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Kevin Morby Sundowner INDIE EXKLUSIVE BLICKDICHTE GELBE VINYL-LP BRANDNEU
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Kevin Morby Sundowner INDIE EXKLUSIVE BLICKDICHTE GELBE VINYL-LP BRANDNEU
US $10,98US $10,98
Di, 09. Sep, 02:24Di, 09. Sep, 02:24

Kevin Morby Sundowner INDIE EXKLUSIVE BLICKDICHTE GELBE VINYL-LP BRANDNEU

Yellow Dog Discs
(8180)
Angemeldet als gewerblicher Verkäufer
US $10,98
Ca.CHF 8,69
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    Versand:
    US $6,99 (ca. CHF 5,53) USPS Media MailTM.
    Standort: Wilmington, North Carolina, USA
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    Lieferung zwischen Sa, 27. Sep und Mi, 1. Okt nach 94104 bei heutigem Zahlungseingang
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    eBay-Artikelnr.:177110476486

    Artikelmerkmale

    Artikelzustand
    Neu: Neuer, unbenutzter und unbeschädigter Artikel in der ungeöffneten Verpackung (soweit eine ...
    Speed
    33 RPM
    Case Type
    Cardboard Sleeve
    Custom Bundle
    No
    MPN
    NOT SPECIFIED
    Material
    Vinyl
    Modified Item
    No
    Type
    LP
    Record Grading
    Near Mint (NM or M-)
    Language
    English
    Sleeve Grading
    Near Mint (NM or M-)
    Record Size
    12"
    Country/Region of Manufacture
    United States
    Number of Audio Channels
    Stereo
    UPC
    0656605153131
    Kategorie

    Über dieses Produkt

    Product Identifiers

    Record Label
    Dead Oceans, Dedo
    UPC
    0656605153131
    eBay Product ID (ePID)
    28070893955

    Product Key Features

    Release Year
    2020
    Format
    Record
    Genre
    Rock
    Artist
    Kevin Morby
    Release Title
    Sundowner (Opaque Yellow Vinyl)

    Dimensions

    Item Height
    0.15 in
    Item Weight
    0.72 lb
    Item Length
    12.24 in
    Item Width
    12.11 in

    Additional Product Features

    Number of Tracks
    10
    Country/Region of Manufacture
    United States
    Tracks
    Valley, Brother Sister, Sundowner, Campfire, Wander, Don't Underestimate Midwest American Sun, A Night at the Little Los Angeles, Jamie, Velvet Highway, Provisions
    Number of Discs
    1
    Notes
    To Whom It May Concern, I am here to announce that my new album, Sundowner, will be out October 16th, 2020 via Dead Oceans. THE WRITING: (KANSAS CITY, KANSAS)In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own.As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract.Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. THE RECORDING:Sonic Ranch, Neve Room,Tornillo, TexasIn January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. AFTER Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from

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