richly informative...Imagining the Gallery is a book of unusual importance both for its exposition of a series of galleries and for its conception of the Gallery itself."— Studies in Romanticism, "Richly informative...Imagining the Gallery is a book of unusual importance both for its exposition of a series of galleries and for its conception of the Gallery itself."-- "Studies in Romanticism", "Christopher Rovee's Imagining the Gallery presents a fascinating new view of the way in which the portrait served as a metaphor and a subgenre in Romantic literary culture. Deftly balancing literary analysis and cultural history, Rovee's beautifully written book makes an important contribution to the fields of Romantic studies, art history, and cultural studies."--Judith Pascoe, University of Iowa, Christopher Rovee's Imagining the Gallery presents a fascinating new view of the way in which the portrait served as a metaphor and a subgenre in Romantic literary culture. Deftly balancing literary analysis and cultural history, Rovee's beautifully written book makes an important contribution to the fields of Romantic studies, art history, and cultural studies."—Judith Pascoe, University of Iowa
Illustrated
Yes
Dewey Decimal
820.9145
Synopsis
The Romantic period has long been associated with the sublime landscape. In Imagining the Gallery , we learn that it was also the age of the portrait. Rovee reads the rise of portraiture in the Romantic period as an index of a massive reimagining of the British social body. Cultural institutions such as art galleries, he argues, are bastions of conservatism as well as dynamic spaces for envisioning a new political order. From the family gallery at Pemberley in Austen's Pride and Prejudice to the printed portraits of working men and women that were published in books; from the eighty-plus paintings of the Poet Laureate William Wordsworth to the gigantic living portrait that is Victor Frankenstein's Monster, Imagining the Gallery reveals portraiture as an enormously influential cultural discourse that helped to remake the body politic in the image of the private individual., Reading portraiture as a national rhetoric during the romantic period, "Imagining the Gallery" reveals a pervasive cultural discourse that reflects and propels sociopolitical shifts taking place in late eighteenth- and early nineteenth-century Britain., Reading portraiture as a national rhetoric during the romantic period, Imagining the Gallery reveals a pervasive cultural discourse that reflects and propels sociopolitical shifts taking place in late eighteenth- and early nineteenth-century Britain.
LC Classification Number
PR457

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