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Sex öffentlich machen und andere filmische Fantasien (Theorie Q) Softcover NEU VERSIEGELT
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eBay-Artikelnr.:176790603432
Artikelmerkmale
- Artikelzustand
- ISBN
- 9781478001676
Über dieses Produkt
Product Identifiers
Publisher
Duke University Press
ISBN-10
1478001674
ISBN-13
9781478001676
eBay Product ID (ePID)
241083473
Product Key Features
Number of Pages
313 Pages
Publication Name
Making Sex Public and Other Cinematic Fantasies
Language
English
Publication Year
2018
Subject
Film / General, Gender Studies, Lgbt Studies / Gay Studies, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, Social Science
Series
Theory Q Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
27.3 Oz
Item Length
8.9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2018-012344
Reviews
Making Sex Public and Other Cinematic Fantasies is a vital contribution to queer studies and cinema studies. Young's exquisitely written argument is richly loaded with insight and provocation and is bound to stimulate wide-ranging discussion in the fields with which it engages., Making Sex Public intervenes with insight, eclecticism, and lively erudition into a period often approached through familiar narratives.... Young offers a fresh series of coordinates, widely dispersed yet carefully choreographed., Young's Making Sex Public is essential reading for those working in queer and feminist cinema studies., Damon R. Young's rigorously researched and beautifully written first book, Making Sex Public and Other Cinematic Fantasies , is fundamentally a transnational and transatlantic study of how sex became, as the title goes, visible., Making Sex Public is a deliberate text that carefully controls its scope and claims.... [It] offers an impressive toolkit of critical language and cinematic insights for a wide range of scholars and is a more than deserving entry into the broader canon of writing on screen sex., " Making Sex Public and Other Cinematic Fantasies is a vital contribution to queer studies and cinema studies. Young's exquisitely written argument is richly loaded with insight and provocation and is bound to stimulate wide-ranging discussion in the fields with which it engages." -- Guy Davidson Continuum "Damon R. Young's rigorously researched and beautifully written first book, Making Sex Public and Other Cinematic Fantasies , is fundamentally a transnational and transatlantic study of how sex became, as the title goes, visible." -- Ricky Varghese Public " Making Sex Public intervenes with insight, eclecticism, and lively erudition into a period often approached through familiar narratives.... Young offers a fresh series of coordinates, widely dispersed yet carefully choreographed." -- Nick Davis GLQ " Making Sex Public is a deliberate text that carefully controls its scope and claims.... [It] offers an impressive toolkit of critical language and cinematic insights for a wide range of scholars and is a more than deserving entry into the broader canon of writing on screen sex." -- Sam Hunter Film & History "Young's Making Sex Public is essential reading for those working in queer and feminist cinema studies." -- Haley Hvdson Synoptique "[An] important and original theoretical intervention in queer theory and film studies." -- Nick Rees-Roberts Journal of the History of Sexuality
Grade From
College Sophomore
Illustrated
Yes
Grade To
College Graduate Student
Table Of Content
Acknowledgments ix Introduction. Making Sex Public 1 Part I. Women 1. Autonomous Pleasures: Bardot, Barbarella , and the Liberal Sexual Subject 21 2. Facing the Body in 1975: Catherine Breillat and the Antinomies of Sex 54 Part II. Criminals 3. The Form of the Social: Heterosexuality and Homo-aesthetics in Plein soleil 95 4. Cruising and the Fraternal Social Contract 122 Part III. Citizens 5. Word Is Out , or Queer Privacy 159 6. Sex in Public: Through the Window from Psycho to Shortbus 187 Epilogue. Postcinematic Sexuality 215 Notes 239 Bibliography 279 Index 295
Synopsis
Beginning in the late 1950s, representations of and narratives about sex proliferated on French and U.S. movie screens. Cinema began to display forms of sexuality that were no longer strictly associated with domesticity nor limited to heterosexual relations between loving couples. Women's bodies and queer sexualities became intensely charged figures of political contestation, aspiration, and allegory, central to new ways of imagining sexuality and to new liberal understandings of individual freedom and social responsibility. In Making Sex Public Damon R. Young tracks the emergence of two conflicting narratives: on the one hand, a new model of sex as harmoniously integrated into civic existence; on the other, an idea of women's and queer sexuality as corrosive to the very fabric of social life. Taking a transatlantic perspective from the late '50s through the present, from And God Created Woman and Barbarella to Cruising and Shortbus , Young argues that cinema participated in the transformation of the sexual subject while showing how women and queers were both agents and objects of that transformation., Damon R. Young tracks the emergence of new forms of sexuality in French and American cinema from the 1950s to the present, showing how cinema transformed narratives of sexuality and how women and queers were both agents and objects of that transformation.
LC Classification Number
PN1995
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