Bruce Springsteen "Nebraska" Japan mini lp style w. insert unplugged sounding A+
AU $25,00AU $25,00
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Bruce Springsteen "Nebraska" Japan mini lp style w. insert unplugged sounding A+
AU $25,00
Ca.CHF 13,12
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“Great.”
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Versand:
AU $22,30 (ca. CHF 11,71) Australia Post International Standard.
Standort: Miranda, NSW, Australien
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Lieferung zwischen Fr, 22. Aug und Di, 2. Sep nach 94104 bei heutigem Zahlungseingang
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eBay-Artikelnr.:177286799415
Artikelmerkmale
- Artikelzustand
- Neuwertig
- Hinweise des Verkäufers
- “Great.”
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- Album
Über dieses Produkt
Product Identifiers
Record Label
Sony Music Distribution (USA)
UPC
4571191052162
eBay Product ID (ePID)
25050155162
Product Key Features
Format
CD
Release Year
1982
Genre
Folk
Run Time
37 Mins
Artist
Bruce Springsteen
Release Title
Nebraska
Additional Product Features
Distribution
MSI Music Distribution
Number of Discs
1
Country/Region of Manufacture
USA
Reviews
Rolling Stone (11/89) - Voted #43 in Rolling Stone's "100 Greatest Albums Of The Eighties" survey. Alternative Press (11/00, p.144) - Included in AP's "10 Essential Political-Revolution Albums" - "...The USA never sounded as desolate as it does on this living-room recording....Springsteen gives working-class alienation an unmistakable voice." Q (Magazine) (p.120) - "Backed by just acoustic guitar and occasional harmonica, it remains Springsteen's most affecting album..." NME (Magazine) (9/25/93, p.19) - Ranked #29 among The 50 Greatest Albums Of The '80s.
Additional information
Solo performer: Bruce Springsteen (vocals, guitar, harmonica). Recorded in Springsteen's New Jersey bedroom on a 4-track cassette recorder. Limited-edition Japanese version. CD comes in Jpn LP Sleeve. As a followup to THE RIVER, a double-album blast of old-time rock and roll, this amazing solo-acoustic folk album came out of nowhere in the fall of 1982. More precisely, it came out of Bruce Springsteen's back pocket. He recorded what would become NEBRASKA at home on a 4-track recorder, intending it as a demo tape for a full-band album. The band versions were recorded, but Springsteen sensed something missing; eventually, he became convinced that his demo tape, which he had carried around in a back pocket of his jeans for several days, had a spiritual wallop that he and the band couldn't recreate. He had the cassette cleaned up and turned into his sixth album. There's little doubt that he made the right choice. The songs on NEBRASKA form a bleak cycle about men on the run, from the law, from their fathers or from themselves, usually for reasons even they don't understand. And Springsteen's dry, howling voice, which sometimes dips to a desperate whisper and sometimes rises to a haunted scream, seems to carry all their fears and all their hidden knowledge. The title song, about Charlie Starkweather, the serial killer chronicled in the movie BADLANDS, is one of two on the album about men who see the electric chair as their natural, God-given fate, if not their salvation. A couple of others could be the very drivers of the cars Paul Simon once counted on the New Jersey turnpike, except that where Simon saw America, all these characters see are dirty refinery towers. This was songwriting that channeled both Woody Guthrie and Hank Williams, and the stark sound of NEBRASKA was not merely a homage to them, but a perfect casing for these tales. Whether strumming through "Atlantic City," picking out arpeggios on "Nebraska" or banging out a shuffle on "Open All Night" (a rare upbeat moment), Springsteen's lone acoustic guitar was all the accompaniment they needed, echoing their loneliness and isolation.
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