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Florenz zu Beginn der Renaissance: Malerei und Beleuchtung, 1300-1350
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Standort: Utica, Michigan, USA
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eBay-Artikelnr.:176099284199
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781606061268
Über dieses Produkt
Product Identifiers
Publisher
Getty Publications
ISBN-10
1606061267
ISBN-13
9781606061268
eBay Product ID (ePID)
117166677
Product Key Features
Number of Pages
448 Pages
Language
English
Publication Name
Florence at the Dawn of the Renaissance : Painting and Illumination, 1300-1350
Subject
Book, Collections, Catalogs, Exhibitions / General, History / General, History / Renaissance
Publication Year
2012
Type
Textbook
Subject Area
Design, Art
Format
Hardcover
Dimensions
Item Height
1.5 in
Item Weight
97.2 Oz
Item Length
12 in
Item Width
9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2012-020604
Dewey Edition
23
Reviews
"A large and very well-illustrated volume that provides a comprehensive view of Pacino di Bonaguida, one of the leading painters and illuminators in fourteenth-century Florence, and of some of his contemporaries active at the time of Giotto."-- Renaissance Quarterly, Gorgeous color reproductions. . . . Valuable to scholars and inviting to a broad readership."— Choice, This catalogue is not only an outstanding companion to a striking exhibition, but also a valuable source for scholars of late-Medieval and early-Renaissance art. The essays and catalogue entries shed light on a period that is too often overwhelmed by the presence of Giotto or overshadowed by the achievements of fifteenth-century giants such as Brunelleschi and Donatello. Furthermore, it serves as an entrée into the study of illuminated manuscripts and lesser-known artists from a pivotal moment in Florentine art."— Comitatus, A large and very well-illustrated volume that provides a comprehensive view of Pacino di Bonaguida, one of the leading painters and illuminators in fourteenth-century Florence, and of some of his contemporaries active at the time of Giotto."— Renaissance Quarterly, Art history scholars will appreciate this luscious tome due to the relative dearth of coverage of this particular subject, which was prevalent in the first fifty years of the fourteenth century. Beautiful illustrations will also appeal to students in the arts and humanities, or your average armchair painting and illumination enthusiast."— Art Libraries Society of North America, "Gorgeous color reproductions. . . . Valuable to scholars and inviting to a broad readership."-- Choice, [This volume] will become an essential resource, not only for beautiful plates but for scholarly commentary."— CAA Reviews, "[This volume] will become an essential resource, not only for beautiful plates but for scholarly commentary."-- CAA Reviews, "Art history scholars will appreciate this luscious tome due to the relative dearth of coverage of this particular subject, which was prevalent in the first fifty years of the fourteenth century. Beautiful illustrations will also appeal to students in the arts and humanities, or your average armchair painting and illumination enthusiast."-- Art Libraries Society of North America, "The show, together with its first-rate catalogue, is among the most important in an American museum this year."-- Los Angeles Times, The show, together with its first-rate catalogue, is among the most important in an American museum this year."— Los Angeles Times, "This catalogue is not only an outstanding companion to a striking exhibition, but also a valuable source for scholars of late-Medieval and early-Renaissance art. The essays and catalogue entries shed light on a period that is too often overwhelmed by the presence of Giotto or overshadowed by the achievements of fifteenth-century giants such as Brunelleschi and Donatello. Furthermore, it serves as an entrée into the study of illuminated manuscripts and lesser-known artists from a pivotal moment in Florentine art."-- Comitatus
Illustrated
Yes
Dewey Decimal
759.5/51107479494
Synopsis
Florence and the Renaissance have become virtually synonymous, bringing to mind names like Dante, Giotto, Petrarch, Boccaccio, and many others whose creativity thrived during a time of unprecedented prosperity, urban expansion, and intellectual innovation. With more than 200 illustrations, Florence at the Dawn of the Renaissance reveals the full complexity and enduring beauty of the art of this period, including panel paintings, illuminated manuscripts, and stained glass panels. The book considers not only the work of Giotto and other influential artists, including Bernardo Daddi, Taddeo Gaddi, and Pacino di Bonaguida, but also that of the larger community of illuminators and panel painters who collectively contributed to Florence's artistic legacy. It places particular emphasis on those artists who worked in both panel painting and manuscript illumination, and presents new conservation research and scientific analyses that shed light on artists' techniques and workshop practices of the times. Reunited here for the first time are twenty-six leaves of the most important illuminated manuscript commission of the period: the Laudario of Sant' Agnese. The splendor of this book of hymns exemplifies the spiritual and artistic aspirations of early Renaissance Florence. A major exhibition on this subject will be on view at the J. Paul Getty Museum November 13, 2012, through February 10, 2013, and at the Art Gallery of Ontario March 16, 2013, through June 16, 2013. Contributors to this volume include Roy S. Berns, Eve Borsook, Bryan Keene, Francesca Pasut, Catherine Schmidt Patterson, Alan Phenix, Laura Rivers, Victor M. Schmidt, Alexandra Suda, Yvonne Szafran, Karen Trentelman, and Nancy Turner., Florence and the Renaissance have become virtually synonymous, bringing to mind names like Dante, Giotto, Petrarch, Boccaccio, and many others whose creativity thrived during a time of unprecedented prosperity, urban expansion, and intellectual innovation. With more than 200 illustrations, Florence at the Dawn of the Renaissance reveals the full complexity and enduring beauty of the art of this period, including panel paintings, illuminated manuscripts, and stained glass panels. The book considers not only the work of Giotto and other influential artists, including Bernardo Daddi, Taddeo Gaddi, and Pacino di Bonaguida, but also that of the larger community of illuminators and panel painters who collectively contributed to Florence's artistic legacy. It places particular emphasis on those artists who worked in both panel painting and manuscript illumination, and presents new conservation research and scientific analyses that shed light on artists' techniques and workshop practices of the times. Reunited here for the first time are twenty-six leaves of the most important illuminated manuscript commission of the period: the Laudario of Sant' Agnese. The splendor of this book of hymns exemplifies the spiritual and artistic aspirations of early Renaissance Florence. A major exhibition on this subject will be on view at the J. Paul Getty Museum November 13, 2012, through February 10, 2013, and at the Art Gallery of Ontario March 16, 2013, through June 16, 2013. Contributors to this volume include Roy S. Berns, Eve Borsook, Bryan Keene, Francesca Pasut, Catherine Schmidt Patterson, Alan Phenix, Laura Rivers, Victor M. Schmidt, Alexandra Suda, Yvonne Szafran, Karen Trentelman, and Nancy Turner.
LC Classification Number
ND621.F7F59 2012
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