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Gornostaeva, Vera : Band 3: Op 73 Kaiser KV 466 CD

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Zuletzt aktualisiert am 11. Jun. 2025 13:37:03 MESZAlle Änderungen ansehenAlle Änderungen ansehen

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Artikelzustand
Sehr gut: Artikel, der gebraucht wurde, sich aber noch in einem sehr guten Zustand befindet. Die ...
UPC
0884501981774

Über dieses Produkt

Product Identifiers

Record Label
CD Baby, Cdb
UPC
0884501981774
eBay Product ID (ePID)
10046057753

Product Key Features

Release Year
2014
Format
CD
Genre
Classical Artists
Artist
Vera Gornostaeva
Release Title
Vol 3: Op 73 Emperor / K. 466

Dimensions

Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in

Additional Product Features

Number of Tracks
6
Number of Discs
1
Tracks
Piano Concerto No. 5 in E-Flat Major Op. 73 "Emperor": I. Allegro, Piano Concerto No. 5 in E-Flat Major Op. 73 "Emperor": II. Adagio Un Poco Mosso, Piano Concerto No. 5 in E-Flat Major Op. 73 "Emperor": III. Rondo Allegro Ma Non Troppo, Piano Concerto No. 20 in D minor K. 466: I. Alegro, Piano Concerto No. 20 in D minor K. 466: II. Romanze, Piano Concerto No. 20 in D minor K. 466: III. Alegro Assai
Notes
After critical and commercial success of the first two volumes, LP Classics continues to explore the vaults of Gosteleradiofond (one of the main Russian Archives of radio and television broadcasts), and is honored to release live performances of this remarkable pianist. In one of the recent reviews of Vol.2, David DeBoor Canfield of Fanfare Magazine stated: "There is simply no telling how many musical treasures are collecting dust in various radio archives and similar institutions waiting to be unearthed. I know how rewarding unearthing a gem can be, as I've had a few occasions to come across something really musically valuable during the course of my decades as a record dealer. The present recital by Russian pianist Vera Gornostaeva must rand among the significant discoveries of such desiderata in the past decade. This is playing of the first order by an artist of unquestionable major stature. Gornostaeva's reading of Pictures sits squarely in the grand tradition of Russian and Soviet performers of the era. She convincingly sets each of the pictures within the framework of the whole, so that one hears the piece as an entity, and not a series of separate smaller works. This is a near flawlessly executed live performance of the Mussorgsky masterpiece. Rachmaninoff's preludes fare equally well. Gornostaeva exhibits beautiful singing lines (Op.23/1), a Richter-like virtuosity (Op. 23/7), and a radience that evoked for me a mental image of the sun breaking through the clouds on a bleak November day (Op. 23/10). This is a recital simply not to be missed by pianophiles and others who want a stunning example of the Russian school of playing during it's golden era." Upon graduating from the Moscow State Conservatoire, where she studied with the great Heinrich Neuhaus, Vera Gornostaeva immediately launched her career as an avid performer, pedagogue and an author. In 1958 she accepted a teaching position at the Moscow State Conservatoire, in 1969 was given professorship and in 1966 she earned the title of "Honored Artist of the Russian Federation." Starting in the mid-50s, Gornostaeva traveled extensively throughout the Soviet Union, with up to a hundred concerts a year. Her performances were always sold out; halls overflowing with fans trying to hear their favorite pianist. Critics described her playing as "Stupendous," "Unique," "A True Artist" and "Simply Outstanding." Reviewers stated: "Gornostaeva is a natural! She has an envious control of the instrument." "Recitals, given by Gornostaeva, are never flashy. Her playing is neither mannered nor false. She communicates the true essence of music that she delivers in the most profound way. Whether it is works by Beethoven, Brahms, Chopin, Schumann, Prokofiev or Shostakovich - there is always a great sense of knowledge, intellect and inescapable passion." Gornostaeva also involved herself in other educational activities that included leading annual seminars for Russian music teachers; giving frequent radio and television lectures on classical music and the performing arts; frequently publishing articles in newspapers and magazines. In the late 1980s, Gornostaeva's Television series entitled the "Open Piano" received great critical acclaim as well as groundbreaking ratings. In 1991, she released a book entitled "Two Hours after the Concert" (In 1994 this book was translated and published in Japan). Vera Gornostaeva's career was constricted due to her political and religious beliefs, as well as not being in sync with the Soviet regime. Therefore, she was one of the many who was "blacklisted." The invitations from the West kept pouring in, but the permission to leave was never granted. As a result, for over twenty years Gornostaeva was officially deemed politically unreliable. When the iron curtain fell, Ms. Gornostaeva was "set free" and the inevitable happened. The world embraced her with open arms. In France, where she was first invited to give master classes, "Le Monde" publis

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