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The Anxiety of Influence: A Theory of Poetry
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- ISBN
- 9780195112214
Über dieses Produkt
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195112210
ISBN-13
9780195112214
eBay Product ID (ePID)
46632
Product Key Features
Edition
2
Book Title
Anxiety of Influence : a Theory of Poetry
Number of Pages
208 Pages
Language
English
Publication Year
1997
Topic
General, Semiotics & Theory
Features
Revised
Illustrator
Yes
Genre
Literary Criticism, Poetry
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
6.6 Oz
Item Length
8 in
Item Width
5.3 in
Additional Product Features
Intended Audience
Trade
LCCN
96-019988
Dewey Edition
20
Reviews
"This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon, The Yale Review*, From reviews of the first edition: "Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review "This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon, The Yale Review, *From reviews of the first edition:"Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review*, From reviews of the first edition: "Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review"This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon, The Yale Review, "The most significant work that the gifted scholar-critic, Harold Bloom, has yet written."--Commonweal*, From reviews of the first edition:"Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review"This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon, The Yale Review*From reviews of the first edition:"Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review*"This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon, The Yale Review*"The most significant work that the gifted scholar-critic, Harold Bloom, has yet written."--Commonweal*, From reviews of the first edition: "Bloom has helped to make the study of Romantic poetry as intellectually and spiritually challenging a branch of literary studies as one may find."--The New York Times Book Review "This book will assuredly come to be valued as a major twentieth-century statement on the subject of tradition and individual talent."--David J. Gordon,The Yale Review
TitleLeading
The
Dewey Decimal
809.1
Edition Description
Revised edition
Synopsis
Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work of criticism for all students of literature and has sold over 17,000 copies in paperback since 1984. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded--neither by poets nor by responsible readers and critics. This second edition contains a new Introduction, which explains the genesis of Bloom's thinking and the subsequent influence of the book on literary criticism of the past twenty years.criticism of the past twenty years. Here, Bloom asserts that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation he calls "poetic misprision." The influence-anxiety does not so much concern the forerunner but rather is an anxiety achieved in and by the story, novel, play, poem, or essay. In other words, without Keats's reading of Shakespeare, Milton, and Wordsworth, we could not have Keats's odes and sonnets and his two Hyperions. Given the enormous attention generated by Bloom's controversial The Western Cannon, this new edition is certain to find a readymade audience among the new generation of scholars, students, and layreaders interested in the Bloom cannon., Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work of criticism for all students of literature and has sold over 17,000 copies in paperback since 1984. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded--neither by poets nor by responsible readers and critics. This second edition contains a new Introduction, which explains the genesis of Bloom's thinking and the subsequent influence of the book on literary criticism of the past twenty years.criticism of the past twenty years. Here, Bloom asserts that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation he calls "poetic misprision." The influence-anxiety does not so much concern the forerunner but rather is an anxiety achieved in and by the story, novel, play, poem, or essay. In other words, without Keats's reading of Shakespeare, Milton, and Wordsworth, we could not have Keats's odes and sonnets and his two Hyperions. Given the enormous attention generated by Bloom's controversial The Western Canon, this new edition is certain to find a readymade audience among the new generation of scholars, students, and layreaders interested in the Bloom cannon., Bloom's The Anxiety of Influence, an insightful study of Romantic poets and the relation between tradition and the individual artist, has sold over 17,000 copies in paperback since 1984 and remains a central work of criticism for students of literature. For the second edition, Bloom offers a new introduction which explains the genesis of his thinking and the subsequent influence of the book on literary criticism of the past twenty years., Harold Bloom's The Anxiety of Influence has cast its own long shadow of influence since it was first published in 1973. Through an insightful study of Romantic poets, Bloom puts forth his central vision of the relations between tradition and the individual artist. Although Bloom was never the leader of any critical "camp," his argument that all literary texts are a response to those that precede them had an enormous impact on the practice of deconstruction and poststructuralist literary theory in this country. The book remains a central work of criticism for all students of literature and has sold over 17,000 copies in paperback since 1984. Written in a moving personal style, anchored by concrete examples, and memorably quotable, Bloom's book maintains that the anxiety of influence cannot be evaded--neither by poets nor by responsible readers and critics. This second edition contains a new Introduction, which explains the genesis of Bloom's thinking and the subsequent influence of the book on literary criticism of the past twenty years.criticism of the past twenty years. Here, Bloom asserts that the anxiety of influence comes out of a complex act of strong misreading, a creative interpretation he calls "poetic misprision." The influence-anxiety does not so much concern the forerunner but rather is an anxiety achieved in and by the story, novel, play, poem, or essay. In other words, without Keats's reading of Shakespeare, Milton, and Wordsworth, we could not have Keats's odes and sonnets and his two Hyperions . Given the enormous attention generated by Bloom's controversial The Western Canon , this new edition is certain to find a readymade audience among the new generation of scholars, students, and layreaders interested in the Bloom cannon.
LC Classification Number
PN1031.B53 1996
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